Francisco Goya (Spanish, 1746-1828) Etching with Burnished Aquatint, 1810-20, "De Que Sirve Una

"Si Quebro el Cantaro" from Los Caprichos. Numbered plate 25 top right-hand corner. 1797-1798. Etching and aquatint. Plate size: 8 1/8 in. x 5 7/8 in. (20.64 cm x 14.92 cm). "Que Pico de Oro" from Los

Francisco de Goya, etching and aquatint, 1815, Francisco de Goya (Spanish, 1746-1828), "La que mal mardia nunca la flata que dija" (Disparate Matrimonial), plate 7 from Los Proverbios, signed in the p

Francisco Goya (Spanish, 1746-1828), burnished drypoint etching, plate 77 titled 'Que se Rompe la Cuerda' from the 1868 publication 'Los Desastres de la Guerra'. Dimensions are: Frame size: 15 3/8 inc

After Goya, Francisco de (Spanish 1746 - 1828). Lo Que Puede un Sastre! - Plate 52 from Los Caprichos. Third state. Etching and aquatint on wove paper. Sheet: 7" x 9 1/2". Framed. 12" x 15". Condition

After Francisco de Goya (Spanish, 1746-1828), "Dios los Cria y Ellos se Juntan (from Los Proverbios)," etching with aquatint, unsigned, overall (unframed/matted): 16"h x 20"w. Provenance: Barclay Simp

Francisco Jose De Goya (Spain, 1746-1828) Aguarda que te unten (Awaits to be anointed) The third edition etching with burnished aquatint printed on woven paper and published by the Calcografia for the

Francisco de Goya (Spanish/French, 1746-1828), "Disparate Pobre, Plate 11 from Los Proverbios," etching and aquatint, image: 9.5"h x 13.75"w, overall (with frame): 17.25"h x 20.75"w

Francisco Jose de Goya (Spanish, 1746-1828). "El si Pronuncian y la Mano al Argan, al Primero que Ilega" - 1790s, etching and aquatint. Titled lower center, COA from Nathan Daniel Isen, Philadelphia.

Francisco Jose de Goya Y Lucientes (Spanish 1746-1828)- ''Que Sacrificio'' (Delteil 51); (Harris 49)- aquatint and etching, Plate 14 from 'Los Caprichios', glued to top mat along top edge. 7 x 4 3/4''

Francisco Goya, Spanish, 1746-1828, "Muchachos al avío ("Lads making ready"), plate 11 from "Los Caprichos", 1799, likely 9th edition, etching, burnished aquatint and burin on laid paper, watermark w

Francisco de Goya (Spanish, 1746-1828) etching and aquatint, El Amor y la Muerte (Love and Death), from Los Caprichos, plate 10. Circa 1799. Titled in plate lower to the center. Framed. The auction la

DESCRIPTION: Francisco De Goya (Spain, 1746 - 1828). Etching, burnished aquatint and drypoint. "No Quieren" (They don't want to). Plate 9 from Los Desastres de la Guerra (The Disasters of War) series.

DESCRIPTION: Francisco Goya (Spanish, 1746-1828). Etching with drypoint on laid paper. "Tristes Presentimientos do lo que ha de Acontecer (Sad Forebodings of what is going to happen)". Plate 1 of Los

Four (4) Francisco de Goya Lucientes (Spanish, 1746-1828) etchings with aquatint from Los Caprichos, 19th century. All with deep, well-defined platemarks. 1st item: Etching with aquatint entitled Ni m

Francisco Jose de Goya (Spanish, 1746-1828). Etching and aquatint on paper, #46 from a series by the artist, titled l.c. margin. 7.75" x 5.25" (plate size).

Francisco de Goya (Spanish, 1746-1828) 'Yo Lo Vi' Etching and Print Assortment (7) items including 1863, Francisco de Goya y Lucientes (Spanish, 1746-1828) 'Yo Lo Vi' etching and burnished aquatint on

**Originally Listed At $750** Francisco de Goya y Lucientes (Spanish, 1746-1828). Three etchings from "Desastres de la Guerra" (Disasters of War) series, executed 1810-1820, published ca. 1863. Three

An antique etching and aquatint print on paper. Titled, "The Little Prisoner," after Francisco Goya (Spanish, 1746-1828). A figural work, the original being created circa 1810. Presented with a cream

Francisco de Goya (Spanish, 1746-1828), "Farmers," etching, marked "2" in upper left corner, with embossed crest lower left, overall (with frame): 20.75"h x 17.75"w

FRANCISCO GOYA (1746-1828) Que pico de Oro, plate 53 (from Los Caprichos) Etching, aquatint on wove paper, circa 1797 7 1/4" x 5" Includes an old museum inscription to verso and also museum exhibition

DESCRIPTION: Francisco De Goya (Spain, 1746 - 1828) Caballo tirado por un toro (Horse Thrown by a Bull) Plate B. Etching, burnished aquatint and drypoint. In gilt frame. Visible plate mark. Label for

Francisco Jose De Goya, Spanish, 1746 to 1828, etching and drypoint on paper, Obsequio a El Maestro, from Los Caprichos, a set of 80 aquatint prints created by Goya in 1797 and 1798, and published as

Framed etching and aquatint, "Si Amanece, nos vamos", by Francisco Jose de Goya (Spanish 1746-1828), edition unknown, from "Los Caprichos", originally published in 1799, plate 71, H106, paper has been

Goya, Francisco de (Spanish 1746 - 1828). Plate 11 from La Tauromaquia: The Cid campeador spearing another bull. c.1855. 3rd edition. Etching and aquatint in sepia on laid paper. Plate: 13 5/8" x 9 5/