HENDRIK GOVAERTS (BELGIAN, 1669-1720) THE DEATH OF CLEO

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

Rembrandt Van Rijn (1606-1669) 'Death of a Virgin' B99 A HIGH QUALITY copper plate etching with fine detail was printed in 1891. Genuine antique, not a modern reprint. In the late 1880?’s the German

VAN RIJN, Rembrandt, (Dutch, 1606-1669): "The Death of the Virgin", 1639, Etching and Drypoint on laid paper with a watermark, reference Bartsch 99, White and Boon 99, 3rd state of three, image size 1

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) 'The Death of the Virgin', 1639 etching, trimmed to plate image 39.2 x 31.2cm Provenance: With Lilla Buk

Aft. RembrandtNetherlands,1606-1669 Titled "Death of the Virgin" depicts an elderly Mary in a large bed with canopy surrounded by figures while angels descend from the sky. Etching on paper,Impression

Hendrik Schaefels (Belgian 1827-1904). Oil on canvas, genre scene. Initialed lower right, and dated '83. Gallery tag on back. 16 x 12 in.

After REMBRANDT HARMENSZOON VAN RIJN (Dutch 1606-1669) "The Death of the Virgin" Framed etching. Plate: 16 x 12 1/8 inches; Framed: 29 3/4 x 25 5/8 inches. Bears signature and date in plate. [CONDITIO

THE DYING SPEECHES AND BEHAVIOUR OF THE SEVERAL STATE PRISONERS THAT HAVE BEEN EXECUTED THE LAST 300 YEARS. London: for J. Brotherton and W. Meadows [et al], 1720. 8vo. [20], 495, [1] (with additional

18th c Flemish School genre scene of the Money Lenders circle of Gerard Thomas (Belgian/Flemish 1663-1720) oil on canvas older relining Monogram in the lower right corner CARA 1687 Nd presented in an

Two prints on paper after Rembrandt van Rijn, Dutch, 1606-1669. Includes "The Death of the Virgin" and "Self Portrait Leaning on a Stone". Label verso of Virgin frame identifying as New Hollstein's fi

ARTIST: Hendrik Jan Augustyn Leys (belgian, 1815 - 1869) NAME: Lady with Watering Can MEDIUM: oil on cardboard. Applied to the newer board. CONDITION: Excellent. No visible inpaint under UV light. Som

René Magritte "The Drums of Death". Beautiful lithograph by the belgian master René Magritte. Limited edition, hand numbered on lower left margin. Published by Societé Des Nouvelles Editions OPTA.

After Albrecht Dürer (German, 1471–1528) Knight, Death and the Devil, 1513; together with Melencolia I, 1514; and Rembrandt van Rijn (1606-1669), Jan Wtenbogaert, 1639, later impression (a group of

On the history of France from the death of Louis XIII till 1664 First Elzevier edition Benj. Priolus Ab Excessu Ludovici XIII. De Rebus Gallicis Historiarum. Libri XII. Ad Serenissimum Principem & Aug

After Rembrandt Harmenszoon Van Rijn (1606-1669). Title: Woman at a Door Hatch Talking to a man & Children. Medium: Antique hand pulled copper plate etching on laid paper after the original by master

1669 LETI, HISTORY of the POPES, 1st ENGLISH, 2 PARTS in 1, SATIRE, NEPOTISM Il nipotismo di Roma or, the History of the Popes Nephews from the time of Sixtus the IV. to the death of the last Pope Al

(lot of 5) Antique maps, early 17th c., published by Gerardus Mercator (Belgian, 1512-1594), likely from the "Mercator Hondius Atlas," published after his death c.1619, and Fredeick De Witt (Dutch, 16

(JOSEPH TALCOTT) (1669 - 1741) 27th governor of the Connecticut Colony from 1724 until his death in 1741. A certified copy of the 1676 last will and testament of Rev. Joseph Haynes of the First Church

King of the Belgians (1875-1934) who reigned from December 23, 1909, until his death in 1934. Popularly known as the Knight King or Soldier King, in reference to his role during World War I, he ruled

Nussbaum, furniert sowie Einlagen aus Eschenholz und graviertem Zinn. Gerader, querrechteckig angelegter Korpus auf schmaler Profilzarge und gedrückten Balusterfüßen.

Holz, mit flächendeckendem Goldfond sowie polychromer Malerei. Gerader, hochrechteckiger Korpus auf ausgebogter Zarge und Volutenfüßen. In der gegliederten Front zwei

(1861 Tours - 1947 Paris) "Place de la Concorde - Paris". Originaltitel Impressionistische Paris-Vedute Souillets, der in Tours bei Félix Laurent und später an der École des Beaux Arts

Grand Cross Set, instituted in 1808. Sash Badge, 59 mm, Silver, maker's mark "Arthus Bertrand", centre medallion enameled, original suspension ring and long complete sash. Breast Star, 94 mm, Silver,

PRESSED MUZZLED BEAR MEDIUM-SIZE JAR, honey amber, unmarked base. Boston & Sandwich Glass Co. 1850-1887. 4 1/2" HOA, 1 3/4" D rim.Excellent condition, cover with chip to underside of rim and light fla