FITZ HENRY LANE (Massachusetts, 1804-1865), "The Blood

Signed illegibly in the lower left corner. This looks like the work of Fitz Henry Lane (1804-1865). 19th Century oil on wood. 10 3/4 x 8 3/4 in. (Framed), 9 1/2 x 7 1/2 in. (Board)

Attributed to Fitz Henry Lane (American, 1804–1865), luminous full moonrise over harbor, oil on artist board, in period gilt wood oval frame, 7 3/4" h x 10 1/4" w (view), 11" h x 13" w (frame). Prov

Fitz Henry Lane (American, 1804-1865), lithograph on paper depicting a working seaside town on the harbor, published by A. Conant, 18" x 26" sight, 26 3/4" x 34 1/2" framed.

Fitz Henry Lane (American, 1804-1864), 'View of Gloucester, Massachusetts', lithograph, labeled L.H. Bradford and Co., 23 1/2" x 36", framed 30 1/2" x 43". Provenance: Northeast Auctions, Portsmouth,

Fitz Hugh Lane, 1804-1865, Print, "Limber Schooners at Evening on Penobscot Bay" 1860. National Gallery of Art, Washington, Andrew W. Mellon Fund & Gift of Mr. and Mrs. Francis W. Hatch, Sr. 1980.29.1

"A View of Newburyport" lithograph 18 1/2 x 27 inches. signed inprint. framed. 23 x 32 inches (overall)

Henry Walton (Am. 1804-1865) NYS painter and lithographer, best known in Ithaca. 36" high, 30" wide. Crazing, edge losses.

Federal Mahogany and Mahogany Veneer Swell-front Chest of Drawers, Erastus Grant (1774-1865), Westfield, Massachusetts, 1804. Single board top with elliptic front veneered at edge and returns, contain

Elmer Rising (1906 - 1987): The Old Stone Jug. Limited edition (54/100) print of a surreal-esque New England home by the ocean (The home of painter Fitz Hugh Lane, in Gloucester, Massachusetts). Signe

Antique American masterpiece painting! Very finely done and so impressive in person. Has the feel of something very special in person!! Could be an unsigned. Fitz Hugh Lane?! Framed. No signature foun

After Francisque Joseph Duret (French, 1804-1865) "Neapolitan Dancer with Tambourine" "Neapolitan Dancer with Castanets" pair of pendant patinated bronzes third or fourth quarter 19th century, cast by

Style of Auguste-Hyacinthe Debay, (French, 1804-1865), Wedding of Emperor Napoleon III, oil on panel, 11" x 14.5"

Henry HenscheMassachusetts, Louisiana / Germany, (1899-1992)Portrait of Len Gridley Everitt (1925-1984)pencil on papersigned lower right, framed.Hensche and Everitt were both Provincetown artists.18 x

Summertime at the Ranch, San Diego; oil on canvas; signed lower left; 30 3/4 x 35 inches

CHARLES HENRY GIFFORDMassachusetts, 1839-1904"Surf Rolling in to a Rocky Shoal". Signed lower right "C.H. Gifford". Titled on label verso.Oil on canvas, 13" x 18". Framed

JAMES HENRY MOSERMassachusetts, 1854-1913“Autumn - Monument Mtn. Berkshires”. Signed lower left “JH Moser”. Titled verso.Oil on canvas, 6” x 8”. Framed 10” x 12”.

Attributed to John Henry Belter (1804-1863), New York, ca. 1850-1860. Carved and Laminated. 46"h For a similar example, see Neal Auction Company, New Orleans, LA, September 12, 2015, Lots 123-124

Attributed to John Henry Belter (1804-1863), New York, ca. 1850-1860, carved and laminated in the "Tuthill King" pattern. Armchair: 46"h x 26"w (over arms) Footstool: 14-1/2"h x 18-1/2"w x 18-1/2"d Th

HENRY HENSCHEMassachusetts/Louisiana/Germany, 1899-1992"Provincetown". Signed lower right "H. Hensche".Oil on masonite, 12" x 15" Framed 15.5" x 18.5".

US Senators: 75 Free Frank Covers of US Senators Serving Between 1845-1865. Henry Clay, Millard Fillmore, Robert Toombs, Hamilton Fish. Remarkable collection, expertly presented of US Senators' signat

Prellwitz, Henry (American 1865 - 1940), Turmoil, circa 1931, oil on canvas, 34 x 36 inches, signed H. Prellwitz lower right, Exhibited in the exhibition, "Henry and Edith Mitchill Prellwitz and the P

DESCRIPTION: Very important and fine Victorian gentleman's or armchair in the Rosalie with grapes pattern attributed to John Henry Belter (1804-1863 working in New York City) circa 1857-1860. Named th

ARTIST: Charles Henry Gifford (Massachusetts, 1839 - 1904) NAME: Seascape with Sail Boat YEAR: 1896 MEDIUM: oil on canvas CONDITION: Two patches. Very minor inpainting. SIGHT SIZE: 9 x 14 inches / 22

DESCRIPTION: Very fine and important Victorian Recamier or settee in the Rosalie with Grapes pattern attributed to John Henry Belter (1804-1863 working in New York City) circa 1857-1860. The form cons