Francisco Goya (1746-1828) Quien se pondrá

FRANCISCO GOYA (1746-1828) Quien Mas Rendido? Etching, Created around the 1800s 6" x 8 1/2" Francisco Goya was a Spanish artist widely considered one of the most important painters of the Romantic per

Francisco Goya (Spanish, 1746-1828) Nadie se conoce (Nobody Knows Anybody) (from Los Capricios, plate 6), 1855 etching with aquatint 8 1/2 x 6 inches. Property from the Joshua B. Kind Trust, Downers G

Francisco GoyaSpanish (1746-1828)Five Pieces: 1] "Nadie se conoce" 2] "Dios la perdone. Y era su madre" 3] "Bien tirada está" 4] "Linda maestro" 5] &quot

Francisco Goya (Spanish, 1746-1828) Etching On Paper, C. 1863, Se Aprovechan From Los Desastres De La Guerra, H 5'' W 8'' Signed in plate. Frame Measurements 12" x 15". Provenance: From the Estate of

After Francisco de Goya (Spanish, 1746-1828), "Dios los Cria y Ellos se Juntan (from Los Proverbios)," etching with aquatint, unsigned, overall (unframed/matted): 16"h x 20"w. Provenance: Barclay Simp

FRANCISCO JOSE DE GOYA Y LUCIENTES (Spanish, 1746-1828). No hay quien nos desate? (Can't Anyone Untie Us?), First published in 1799, etching and aquatint with burnishing on laid paper. This is plate 7

Francisco Goya (Spanish, 1746-1828), burnished drypoint etching, plate 77 titled 'Que se Rompe la Cuerda' from the 1868 publication 'Los Desastres de la Guerra'. Dimensions are: Frame size: 15 3/8 inc

FRANCISCO JOSÉ DE GOYA Y LUCIENTES 1746 Fuendetodos - 1828 Bordeaux No hay quien nos desate? (Blatt 75 aus 'Los Caprichos') Aquatintaradierung auf 'José Guarro'-Bütten mit Wasserzeichen ('José' un

FRANCISCO JOSÉ DE GOYA Los Proverbios: Additional Plates. Complete set of 4 aquatints with etching. Dos a Uno, Meten la Paja en el Culo * Bailando en una Cuerda Floja * Quien se pondrá el ca

(Spanish, 1746-1828) Y aun no se van!, 1799, Pl. 59, possibly the fifth or sixth edition, from Los Caprichos, etching and aquatint on wove paper, plate 8-1/2ÿ x 5-15/16 in.,. sheet 11-1/4 x 8-1/2 in.

Francisco Jose De Goya Y Lucientes, Spanish (1746 - 1828) Two Framed Etchings Consisting of "Y Aun No Se Van!" and "Si Amanece; Nos Vamos". Plate number on top right margin. Each showing signs of toni

After: Francisco Jose De Goya Y Lucientes, Spanish (1746 - 1828) Oil on Canvas "La Nevada" Signed Lower Left. Measures 40" H x 43-1/2" W, frame measures 44-1/4" H x 47-3/4" W. Condition: Some craquelu

Francisco Goya (1746-1828): Bullfight Etching Mort de Pepe Illo (Death of Pepe Illo) [Second Composition]; rejected plate [E] for the series "Tauromaquia" marked "E" with blind-stamp portrait of Goya

Ink on paper. Featuring a portrait. Signed Goya on the lower left corner. Inscribed 1800 in pencil on verso. Attributed to Francisco Goya (1746-1828, Spanish). 27 x 19 cm (10.6 x 7.5 inches). PROVENAN

Francisco Goya (1746-1828), "Women on the Steps," 19th c., etching, probably from "The Outside of War," framed, H.- 10 1/4 in., W.- 14 in.

Plate 32: A man, strung from tree, being garrotted by three soldiers, from Disasters of War. Francisco Goya (1746-1828) c.1810-12. Goya made no prints for a decade after the publication of the Caprich

FRANCISCO GOYA (1746-1828) Que pico de Oro, plate 53 (from Los Caprichos) Etching, aquatint on wove paper, circa 1797 7 1/4" x 5" Includes an old museum inscription to verso and also museum exhibition

Francisco Goya [1746-1828] Etching. Size: 12.5 in. x 10 in.

1965 Special Edition series of 40 plates, a brief condensation of the art of fighting bulls by Spanish artist Francisco Goya (1746-1828). In homage to the New York's World Fair. Engravings of bullfigh

After Francisco Goya (1746-1828) Little Prisoner. Etching on paper. Signed in plate Sight: 4.5" x 3.5"

FRANCISCO GOYA (1746-1828) Engraving on paper 18" x 12"

FRANCISCO GOYA (1746-1828) Engraving on paper 13" x 9"

FRANCISCO GOYA (1746-1828) Grouping of 5 Each title is pictured Engravings Each measure approximately 8 1/2" x 12 1/2"

FRANCISCO GOYA (1746-1828) De que mal morira Engraving on paper 16" x 12" sheet