George Bertrand Mitchell (American, 1872-1966) S

George Bertrand Mitchell (American, 1872-1966) watercolor on paper size: 24 1/4 x 20 in. frame: 31 x 26 3/4 in. Signed, “GB Mitchell” (lower right). If you would like to receive more detailed

George Bertrand Mitchell (American 1872-1966) oil on board, Junket-Sailboats, 9 x 12 inches

George Bertrand Mitchell (American 1872-1966) oil on board, Sailboat in Harbor, 9 x 12 inches

Two Framed Art Piecesto include, George Bertrand Mitchell (American 1874 - 1966) "Noank Docks" Oil on Board, 1934 signed lower left "G.B. Mitchell" artist name written on verso and "Mystic Art Associa

George Bertrand Mitchell (American/Massachusetts, 1874-1966), "Hunter with Call and Shotgun", pastel on paper, signed lower right, 24 in. x 20 in., Newcomb-Macklin frame. Condition: Overall poor condi

GEORGE BERTRAND MITCHELL (1874-1966) OIL ON BOARD PAINTING, OLD STATEN ISLAND MANOR, SIGNED G. B. MITCHELL LOWER LEFT, WITH SALMAGUNDI CLUB LABEL, APPROX 8" X 10", FRAMED SIZE APPROX 16.75" X 18.75"

Pair of original oil on artist board paintings by George Bertrand Mitchell (1874-1966 Connecticut / Canadian Rockies) Wonderful impressionist style landscape painting of a tree in autumn foliage. Sign

Sight- 21 1/2" x 25" Overall- 24" x 28"

Artist:Ames Aldrich, George (American, 1872-1941) Title:New Hope Landscape Date:c. early 20th century Medium:oil on canvas Dimensions:25.25 x 30.25 inches Signature:signed lower left

Indian Chief oil on canvas painting. No signature found. Attributed to George Bertrand Mitchell. 28"x22"

Nellie Ward Haller (American, 1872-1966) oil on canvas depicting a colorful bouquet, housed in a arts & crafts frame bearing label for Forsyth & Davis Artistic Picture Frames, 20" x 30" canvas, 25 1/4

Eleanor Hancock Pryor, oil on canvas, portrait, Eleanor Hancock Pryor (American, 1872-1966), Portrait of a Guitarist (possibly musician Billy Osborne), signed "Pryor" on verso, unframed, 34"h x 29.75"

Nellie Haller (American, 1872-1966), Red Flowers, oil on canvas, signed (vertically) lower right, overall (with frame): 27"h x 24"w. Provenance: Estate of Edan Milton Hughes (San Francisco, CA)

CAITLIN, George (American, 1796 -1872) "Letters and Notes on the Manners, Customs and Condition of the North American Indians". London: David Bogue, 1844 Volumes I and II This lot is located in Palm B

Catlin, After George (American, 1796-1872); Archery of the Mandans (from Catlins North American Indian Portfolio), lithograph with later hand coloring, printed by Day and Haghe, 11 x 16 inches (sight

George Stengel, (American, 1872-1937), Impressionist Seascape Painting, oil on plywood panel, signed Stengel, 10" x 12", framed 14-3/4" x 16-3/4", very good condition

CATLIN, George (American, 1796-1872). Wounded Buffalo Bull. Lithograph with original hand color. From: Catlin's North American Indian Portfolio.. New York: James Ackerman, 1845. 16 3/4" 22 1/2" sheet.

CATLIN, George (American, 1796-1872). Buffalo Hunt, White Wolves Attacking a Buffalo Bull. Lithograph with original hand color. From: Catlin's North American Indian Portfolio.. New York: James Ackerma

CATLIN, George (American, 1796-1872). Buffalo Hunt, Dying Buffalo Bull in Snow Drift. Lithograph with original hand color. From: Catlin's North American Indian Portfolio.. New York: James Ackerman, 18

James George Weiland, American, 1872-1968. An early 20th century Impressionist oil on canvas landscape, titled "Summer in France". Depicts farm hands baling hay with a pond and manor in the distance.

Catlin, After George (American, 1796-1872); Wild Horses at Play, (from Catlins North American Indian Portfolio), lithograph with later hand coloring, printed by Day and Haghe, 11 x 16 inches (sight si

Catlin, After George (American, 1796-1872); Buffalo Hunt: Approaching a Ravine, (from Catlins North American Indian Portfolio), lithograph with later hand coloring, printed by Day and Haghe, 11 x 16 i

Beaufort, South Carolina Street Scene Watercolor on paper , not signed. Dimensions: Framed H 16" x W 19", paper H 8.5" x W 12" Condition: some foxing to the mat. Glue down to another broad. No Glass.

After: George Catlin, American (1796 - 1872) Color Stone Lithograph titled "No. 2 / Buffalo Bull, Grazing" subtitled "(From Catlin's NA Indian Collection)" (Catlin's Native American Indian Portfolio,