Harry Anthony DeYoung, South Texas Sketch, 1929

Harry Anthony DeYoung (Texas, 1893-1956), seascape, oil on canvas sight: 24 x 30 in., frame: 27.5 x 32.5 in. Condition: paint loss revealing canvas below, lower right above horizon, approximately one

Giant Juniper, Davis Mountains, Pencils Graphite On Paper, Signed Lower Right, Titled Lower Left, Sight 7 X 5 Inches, Later Black Painted Frame 14.5 X 12.5 X 1 Inches, Paper Slightly Toned, Not Examin

Harry Anthony DeYoung (1893-1956), "Live Oaks", woodblock print, image size: 8 x 10", frame: 14.75 x 19.75" Provenance: A Kerrville, Texas Estate Born in Chicago, Illinois, DeYoung became a noted im

Harry Anthony DeYoung (1893-1956), Live Oaks and Woodland Glade. woodblock prints; artist signature. image: 10 x 8" ea., frame: 20 x 15" ea. Provenance: A San Antonio, Texas collection Born in Chica

Harry Rogers (Aust., 1929-2012) South Africa Qantas in Association with BOAC and TEAL, original screen print poster c.1954 - 50.5. x 38 cm

Harry Anderson (Ill./ N.Y 1906-1996), comprehensive sketch for calendar illustration, 1929 Chrysler and golfers at Pebble Beach, Exxon, July 1972. Gouache, 13" x 16 1/2". Unsigned. Illustration House

Leonard Marchant (South Africa, 1929-2000), "Nidus III", signed and numbered etching, ed. 48/75 sight: 15.5 x 11.5 in., frame: 34 x 26 in. Shipping available for this lot through our partner

Ken Carlson (b. 1937) South Texas Trophy signed "Carlson" lower left oil on board, 7 by 9 in.

This big Buck is a 14 x 9 with a 25 5/8" outside spread and a 22 1/8" inside spread. We are conservatively guessing this Deer to gross score 227 give or take 3" or so. The mount is in mint-like condit

Seymour Thomas (Am. 1868-1956), South Texas Landscape, oil on canvas 10 x 18. This painting was exhibited at the Witte Museum and the Panhandle Plains Historical Museum for the Texas Impressionism Exh

Jose Vives-Atsara (Spanish/San Antonio, Texas, 1919-2004), marsh scene, oil on canvas sight: 16 x 20 in., frame: 21.5 x 25.5 in. One of the most popular and memorable figures in the South Texas art

HERB BOOTH (American 1942-2014) A PAINTING, "South Texas Doves," watercolor on paper, signed L/L, "Herb Booth ©," verso a paper gallery label. 15" x 22" Provenance: Rainone Galleries Inc., Arlington,

Mid-century modern mixed metal wall sculpture, Geometric Composition, signed lower left Wm S. McKenzie (William S. McKenzie, Texas, 1929-2020), dated 1969, approx 75"h, 35"w Start Price: $200.00

Metz Castleberry (Texas, 1929-2017), "The Mustanger", bronze sculpture on wooden base with brass plaque, ed. 1/12 height 26 in. x width 24.5 in. x depth 30 in. Provenance: Property from a Da

Framed oil on canvas painting, "Sunspots," signed lower right Welty (Jeanette Welty Chelf, Texas, 1929-2021), patched repair to canvas, paint loss, sight: 36"h, 33"w, overall: 37.25"h, 34.25"w, 5.5lbs

JOE GRANDEE (American/Texas b. 1929) A PAINTING, "Give up!" oil on canvas, signed L/L. 24" x 36"

Harry Benson (b. 1929): Frank & Mia, New York, 1966 Black and white photograph, signed,titled and numbered 11/35. 22 x 29 in. (sight), 31 1/2 x 37 in. (frame). The Collection of Susie Hilfiger at Denb

Harry Benson (born 1929) The Beatles and Cassius Clay, 1964 Archival pigment print, printed later, signed in ink in the margin. 11 3/4 x 11 3/4in (28.25 x 28.25cm) sheet 18 x 13 1/4in (48.8 x 33.6cm)

(Charleston, South Carolina, 1862-1929) oil on board, Magnolia Garden. signed lower left and likely with the original frame. H7” W10 ¼” 2000-4000

ANTHONY MARTIN (American/Texas b. 1941) A PAINTING, "Two Story Farmhouse," 1968, acrylic on board, signed and dated L/R, "Anthony Martin '68." 21 1/4" x 16 1/2" Provenance: Collection of Mike Dalton,

Harry Rogers (Aust., 1929-2012) New Zealand Qantas in Association with BOAC and TEAL, original screen print poster c.1954 - 50.5. x 38 cm

French School (19th Century) Woman in a Boat Indistinctly signed bottom right; also stamped 'SKETCH BY HARRY CHASE' verso, oil on panel 9 1/4 x 5 1/2 in. (23.5 x 14cm) PROVENANCE:Private Collection, V

(American/South Carolina, 1882-1931) Sketch of David after Antonin Mercie sculpture, signed lower edge "E A Harleston", charcoal on paper, site 24 x 12 in.; modern frame, 35-1/2 x 22-3/4 in. See lot 5

Still Life Oil on Canvas "Peaches" by Ray Edward Goodbred (1929-2011, Charleston, South Carolina), who was a well known gifted artist and respected art teacher of New York and Charleston, SC. Unframed