Eva Van Rijn (b. 1935)

Eva van Rijn (American, b. 1936) Bisby Morning, 2002 oil on panel signed van Rijn (lower left) 12 x 16 inches The Laumeister Collection from The Bennington Center for the Arts, Benningt

"Cooper Lake" 8"x10" Oil on Board framed Signed lower left

Oil on masonite. Study of a Tree. Signed l.r.; 18in. X 11.5in.

patinated and gilt bronze, mounted on a stepped green marble base; signed and numbered 55/75 in casting; 19 1/2 inches wide; 15 inches deep; 20 total inches high

Barbara Van Cleve (b.1935 Montana) ''Romance Maker'' 1989 Silver Gelatin Photograph 18.75''x12.75'' Image. Pencil signed and titled lower margin with image number 10. Total framed size 28.25''x22.25''

"Ground Blizzard". 1970/1989. Depicting a rider with pack horses in blizzard. Mounted to backing mat. Pencil titled, dedicated, signed and dated 1970 to mat below image. Barbara P. Van Cleve official

Rembrandt Van Rijn (Dutch, b. 1606- d. 1669). An etching titled "Return of the Prodigal Son. Image: 6-1/4in x 5-1/4in. Frame: 18in x 16in.

"Landscape With a Cow Drinking" by Rembrandt Van Rijn; ca. 1650. B., Holl. 237; H. 240; BB 50-I; 4 1/16" x 5" plate size; 12 7/8" x 9 3/4" sheet size; Etching on Ingres d'Arches off-white laid paper (

Barbara Van Cleve (American, b. 1935). "Filly Chasing" "Running Before the Storm"; "Noon Break"; "Running Horses"; "Team Roping Motion"; "Tough Hombres" and "Barbara Page VanCleve - Photographer and H

Barbara Van Cleve (American, b. 1935). "Romance Makers" photograph, 1989. Signed in pencil at lower right. Titled in pencil at lower left. Numbered "9" in pencil at lower center. A fabulous black and

Damianos, Eva Lu (American/Pittsburgh, b.1935), Untitled Abstract Canvas, signed upper left, acrylic on canvas, 50 x 53 inches in a simple wood frame.

LandscapeWatercolor on silkSigned and sealed at the lower right corner "TrÆ°Æ¡ng Văn Ã"39 x 54 cmNote: Studied at Sai Gon College of Fine art (1956-1959),Director of Gia Dinh National School o

AFTER REMBRANDT VAN RIJN (DUTCH, 1606-1666) ETCHING ON PAPER "THE SCHOOLMASTER" , 1641. Ref: Hind 192 , B 128 - ATTR / AFTER REMBRANDT VAN RIJN A Hurdy-Gurdy Player Followed by Children at the Door of

Rembrandt Harmensz van Rijn (1606-1669) etching,"The Three Trees," B. 212; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon, page 185. Probably a 19th century impression. Not examined

Rembrandt van Rijn (Netherlands, 1606–1669) . Ephraim Bonus, Jewish Physician, Etching. B 278; Three margins have been trimmed, Verso, adhesive on corners; staining . 8 5/8" x 6 7/8".

A rare etching with margins on paper titled "Bald Headed Man in Profile Right; Small Bust (the artist's father?)" (B. 294, H. 24, BB. 30-11) by Rembrandt Van Rijn, c. 1630. Signed and dated, R L 1630,

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) The Descent from the Cross: Second Plate, 1633, fifth (final) state (B., Holl. 81; H. 103; BB. 33-C) etc

REMBRANDT VAN RIJN (1606-1669), ETCHING & DRYPOINT, 4TH & FINAL STATE, H 4", W 6", "THE ANGEL DEPARTING FROM THE FAMILY OF TOBIAS":Plate signed and dated 1641; framed; references: B., Holl.. 43; H. 18

(1606 Leiden - Amsterdam 1669). Die Ruhe auf der Flucht. Nachtstück. Radierung um 1644. 8,9 x 5,8 cm. B-57. BB 44-2. - Beschnitten u. auf Kart. aufgezogen, mit Tuschumrahmung u. Fehlst. links obe

Medium: Etching. Title: Six's Bridge (B., Holl. 208; H. 209), c. 1645. Dimensions: 8.5 X 5 inches (etching), frame: 12 x 16 inches. Lot note and provenance: Private collection, Maryland. The etching w

THE STROLLING MUSICIANS circa 1635 (B.119; H.142; HOL.119), etching, plate 5 ½ x 4 ½” with thin margins, edition not determined (there is a Basan edition circa 1790), frame 14 ½ x

Harrison Schmitt (American, b. 1935) Eugene Cernan tests the unloaded Lunar Rover, EVA 1, Apollo 17, December 1972. NASA Goddard caption numbered 'AS17-147-22526' on the verso. Vintage chromogenic p

BAPTISM OF THE EUNUCH (B.98; HO.98; H.182), 1641, etching on thin unmarked wove paper, signed in the plate, sheet 7 3/8 x 8 3/4” with thin margins, frame 16 ¼ x 17 ¼” with Pl

RAISING OF LAZARUS (B.73; H.73), etching on wove paper, sight 14 x 9 ¾”, label on verso states late Basan/ early 19th Century impression, hand-made custom frame 27 x 25” with glass.