Gatzemeier, Thomas Abstrakte Figur. 1988. Bleistift

Abstrakte Komposition. Farbserigraphie/Papier (Kratzer?), u. mit Bleistift sign., "Ausstellung Aschenbach Galerie 1988". Sichtmaß ca. 90x 61 cm. PP., R., 113x 83,5 cm.

Thomas Moser, Continuous Arm Chairs, set of fourUSA, 1988, cherry, signed and dated on underside, 41"h

Set of Four Thomas Moser Cherry Side Chairs, marked Thos. Moser Auburn Maine 1988, height 36 1/2 inches.

Figur Punu, Gabun Holz. H 27 cm. Provenienz: Galerie Walu, Zürich (1988). Publiziert: David, Jean (2004). White. Zürich: Galerie Walu. Seite 18. David, Jean (2005). Gabun. Zürich: Galerie Walu. Sei

Derby, 1985 Patinated bronze Numbered 5/5; signed, Editioned, marked "Walla Walla" underneath. Note: No apparent flaws or damage. 32 x 46 x 12 in.

Anne of DenmarkOil on canvasNo apparent signatureImage: 28 x 23 in.; Frame: 36 x 31 in. Carved gilt wood frameCondition: No apparent flaws

Portrait of a Soldier In dress uniform, facing the viewer. Unknown artist. Oil on canvasImage: 25.5 x 20 in.; Frame: 36 x 31 in. Carved gilt wood frameCondition:

Wavy Brushstrokes Superimposed, Plate #01, 1995, LITERATURE: Krakow, 1995.09, 17/35Etching with hand-drawn photo transfer and aquatint in colors on Rives BFK paperSigned and editioned lower right, wit

Bronco Buster Cast silver on a marble pedestal Inscribed in cast on work, Editioned: "2/10" Sculpture: 22 x 15 x 7 in.; With Pedestal: 31 in. Weight is listed as 135 lbs. Note: Certificate i

Reception in the Iliad Room, Pitti Palace, Of a group of famous artists below their paintings in the Iliad room in the Pitti Palace, Florence. Oil on canvas Signed "Leon" in a cypher lower ri

Wavy Brushstrokes Superimposed, Plate #02, 1995, LITERATURE: Krakow, 1995.09, 17/35Etching with hand-drawn photo transfer and aquatint in colors on Rives BFK paperSigned and editioned lower right, wit

On an associated baseDimensions: 2.5 x 3.5 x 2 in.NOTE: Wear consistent with age and use

Wicked Pony Cast silver (1 of 10) on a marble pedestal Inscribed in cast on work Sculpture: 22 x 16 x 7 in.; With Base: 32.5 in tall Weight: 105 lbs. NOTE: Condition consistent with age and use.

Icarus, with arms outstretched, standing on rock ready to take flightDimensions: 42 x 42 x 14 in.NOTE: Losses to the right wing

With a shaped top opening to reveal green felt playing surface over a giltwood column. The whole raised on a shaped plinth resting on four giltwood ball feet. Oak and mahogany secondary woods. NOTE :

including: Twelve serving plates; 10.75 in. diameter; 18.4 oz each (220.8 ozt total) Twelve matching butter plates; 6 in. diameter; 6 oz each (72 ozt total) each with chased rims, all bearing monogram

A set of twelve sterling silver chargers by Gorham. 11 in. Total weight is 209 oz t.

Each chair is covered with tan leather throughout the front and back continuing on to the seat in the same leather with brass studs surrounding the seat. Resting on slightly tapered legs to the front

Edward Seymour, 9th Duke of Somerset, Together with examination and treatment report dated 1980, Oil on canvasImage: 48 x 33 in.; Frame: 54 x 41 in. Carved gilt wood frameCondition: No apparent flaws,

Portrait of George Banks, ESQProvenance: Joseph Sartor GalleriesOil on canvasNo apparent signature, verso inscribed with dates of George BanksImage: 23.5 x 18.5 in.; Frame: 31 x 25.5 in. Carved gilt w

FRANÇOIS-XAVIER LALANNE (1927-2008) Mouton de Pierre, 1988 incised with the artist's signature and dated 'LALANNE 88' (to the underside of the body); stamped with the artist's name and numbered '

Keith Haring (1958-1990) One Plate, from Growing (Littmann p.89) Unique screenprint in colours, 1988, on Lenox Museum Board, signed, dated and numbered TP 30/40 in pencil, one of 40 colour variant tri

Thomas Moran Watercolor signed, dated and titled "OFF THE COAST OF MAINE". Measures 9" x 29" not including the frame. Thomas Moran (1837 - 1926)Thomas Moran was active/lived in Pennsylvania, Californi

Thomas Gainsborough (English, 1727-1788) Attributed: Study for the Honourable Mrs. Graham,Oil on board, unsigned, framed. Perhaps one of Thomas Gainsborough's most intricate and recognizable compositi