Frederic Church "Heart of the Andes" Engraving (1862)

Heart Of The Andes Oil Painting on Canvas of Frederic Edwin Church . Unframed. Estimated Size: 24''*36''

After Frederic Church. Signed lower right and inscribed verso. Robert Hamblen (American, b. 1932). From a Thornwood, NY home. - Dimensions: 36" high x 48.25" wide.

After Frederic Edwin Church (American, 1826-1900), 19th century oil on canvas depicting Niagara Falls, a rainbow arching from its mist, 34" x 72" canvas.

American, third quarter 19th Century. Oil on canvas laid down on board in a later frame. Tropical landscape with two figures in a boat. Signed on lower right. 19.5"h. 33.5"w. (sight). Frame 27"h. 41"w

Frederic Edwin Church (1826 - 1900) American. Oil on Paper. Measure 9 1/2"in H x 11 1/2"in W and 16"in H x 18"in W with frame. Frederic Church was born in Hartford, Connecticut, in 1826, to a wealthy

FREDERIC EDWIN CHURCHNew York/Connecticut/Mexico, 1826-1900Allegorical scene with boys and walruses. Signed lower left "E".Pen and ink and wash on card, 2.5" x 4.75". Framed 17" x 14.5". Provenance:Mr

Item/Description: 19th Century Oil on Board mountainscape of West Rock Ridge in New Haven, Connecticut. This vista was chosen as the subject of American landscape painter, Frederic Edwin Church's 1849

Sky At Sunset Jamaica West Indies Oil Painting on Canvas of Frederic Edwin Church. Unframed. Estimated Size: 24"*36''.

Niagara Falls From The American Side Oil Painting on Canvas of Frederic Edwin Church. Unframed. Estimated Size: 24"*36''.

Estate collection of two Renaissance era engravings after Canaletto (Italian, 1697-1768). Lot includes (1)6" x 8.75" Church of Venice engraving, (mounted to stock paper mat that measures 12.5" x 16",

George III Silver Tankard, London, 1785, Hester Bateman, makerca. 1785; tankard with applied girdles, a tapered base, and scroll handle terminating in heart motif; indecipherable engraving on handle;

14 K Yellow Gold Charm Bracelet, 85 Grams L 7'' No personalized engravings. Squirrel with heart, twirling Xmas tree, duck, "Giants", photo locket. Seven charms. All stamped 14K.

A Collection of Hand-Colored Engravings by Jules Frederic Bouchet (french, 1799-1860) from Pompei Choix Des Mounuments Inedits, Maison de Poete Tragique, 1828, 8 works total. Framed 20 3/4 x 16 3/4 in

A Collection of Hand-Colored Engravings by Jules Frederic Bouchet (french, 1799-1860) from Pompei Choix Des Mounuments Inedits, Maison de Poete Tragique, 1828, 9 works total. Framed 20 3/4 x 16 3/4 in

Offered here for your consideration is a great pair of L&M heart themed spurs. The designs and engravings are superb, as we are used to seeing from Lytle and Mower (L&M) out of West Bountiful,

including a tricolor butterfly, a flower, a pierced puffy heart, a Christmas tree plaque, a church, a ballerina, a floral locket, a rose gold fireman's helmet, a painter's palette, a snowflake, a 1930

Gustave Baumann(German-American, 1881 - 1971)Church - Ranchos de Taos, 1919color woodcut, edition 106 of 125signed lower right: Gustave [hand-in-heart chop] Baumanneditioned lower right: II 106.125 48

Henry Paprill, View of New York engraving, c. 1855, After John W. Hill, "New York with the City of Brooklyn in the Distance. From the steeple of St. Paul's Church Looking East, South and West", hand-c

ca. 1920s  artist's name printed in image; printed National Printing & Engraving Co., Chicago, New York, St. Louis 80.5 x 41 in.

Leonidas Polk "Fighting Bishop" (1806-1864) CDV & Signed Note, 1862. Polk was a Bishop at the Protestant Episcopal Church before becoming a solider for the Confederacy. Professionally framed and matte

RARE RUSSIAN IMPERIAL SILVER SALT CELLAR TRONE, MARKED, 1862 In the shape of a throne with a swivel seat, a square base decorated with an engraved geometric design, an openwork back with engraving on

RARE RUSSIAN IMPERIAL SILVER SALT CELLAR TRONE, MARKED, 1862 In the shape of a throne with a swivel seat, a square base decorated with an engraved geometric design, an openwork back with engraving on

Heading: -1862 Author: King, Thomas Starr Title: "He Was a Good Man" - A Discourse in Memory of Frederick William Macondray, Preached in the First Unitarian Church, San Francisco, Sunday morning, Augu

New York, 10/17/1864 Framed letter from Frederick E. Church to James Hope (Hudson River School Artists) Framed: 21in. x 12in. (53cm. x 30cm) Provenance: Lion Heart Autographs, New York