Francisco de Goya, Los Disparates Suite (6)

Francisco De Goya etching Los Caprichos Plate 57 La Filiacion. Image size 8 3/4" x 6", framed dimensions 22 3/4" x 20".

DISPARATE CLARO from Los Proverbios (D.216; H.262), plate 15, aquatint etching, plate 8 ¼ x 12 ½”, sheet 13 x 19 ½”.

Francisco de Goya, etching and aquatint, 1815, Francisco de Goya (Spanish, 1746-1828), "La que mal mardia nunca la flata que dija" (Disparate Matrimonial), plate 7 from Los Proverbios, signed in the p

Francisco de Goya (Spanish/French, 1746-1828), "Disparate Pobre, Plate 11 from Los Proverbios," etching and aquatint, image: 9.5"h x 13.75"w, overall (with frame): 17.25"h x 20.75"w

Francisco de Goya y Lucientes (Spanish, 1746-1828) Donde va Mama, from Los Caprichos, 1892 engraving, plate 65 signed within print Plate 8 1/8 x 6 1/2 inches. Estimate $300-500 No condition issues to

"Los Chinchillas" from "Los Caprichos", unknown edition. Dimensions: Sight is 8 1/4" x 6 1/4", the frame 15" x 13".

Francisco José de Goya y Lucientes (Spanish, 1746-1828). Plate 57 from "Los Caprichos," plate size 8 1/2 x 6 in., framed

Very good sight condition. Framed, matted and sealed under glass. Not examined out of frame. Plate size approx. 6 1/4" x 8 1/4". Image size approx. 5 3/4" x 7 3/4".

Francisco de Goya, etching, Francisco de Goya (Spanish, 1746-1828), "Donde va Mama", from Los Caprichios, etching, signed in plate lower left, 8"h x 6.5"w (to plate mark), unframed

plate 59 (from Los Desastres de la Guerra), etching, drypoint, and aquatint, on wove paper, 1810-1820 but circa 1892, [Harris 179], 150 x 200 mm. (6 x 7 3/4 in).

QUE VIENE EL COC (H.38V), 1797, Plate 3 from Los Caprichos, etching and burnished aquatint, from the fifth edition published 1881-1886 by Real Academia, Madrid, plate 8 ½ x 6”, Provenance: Gerhard

Los Caprichos, 1799 [Madrid, this set printed later], edition unknown (likely one of the earlier editions of the 1850s-60s), bound set of 80 etchings with aquatint on heavy, unwatermarked, wove paper

Francisco de Goya, Los Caprichos etching, Francisco de Goya Lucientes (Spanish, 1746-1828), Plate 1, "Self Portrait", likely a later impression, on smooth wove paper, glued into mat along left edge of

Francisco de Goya (Spanish, 1746-1828) Engraving, Ya es Hora (It is the hour), Plate 80 of Los Caprichos. Measures 8 3/8"x 5 7/8". In Frame 21.50"x17.50"x1". Weight 5 pds. From the 7th Edition of 110

FRANCISCO JOSÉ DE GOYA Los Proverbios. Complete set of 18 aquatints with etching, circa 1824. Each approximately 255x355 mm; 10x14 inches, narrow to thread margins. Second edition, with numbers a

FRANCISCO JOSÉ DE GOYA Los Proverbios: Additional Plates. Complete set of 4 aquatints with etching. Dos a Uno, Meten la Paja en el Culo * Bailando en una Cuerda Floja * Quien se pondrá el ca

Title: Antique Print - Francisco de Goya - Ya Van Desplumados - Los Caprichos Plate 20 Date: 19th Century Material: Paper Dimensions: 29 cm x 22 cm Description: Antique Print ”Ya van desplumados

Francisco de Goya (1746-1828) Framed Etching "Disparate de Carnival" 8 x 12.5: Carnival's Folly from de Goya. The original of this work hangs in the National Gallery of Art in Washington D.C.. This et

After Francisco de Goya (Spanish, 1746-1828), "Dios los Cria y Ellos se Juntan (from Los Proverbios)," etching with aquatint, unsigned, overall (unframed/matted): 16"h x 20"w. Provenance: Barclay Simp

Description: TWO VOLUME SET. Unpaginated. Gray cloth spine over red paper covered boards with b/w paste-down. Some minor wear and scuffing to boards and corners. Minor staining to boards. Tipped-in im

Francisco de Goya (Spanish, 1746-1820). “Ysele Quema la Casa” from Los Caprichos (plate 18), etching and aquatint on laid paper, first edition. Provenance: Private Collection, Cashiers, NC.; Sothe

Francisco De Goya. "Allá vá eso" [There it goes]. Plate 66 of Los Caprichos

Etching and aquatint 241 mm x 350 mm, framed cm 37 x cm 52 Additional series '' Los Proverbios '' first printed in Paris in 1877.

(Spanish, 1746-1828) [Allá vá eso] (There It Goes), from [Los Caprichos], Pl. 66, 1799, first edition (Deltiel 108), etching, drypoint and aquatint on laid paper, no watermark, with deckled edges, 8