George Clarkson Stanfield, View of the Campo di Mart

Attributed to George Clarkson Stanfield (British, 1828-1878) The working mill in a continental medieval town, probably Saarburg, Germany oil on canvas 60.9 x 91.5cm (24 x 36in).

GEORGE CLARKSON STANFIELD (BRITISH, 1828-1878) OIL ON CANVAS, 19TH C., H 24", W 36", SCHOONER OFF THE DOVER COAST Signed lower right. Framed Measurements H 32" W 44"

George Clarkson Stanfield (British, 1828-1878), attributed, oil on board painting depicting a fishing scene. Not signed. Frame Size: 22 inches high x 28.75 inches wide. George Clarkson Stanfield was a

Attributed to George Clarkson Stanfield (British, 1828-1878), Sankt Gorshausen, Germany, oil on canvas on panel, bears signature lower left, panel: 16"h x 20"w, overall (with frame): 21"h x 25"w.

Clarkson Stanfield, RA (British, 1793-1867) Basilica di Santa Maria della Salute, Venice signed and dated 'Clarkson Stanfield RA 1847' (lower left) oil on board 81 x 144.5cm (31 7/8 x 56 7/8in).

William Clarkson Stanfield (1793-1867) British, A capriccio harbour view, watercolour, blue and brown wash, signed, Peter Cardiff Fine Art label verso, 9.25" x 18.5", (23.5x47cm).

Steel Engravings Published 1834, London for "Travelling Sketches on the Sea-Coasts of France" [Heath's Picturesque Annual for 1834] by Leitch Ritchie & Illustrated by Clarkson Stanfield. Paper Size: 8

Steel Engravings Published 1834, London for "Travelling Sketches on the Sea-Coasts of France" by Leitch Ritchie & Clarkson Stanfield. Paper Size: 7.5 x 5 inch (19 x 13cm) Minor toning in parts. Good c

Steel Engravings Published 1834, London for "Travelling Sketches on the Sea-Coasts of France" by Leitch Ritchie & Clarkson Stanfield. Paper Size: 7.5 x 5 inch (19 x 13cm) Minor toning in parts. Good c

Steel Engravings Published 1834, London for "Travelling Sketches on the Sea-Coasts of France" by Leitch Ritchie & Clarkson Stanfield. Paper Size: 7.5 x 5 inch (19 x 13cm) Minor toning in parts. Good c

George Stanfield Walters. British. 19th/20th century watercolor painting depicting extensive harbor view with multiple ships. Signed lower left with R.B.A. Framed under glass. Sight: 9.5 x 16.5in. Ove

CHINA. WRIGHT, GEORGE NEWENHAM. And THOMAS ALLOM, Illustrator. China, in a series of Views, Displaying the Scenery, Architecture, and Social Habits.... London: Fisher and Son, [1843]. 4 volumes in 2.

Steel Engravings Published 1832, London for "Travelling Sketches on the Rhine, and in Belgium and Holland" [Heath's Picturesque Annual for 1833] by Leitch Ritchie & Clarkson Stanfield. Paper Size: 8 x

Steel Engravings Published 1832, London for "Travelling Sketches on the Rhine, and in Belgium and Holland" [Heath's Picturesque Annual for 1833] by Leitch Ritchie & Clarkson Stanfield. Paper Size: 8 x

Steel Engravings Published 1832, London for "Travelling Sketches on the Rhine, and in Belgium and Holland" [Heath's Picturesque Annual for 1833] by Leitch Ritchie & Clarkson Stanfield. Paper Size: 8 x

View of Boulogne, Upper Harbour, with fishermen watercolour on paper 18 x 25.5cm; together with Henry Gastineau (1791-1876) Figures on a country path with a view of town beyond signed 'H Gastineau del

View of Byron's tomb, Harrow on the Hill Title: Harrow. Engraver: Edward Francis Finden (1791-1857). Artist: after Clarkson Frederick Stanfield (3 December 1793 ? 18 May 1867). Description: View of By

Map: Beautiful print of 1845 circa of boats in the sea near the harbour of Bombay (Mumbai) in India. Author: E. Goodall on drawing by Clarkson Stanfield Atlas: The indian Empire Date: 1845 circa Techn

"Veduta interna del Campo Santo di Pisal" showing an interior view of Campo Santo in Pisa, Italy, by Ranieri Grassi (c.1750-1850) Minor foxing at margins. Frame, approx. 19" x 15 1/4". Impression, app

Felix François Georges Philibert Ziem (1821 - 1911) Oil on Board "View of the Bacino di San Marco", a perfect example of the Venetian views for which Félix Ziem is best known. signed "Ziem", lower r

Albrecht DURER.1471-1528Saint George slaying the dragon. 1501/1504Xilografia, mm. 211x142. filomargine. Timbro di possesso al verso del foglio, controfondata. Leggerissimo restauro al margine sinistro

Veduta di Venezia a volo d’uccello, XIX secolo.Litografia, coloritura a Guache, 705x500 mm.

Kawakami GYOKUEN. Kyoto. Veduta di Ponte.Metà XIX secoloXilografia a colori. 245x178 mm. Titolo in alto a destra. In basso a destra, entro toshidama azzurro, la firma “Gyokuen ga”. St

HASEGAWA SETTAN. Edo. Veduta di una strada affollata.Edo, 1830-1836Xilografia in bianco e nero. Foglio di 258x170 mm. Immagine inquadrata da linea nera. In alto a destra scritta in Kanji. Buono stato