Fine Reproduction

Finely and authentically hand-wrapped throughout in cloudband motifs, with superb gold and silver-inlaid steel mounts. The reverse with integral lining and cushion. Mid-20th century. Diameter 50cm. Po

FINE REPRODUCTION OF A JAMES E. BUTTERSWORTH PAINTING OF "PURITAN" AND "MAYFLOWER" IN THE 1886 AMERICA'S CUP TRIALGiclée on canvas, 16" x 24". Framed 21" x 30"

10 Fine Reproduction French Armchairs, Ebony with Gold Accents and Red & Gold Upholstery (some staining & some trim missing & reglued)

FINE REPRODUCTION OF AN ANTONIO JACOBSEN PAINTING OF "THISTLE" AND "VOLUNTEER" IN THE 1887 AMERICA'S CUPGiclée on canvas, 19.75" x 34.25". Framed 26" x 40".

Fine reproduction Willard patent banjo clock by Bigelow Kennard & Co, Boston. Gilt brass eagle finial with geometric decorated glasses and mahogany cross banded frames. Good condition, sun struck case

Fine Reproduction Country French Chest, 36"h x 47"w x 23"d

Fine Reproduction French style inlay and painted, 49"h x 44"w

Fine reproduction diminutive burled desk on a stand, slant front with fitted interior, 38"h x 21"w x 16"d

Fine reproduction tea table with Chippendale rim and burled surface, 29"h x 34"w x 24"d

Fine Reproduction Highboy, Maple & Cherry, 84"h x 33 1/2"w x 19"d

Ladder saddle seat; stretched Marlborough legs; (4) side chairs; (2) arm chairs; H- 39"; W- 21"

6 assorted foot stools, 1 fine reproduction and 5 vintage

Fine reproduction painted armchair, maiden scene on panel finely upholstered

Title: Very fine reproduction powder horn. Mid 20th century Dimension: 14" long Additional Information: Well turned wooden stopper and plug with extensive tack decoration and a star form decorative le

Fine Reproduction Gilded French Style Mirror, Scrolling And Laurel Leaf Design, 62"H x 36"w

(PLEASE READ CARDS DEPICTED IN PHOTOS, WE ARE SELLING AS AGES UNKNOWN SO PLEASE MAKE YOUR OWN DETERMINATIONS AND DECISIONS BEFORE YOU BID) A Very Fine Reproduction Plains Style (Sioux) Tomahawk Of The

George C. Smith's 1855 "Plan of Boston Comprising a Part of Charlestown and Cambridge", from the Collection of Norman B. Leventhal, Presented to Members of the MIT Class of 1938, on the Occasion of th

(American, 1873-1949) Ethol in the Rose Garden, Giverny, signed lower right (by the artist's daughter) "Edmund Greacen by N.G.", oil on canvas, 30 x 30 in.; fine reproduction gilt wood and composition

(New York, 1803-1889)Mother's Lessons, Amalfi, 1857, signed and dated lower right "Robt. W. Weir/1857", oil on panel, 16 x 12 in.; fine reproduction carved gilt wood and composition frame, 24-1/2 x 20

(American, 1798-1835) Coastal Inlet by Moonlight, 1822, signed and dated lower left "J.S. Blunt pinxt 1822", oil on canvas, 21 x 26-1/4 in.; fine reproduction gilt wood frame, 26-1/2 x 31-1/2 in.

(American, 1815-1855) Double Portrait of The Marshall Children, unsigned, oil on canvas, 30 x 36 in.; fine reproduction carved gilt wood frame, 38 x 44-3/4 in. Note: The artist's journal includes a re

(American, 1855-1919) On The Trail, signed lower right "Gilbert Gaul", New York colourman label stretcher verso, oil on canvas, 17 x 24 in.; fine reproduction gilt wood frame, 21-1/2 x 28-1/2 in. Prov

(American, 1887-1980) Tying the Shawl, signed lower left "Emily Burling Waite", 39 x 32-1/2 in.; fine reproduction carved gilt wood and composition frame, 41-1/2 x 49 in. Provenance: Vose Galleries, B

(Massachusetts, 1869-1940)Little Boy with his Dog, 1918, signed and dated lower right "M.D. Page/1918", oil on canvas, 46-1/2 x 32 in.; fine reproduction carved gilt wood frame, 55-1/4 x 41 in.Exhibit