A.W.N. PUGIN (1812-1852) OR E.W. PUGIN (1834-1875) (ATTRIBUTED DESIGNERS) GOTHIC REVIVAL REFECTORY

A.W.N. PUGIN (1812-1852) OR E.W. PUGIN (1834-1875) (ATTRIBUTED DESIGNERS) GOTHIC REVIVAL REFECTORY oak and pitch pine(225.5cm long, 75.5cm high, 107cm deep)

A W N Pugin for John Hardman and Sons (attributed), a Gothic Revival brass and enamelled altar vase, circa 1850, footed baluster form, decorated with champleve thistle and foliate entwined rope emblem

E.W. PUGIN (1834-1875) GOTHIC REVIVAL CHAIR, CIRCA 1870 oak, with velvet upholstery, later but of the period(47.5cm wide, 84cm high, 42cm deep)Literature: V&A Accession no W.1-1991 Note: This chair is

A.W.N. PUGIN (1812-1852) OR E.W. PUGIN (1834-1875) (ATTRIBUTED DESIGNERS), POSSIBLY FOR GILLOW & CO. oak(226cm long, 74cm high, 68cm deep)

JOHN MOYR SMITH (1839-1912) (ATTRIBUTED DESIGNER) FOR COX & SON, LONDON GOTHIC REVIVAL SIDE CHAIR, CIRCA 1880 ebonised oak with incised and polychrome decoration, original velvet upholstered seat and

DESCRIPTION: A pair of monumental gothic revival style candelabras with seven candle holding arms with center raised arm. Features bronze foundations with intricate figural and acanthus leaf designs t

EDWARD WELBY PUGIN (1834-1875) Chaise en chêne, dossier en bandeau incurvé, montant arrière triangulaire, assise légèrement bombée, panneaux latéraux du pièteme

AUGUSTUS WELBY NORTHMORE PUGIN (1812-1852) OR EDWARD WELBY PUGIN (1834-1875) NEEDLEWORK RUG, CIRCA wool, with later linen backing, with later cotton binding to each end, the panel a section of a large

GOTHIC REVIVAL BREAKFRONT ATTRIBUTED TO J. & J.W. MEEKSSecond Quarter of the 19th CenturyIn mahogany and mahogany veneer. Made in eight sections. Central cornice with three removable finials and a rel

Gothic Revival Carved Oak Upholstered Armchair, Attributed to A.J. Davis, New York 47 1/2 x 24 x 36 in., height of seat 16 in.

Elaborately carved with gothic finials, pierced balustrade, coats of arms, lattice work, fools, jesters, dragons, cherubs, fleur de lis etc. with carved and pierced scrolled floral arm supports, seat

signed to dial 'John Wannamaker, New York' with moon phase and nine chimes 19 1/2 inches wide; 16 inches deep; 107 inches high

The design attributed to the Coalbrookdale foundry. The benches in the Gothic Revival English taste featuring Gothic tracery backrest centered by quatrefoil designs. The gracefully curved arms with Go

A Pair of American Gothic Revival Painted Cast Iron Garden Benches Peter Timmes Son, Brooklyn, NY, Circa 1895 Height 40 x width 43 1/2 x depth 18 inches. Provenance: Property from the Estate of Mrs. K

Eight American Gothic Revival Carved White Oak Dining Chairs, mid-19th c., possibly "Stanton Hall Maker" or John Henry Siever, San Antonio, Texas, incl. two arm and six side chairs, arched crocketed c

Attributed to John Henry Belter (1804-1863), New York, ca. 1850-1860. Carved and Laminated. 46"h For a similar example, see Neal Auction Company, New Orleans, LA, September 12, 2015, Lots 123-124

A Renaissance Revival Marble Mounted Carved and Laminated Rosewood Etagere Attributed to John Henry Belter (American, 1804-1863), Circa 1855 Height 108 x width 64 x depth 17 inches. A near identical e

Attributed to John Henry Belter (1804-1863), New York, ca. 1850-1860, carved and laminated in the "Tuthill King" pattern. Armchair: 46"h x 26"w (over arms) Footstool: 14-1/2"h x 18-1/2"w x 18-1/2"d Th

Pair of American Rococo Revival Laminated Rosewood Armchairs in the "Henry Clay" Pattern, mid-19th century, attributed to John Henry Belter, New York, each with a floral-, foliate- and fruit-carved cr

Seven-Piece American Renaissance Revival Walnut Parlor Suite third quarter 19th century, attributed to John Jelliff, Newark, New Jersey, consisting of a pair of sofas, each with a central carved portr

American Rococo Revival Carved Rosewood Parlor Suite Attributed to J and J Meeks. John and Joseph Meeks. Stanton Hall pattern. A composite suite, comprising two settees, two side chairs, and an armcha

Attributed to: Albert Marquet (France b.1875 -d.1947). Titled: La plage des Sables-d'Olonne. Medium: Oil on Canvas, mounted in period frame. Image Size: 20” x 24" (without frame). Signed: Marquet

Laura Woodward (American 1834 - 1926) oil on canvas, signed lower left and dated 1875. 12 x 10 inches.

A Fine Renaissance Revival Parcel Gilt and Ivory-Painted Cabinet Attributed to George Schastey, New York, Circa 1875 Height 67 x width 64 x depth 22 inches. Note: The recent scholarship and subsequent