Elmar 4.5/10.5cm, ser.no.112405, 1932

Vollenda No. 48 with Elmar, 1932 Nagel, Stuttgart. Body no. 131007, with Leitz Elmar 3,5/5 cm, no. 107742, size 3 x 4 cm, Compur shutter, with case. Vollenda No. 48 mit Elmar, 1932 Nagel, Stuttgart. G

Leica II with Elmar 5 cm, c. 1932 Leitz, Wetzlar. No. 87504, with Leipzig retailer’s plaque and Elmar 3.5/50 mm no. 133435, in case, small dent on top plate below "Wetzlar" engraving, 0 setting

Vollenda 48 with Elmar 3,5/5 cm, c. 1932 Nagel, Stuttgart. Vollenda, type 48, no. 125325, for 3 x 4 cm on 127-rollfilm, early first version still original without depth-of-field ring and without trans

A Leica Standard Model E Camera, A Leica Standard Model E Camera, 1936, black/nickel, serial no. 200692, with Leitz Elmar f/3.5 50mm lens, 1932, nickel, serial no. 137134, body, VG, shutter working, l

Leica II Nr. 83479 with 50mm Elmar f3,5 Nr. 130903. Made in 1932, this set was likely deliverd together under the Leica code "LYKUP". Condition: Excellent +

Leica II Nr. 88314 with 50mm Elmar f3,5 in matching nickel finish with original lens cap and ever-ready case. A stunning Leica set, made in 1932 in a batch of 75 cameras. The case, lens cap and access

Leica Standard, c. 1932 Leitz, Wetzlar. ALVOO no. 103874, reverse with retailer’s plate from Praha (Prague), nickel-plated Elmar 3.5/50 mm no. 122318 with pin-release adjustment knob, 2 contempo

'Leica II with Summitar 2/5 cm and Elmar 4/9 cm Leitz, Wetzlar. 1) Leica II, no. 95531, c. 1932, small section of vulcanite missing under screw-mount, good condition, "0" engraving. (3+/2-) - 2) Summi

Leica II Nr. 90134 with 50mm Elmar f3,5 Nickel, Nr. 13491 with middle-type infinity lock. Made in 1932, in a batch of 183 cameras. Working. Condition: Excellent ++

Early Numbered Version With Rangefinder Coupling Elang-Kup, In Very Good Condition, Good Optics With Some Haze, Feet Scale First Delivered To London On 14.09.1932, With Both Caps

1931, black, serial no. 56263, with Leitz Hektor f/2.5 50mm lens, 1932, nickel, body, G-VG, shutter working, lens, G, some light internal haze and cleaning marks, complete with Leitz Elmar f/3.5 35mm

A Leica II Black Paint Rangefinder Camera Outfit,1932, black, serial no. 75402, with three Leitz lenses including Leitz Elmar f/3.5 50mm, Leitz Elmar f/3.5 35mm and Leitz Hektor f/4.5 135mm, body, G,

black, 1932 serial no.86148, wiith a Leitz Elmar f/3.5 5cm collapsible lens, 1935 serial no.244663, shutter working, body G, rangefinder patch working but has haze, lens F, haze, with two 1947 dealer

Full title: A large American terrestrial library globe with walnut stand, Williams-Pridham/ W & A.K. Johnston Ltd., early 20th C. Description: H 109 cm About this sale: Paul De Grande is one of the ma

12 1/4 x 38 1/2 inches (overall)

Conrad Marca-Relli (1913-2000) Untitled 1966 The color screenprint in color is numbered 15 lower left and signed by the artist in pencil below the image lower right. Original gallery labels verso from

(1905 Frankfurt - 1944 bei Smolensk) Zwei Fohlen Moderne, auf Umriss und Fläche hin komponierte Arbeit Scheeles, der zu den Künstlern der sog. verschollenen Generation gehÃ&

Sign appears to have most of its original paint. There is age cracking to the entire surface, soiling and a stress crack through the middle. Condition:(Very Good).Dimensions69" T. Condition:(Very Good

A GOOD CHINESE QING DYNASTY BLUE AND WHITE PORCELAIN STEM CUP Tibetan style, Qianlong mark and possibly of the period, painted with floral sprays. 14 cm x 14 cm.

Marc Chagall Original Lithograph The story of Exodus 1966 on Arches paper. Approx 30x20 inches Custom framed and includes certificate

Grand Cross Set, 2nd Type (King Paul) from 1947. Sash Badge, 88x63 mm, Silver gilt, obverse enameled (minor damage), superimposed parts gilt silver, original suspension crown, ring, loop and sash. Bre

Artist: Armond Fields Title: Fieldsville Trolly Medium: Hand Pulled Serigraph on Paper Limited Edition: 36/90 Art Dimensions: 18 H x 31 W inches Framed Dimensions: 26 H

19th-16th century BC. A terracotta plaque formed as L-shaped throne with two miniature feet to the bottom; low-relief motif of a seated goddess dressed in long loose robe wearing horned tiara, holding

"J'étais totalement impliqué et amoureux du Quattrocento. Mais je ne pouvais bien sûr pas maintenant peindre des personnages du Quattrocento. Mes prêtres étaient contemporains [...].";