GIULIO BONASONE The Lamentation.

Giulio Bonasone MERCURY PRESENTING PANPIPES TO MINERVA, engraving, a later impression, plate signed, plate ½ x 7”, added margins 11 x 8 ¼”, matted 20 x 16”; Nicolo van

Giulio Bonasone (Italian ca. 1498-1574)- ''Perseus liberating Andromeda'' (Bartsch 4); (Le Blanc 358); (Massari 101)- engraving, only state, trimmed along or just outside the plate, remnants of hinges

Giulio di Antonio Bonasone (1498-1580)The Last Judgement from the Sistine Chapel, after MichelangeloEngraving, circa 1540s, an excellent detailed impression of the second state (of two), on thick laid

ANTON GIULIO BRAGAGLIA (1890–1960) | ‘The Cellist’, 1913 | Vintage silver print, sepia-toned, double-weight semi-matte paper on the original cardboard 34,5 x 31 cm, in excellent cond

15th/16th century painting (oil on wood) of The Lamentation. The painting is 5.8" x 4.4", in a frame 12" x 10.5"./////////////////Provenance:Krzystof Postawa Estate.Descended directly and kept in the

Lamentation (from Martha Graham) is a Screenprint printed on Lenox Museum Board, in 1986. It is Signed and numbered in pencil and stamped on the reverse. Also, blindstamped on front, by printer Rupert

Firmato in basso a destra, Etichetta al retro della Galleria d'arte Marlborough, Roma, Olio e tecnica mista su tela, W. 140 - H. 50 Cm, Opera registrata presso l'Archivio Giulio Turcato, Roma con il n

GIULIO TURCATO (1912-1995) Reticolo 1965 signé huile et émail sur toile signed oil and enamel on canvas 90 x 130 cm. 35 3/8 x 51 3/16 in. Réalisé en 1965. F

"Giulio Rosati (Italian, 1858–1917) Dancing the Menuet Signed and dated 'G. Rosati 87' bottom left, oil on board18 3/8 x 31 7/8 in. (46.7 x 81cm) Provenance Private Collection, New Jersey.

After Giulio Romano (Italian 1499-1546) "The Battle of the Milvian Bridge" (Pons Milvius) depicting the clash of the Emperor Maxentius and (later Emperor) Constantine at the Tiber river, the angels ab

An Exceptional Giulio Rosati Orientalist Watercolor Painting. Giulio Rosati (Rome 1857 - 1917) was an Italian painter who specialized in Orientalist and academic scenes. His work emphasised the nobili

Circle of Giulio Cesare Procaccini (Bologna circa 1570-1625 Milan) The Madonna and Child oil on canvas 65.3 x 56.3cm (25 11/16 x 22 3/16in).

Giulio Rosati (1858-1917) Orientalist Watercolor Painting. 37" x 30.1/2"

Coppia di lampade da tavolo Diamante placcate blu Ottone patinato, cristallo molato a mano e placcato di cristallo blu, paralumi in vetro, diffusore bianco. Anno di produzione 2017 Due esemplari prodo

Giulio Rosati (1857-1917) Watercolor Orientalist Painting. The frame measures 26 1/2" x 31" and the painting measures 12" x 16"

"Giulio Carpioni (Italian, 1613–1679) Pan and Syrinx Oil on canvas37 1/8 x 47 in. (94.3 x 119.4cm) Provenance Private Estate, Ohio. Footnote: Note Trained in

GIULIO RUFA (Rome, 1903 - Milan, 1970) Vase, 1925 ca. Painted and glazed earthenware, h. 38,5 cm e d. 29 cm Globular shape with everted neck. Decorations with putti and women with baskets on a backgro

MINOLETTI GIULIO (1910 - 1981) Pair of swivel chairs from the Belvedere of the ETR 300 electric train (called Settebello) for Breda, Sesto San Giovanni. Painted metal and padded skai.. Cm 52,00 x 78,0

ARTIST: Giulio Rosati (Italy, 1858 - 1917) NAME: Stop in the Desert MEDIUM: watercolor on paper CONDITION: Excellent. Some age toning. SIGHT SIZE: 21 x 14 inches / 53 x 35 cm FRAME SIZE: unframed SIGN

Frame: 18" x 34" Shipping in USA $ 250. Having attended the Rome Institute of Fine Arts, Sartorio presented a Symbolist work at the 1883 International Exposition of Rome. He formed friendships with Ni

oil and acrylic on canvas, 40 x 60 cm signed lower left and on the reverse

Framed watercolor painting on card under glass, "The Carpet Merchant", signed lower right Giulio Rosati (Italian, 1858-1917), impressed lower right : "Copyright, 1901 by, J/S Tyroler, New York", tag o

An ovoid blown glass vase, "Reazioni policrome" series, decoration with honeycomb with metal powders, silver and gold leaf insertions. 19,5 cm high Franco Deboni, Murano'900, Bocca ed. 1996, page 86

Crown and crossed keys above Ciocchi Arms, IVLIVS. III. .PONT. MAX / Nimbate bust of Christ left; .VIA. VERITAS. ET. VITA. (trefoil stops). Ber.984, Fr.69. Rare. VF