Giacomo Cortese, called 'Il Bourguignon' (1621-1675)

(Austrian, 1664-1736) Older Woman Spinning, unsigned, 18th century, oil on canvas, 30-3/8 x 25-7/8 in.; carved and gilt wood frame, 36-3/4 x 32 x 2-1/4 in. Provenance: Purchased in Italy, 2011; The Es

Follower of Giacomo Francesco Cipper (called il Todeschini) (Feldkirch 1667-1738 Milan) "Peasant Smoking a Pipe," oil on canvas, unsigned, Christie's inventory label en verso, presented in a brushed g

ATTRIBUTED TO DOMENICO DI GIACOMO DI PACE BECCAFUMI ('Called: Il Mecherino') C. 1486 Montaperti (Siena) - 18 May 1551 Siena HOLY FAMILY WITH THE JOHN THE BAPTIST Oil on canvas lay down on plate. 77 x

CIRCLE OF JACQUES COURTOIS CALLED IL BORGOGNONE (ITALY/FRANCE 1621-1676), OIL ON CANVAS, BATTLE SCENE. 31 1/2 X 38 3/4" (RELINED); FRAMED 36 X 42"

Two oil on panel paintings attributed to Jacques Courtois, called "le Bourguignon" (French-Italian, 1621-1676) each a tondo depicting battle scenes with soldiers on horseback, each housed in parcel gi

Giovanni Francesco Barbieri, called il Guercino (Cento 1591-1666 Bologna) A small child seated on a stone step with his head inclined and resting his elbow on a ledge red chalk on laid paper, watermar

Studio of Giovanni Battista Salvi, called il Sassoferrato (Sassoferrato 1609-1685 Rome) The Madonna in prayer oil on canvas, unlined 48 x 37.5cm (18 7/8 x 14 3/4in). This lot is subject to the followi

Giovanni Francesco Barbieri, called Il Guercino (1591-1666)-follower, The Samian Sybil, oil on canvas, framed. Notes: Painting Dimensions: 112x91cm

Attributed to Gennaro Greco, called Il Mascacotta (Naples 1663-1714 Nola) An architectural capriccio with figures before a harbour oil on canvas 48.5 x 63.7cm (19 1/8 x 25 1/16in). Footnotes:

After Giovanni Francesco Barbieri (called Il Guercino) (18th/19th Century) The Samian Sibyl oil on canvas 46 x 38 inches. Estimate $1,000-1,500

[ARCHITECTURE]. BAROZZI, Giacomo, called Vignola (1507-1573). Regola delli cinque ordini d'architettura. Bologna, Lelio dalla Volpe, 1736.  8vo. Engraved title-page, 35 engraved plates. (Some spo

Flying Putto Holding a Palminscribed Carlo Dolci in brown ink (lr)Black and red chalk on laid paper8 x 6 inches (20.4 x 12.7 cm)UnframedProvenance:Private collection, New York

Circle of GIOVANNI FRANCESCO BARBIERI called IL GUERCINO (Italian 1591-1666) A DRAWING, "Portrait of a Man," pencil and chalk on paper. 7" x 6 1/2"

SCHOOL OF GIOVANNI FRANCESCO BARBIERI (CALLED 'IL GUERCINO') 1591 Cento - 1666 Bologna VIRGIN WITH CHILD Oil on canvas (old relined). 50 x 66 cm (F. 67 x 83 cm). Verso: On the stretcher with old Londo

Gennaro Greco, called il Mascacotta (Italian, 1663-1714), titled "An Architectural Capriccio with Classical Ruins and Figures," appears to be unsigned. Sight size: 8-1/8"h x 10-1/8"w Provenance: Anony

Framed oil on canvas painting, in the manner of Mattia Preti, called Il Cavalier Calabrese (Italian, 1613-1699), relined, sight: approx 39.5"h, 60.5"w, overall: approx 48.5"w, 70"w, 36.5lbs Start Pric

Bernardino Poccetti, called Il Poccetti (Italian,1542/48 - 1612) Study of heads of two men, in profile to the right. Red chalk hightened with white chalk. Provenance: Teodor de Wyzewa (L. 2471 Twice,

Antique old master battle scene oil painting by Jacques Courtois Le Bourguignon (1621-1676). Oil on panel. Signed on verso. Please see all images for condition. Size is measured and written on the bac

Attributed to Jacques Courtois (French 1621-1675) A Cavalry Skirmish, ink and sepia on paper, 5.25 x 4.57 in. image, 12 in. x 11.5 in. as framed Condition: Old restoration to tear at lower right corne

Attr. Jacques Courtois Italy, France 1621-1675 Attributed to Jacques Courtois, this drawing depicts figures on horse back racing in various directions engaged in battle while one riders has been flung

Allart Van Everdingen (1621-1675) River Scene with Hut and Boats, etching on paper, matted in gilt and painted wood frame. Note to reverse regards this as being 3rd of 3 states. [Art: 4 x 5 1/8 inches

each on laid paper, appear to be later impressions or reproductions, to include two landscape prints with structures by Allaert van Everdingen (Dutch, 1621-1675) and Two Riders by Anthonie Waterloo (F

the first: Anthonie Waterloo (Flemish, circa 1610-1690), on laid paper with partial fleur-de-lis watermark; the second: Allaert van Everdingen (Dutch, 1621-1675), Sportsman Near a Large Tree, on laid

TWO WORKS ABOUT CARNIVAL IN VERONA [1.]: RARE BOOKLET WITH HISTORICAL NOTES ON THE CARNIVAL CALLED “IL GNOCCO VERONESE”, WITH THE PROGRAM OF THE BACCHANAL OF DAYS 5, 6 AND 7 FEBR. 1869Il gnocco Ve