Four Volumes of L'Art d'Aujourd'hui, Paris, 1928

BOOKS: (10) Vols Ikebana w/color 1930s-60s, 10 volumes on Ikebana and Japanese flower arrangements: 1) Donald Richie. L'Art des Fleurs au Japon Hier et Aujourd'hui. Bibliotheque des Arts, Paris. 1967.

L'Art D'Aujourd'hui. Albert Morance, Paris, 1925. Loose with various illustrations. Portfolio cover.

Illustration plate 46 from the portfolio L’Art International d’Aujourd’hui published 1929 by Charles Moreau, Paris. Collotype with ochoir (hand stencil) red lettering. Good condition with some s

Henri Matisse. Femme en robe brune. pochoir. 1924. 7 x 5 inches. Albert Morance. Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now

Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image

Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morancé for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the

Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image

Medium: pochoir (after the watercolor). Published in Paris in 1929 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The imag

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The shee

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The imag

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The shee

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The shee

Medium: pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The sheet size

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The imag

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The shee

L'Art D'Aujourd'hui #5. DeLuxe Edition with an original eau-forte signed and numbered in pencil by Dufy. Peintures dessins Estampes Sculptures de notre temps. Spring 1925. Dufy, Orloff, Masereel, Alla

L'Art D'Aujourd'hui 1924 with an original etching signed and numbered in pencil by Andre Dunoyer de Segonzac. Peintures dessins Estampes Sculptures de notre temps. Autumn / Winter 1924. Utrillo, Laure

"Laster der Menschheit" (Vice of Mankind) poster design by Jan Tschichold. Illustration plate 18 from the portfolio L’Art International d’Aujourd’hui published 1929 by Charles Moreau, Paris. Col

BOOKS: (4) Vols art incl Yves Klein, Ryman, Four volumes: 1) Robert Ryman, Espace d'Art Contemporain, Paris, Renn Productions, 1991, hardcover. 2) Robert Morris: The Mind/Body Problem, Guggenheim Muse

Editions "Art D'Aujourd'hui", Boulogne 1952. Small square 4to. 295+(2) pages. Extensively illustrated with photographs in b/w and 30 original litographs on plates, hereof the majority (29) in colour.

Teriade, Fernand Leger, #4/800 with 5 pochoirs, E. Teriade. (Les Grands Peintres D'Aujourd Hui). Cahiers D'Art, 1928, #4/800 on Japon Imperiale with 5 color pochoir prints bound in, lacking the gouach

"Don Juan". Signed l/r. Edition D'Art 23 Rue Lavoisier Paris. Copyright 1928. Windmill blindstamp l/l. Drypoint Color Etching. Measuring 20" by 13". Framed under glass. (Cond: toning and soiling) (500

Etching (after the painting). This beautiful piece was etched by Auguste Lauzet after Renoir, and published in Paris in 1892 by Chamerot et Renouard, for the very rare volume "L'Art Impressionniste",