Goya etching. The Caprices, 1937 edition. Plate 71 'When day breaks we will be off'.

Francisco de Goya y Lucientes. 'Ya tienen asiento' (They've already got a seat). Plate 26 from Los Caprichos. 5th edition (1881-1886); This fifth edition of Los Caprichos was printed between 1881 and

Francisco de Goya y Lucientes. 'And still they don't go!' ('Y aun no se van!'). Plate 59 from Los Caprichos. . 5th edition (1881-1886); This fifth edition of Los Caprichos was printed between 1881 and

Salvador Dali (Spanish, 1904-1989), "Corcuato de Carso, plate 77 from Les Caprices de Goya," color etching, and aquatint, pencil signed lower right, edition EA on rives paper, plate: 9"h x 8"w, overal

Salvador Dali (Spanish, 1904-1989), "Como Dios Manda, plate 18 from Les Caprices de Goya," color etching, and aquatint, pencil signed lower center, edition EA on rives paper, plate: 9"h x 8"w, overall

Framed etching and aquatint, "Si Amanece, nos vamos", by Francisco Jose de Goya (Spanish 1746-1828), edition unknown, from "Los Caprichos", originally published in 1799, plate 71, H106, paper has been

David ITCHKAWICH (American, Born 1937): "A Bad Day at the Zoo". Etching on thick wove paper, 1992. Artist's proof, aside from the edition of 100. Signed, titled, and annotated in pencil. Plate size: 5

Antique Francisco Goya (Spanish 1746-1828) "Correcion" From "Los Caprichos" Series Etching & Aquatint Print on Paper. "Correcion" (Plate 46). Edition unknown. Professionally framed & matted. Framedmea

Antique Francisco Goya (Spanish 1746-1828) "Chiton" From "Los Caprichos" Series Etching & Aquatint Print on Paper. "Chiton" (Plate 28). Edition unknown. Professionally framed & matted. Framed measurem

FRANCISCO DE GOYA, POSTHUMOUS PRINTING, ETCHING & AQUATINT, WOVE PAPER, C. 1881-1886, PLATE: 8 1/2" X 5 3/4", "ALL WILL FALL":"Todos Caeran"; plate #19 from Los Caprichos; framed. For a high resolutio

Francisco Goya (Spanish, 1746-1828) Los Capricos, 1799, first edition, fourteen works etchings Plate: 8 5/8 x 6 inches. Estimate $3,000-5,000

Four (4) from "Los Caprichos". All images titled and with plate numbers within plate marks. Second or third edition. Plate 46: "Esto es Malo", sheet dimensions: 10" high x 13.2" wide, plate dimensions

Francisco De Goya. "Allá vá eso" [There it goes]. Plate 66 of Los Caprichos

Francisco Goya, Spanish, 1746-1828, "Muchachos al avío ("Lads making ready"), plate 11 from "Los Caprichos", 1799, likely 9th edition, etching, burnished aquatint and burin on laid paper, watermark w

Ruega Por Ella (She prays for her) Plate 31 from 'Los Caprichos' Etching, burnished aquatint, drypoint and burin. Harris 66, posthumous edition. Gracias a la almorta (Thanks to the Millet) Plate. 51 f

(Spanish, 1746-1828) Y aun no se van!, 1799, Pl. 59, possibly the fifth or sixth edition, from Los Caprichos, etching and aquatint on wove paper, plate 8-1/2ÿ x 5-15/16 in.,. sheet 11-1/4 x 8-1/2 in.

Francisco Goya (Spanish, 1746?1828)You Will Not Escape (No te escaparas) plate 72 from Los Caprichos (1799)etching on wove paperLater printing, (late 19th early 20th century) on heavy wove paper. A go

Francisco de Goya (Spanish, 1746-1820). “Ysele Quema la Casa” from Los Caprichos (plate 18), etching and aquatint on laid paper, first edition. Provenance: Private Collection, Cashiers, NC.; Sothe

QUE VIENE EL COC (H.38V), 1797, Plate 3 from Los Caprichos, etching and burnished aquatint, from the fifth edition published 1881-1886 by Real Academia, Madrid, plate 8 ½ x 6”, Provenance: Gerhard

(Spanish 1746-1828) Plate no. 38 from "Los Caprichos", etching, aquatint, drypoint, and engraving. Good impression on wove paper with dark umber ink. Reference: Harris 73, third edition. Overall: 16-3

(Spanish 1746-1828) Plate no. 41 from "Los Caprichos", etching, aquatint, drypoint, and engraving. Good impression on wove paper with dark umber ink. Reference: Harris 76, second or third edition. Ove

(Spanish 1746-1828) Plate no. 55 from "Los Caprichos", etching, aquatint, drypoint, and engraving. Good impression on wove paper with dark umber ink. Reference: Harris 90, third edition. Overall: 16-3

Etching & Aquatint. Includes plate 38 "Brabisimo" and plate 48" "Soplones" from Los Caprichos. 7th edition, circa 1903. 8"h x 5.75"w block and 16"h x 12.5"w framed

Marc Chagall (French/Russian 1887-1985), "Day Break" color lithograph depicting an abstract figure holding a red bird and a bouquet of flowers, pencil signed at lower right, edition 12/50 noted at low

David Hockney (British, B. 1937) Etching is the Subject from The Blue Guitar 1977, pencil signed and annotated 'P.P. 1/1' (a printer's proof, the edition was 200, there were also 37 artist's proofs),