James Basire (British, 1730-1802), THE EMBARKATION OF

The Encampment of King Henry VIII at Marquison engraving on paper 1788 drawn from the original by Samuel Hieronymus Grimm (1733-1794) engraved by James Basire (British, 1730-1802) engraved from a coev

James Basire (English, 1730-1802), (16) etchings on paper from the suite "Antiquities of Athens", signed in plate largest 7-3/4" x 17-1/2" pl, 12-1/2" x 20-1/8" sheet, very good condition, one trimmed

After James Basire, British, late 18th c. "The Embarkation of King Henry VIII At Dover...", panoramic naval engraving, colored, this specific edition unknown, possibly a known early 20th century restr

England, 18th century. Published 1778 and one of the 180 plates which make the 'British School' album. Overall fair condition. One section is detached, while the other creases are wearing th

[Engraving] James Gillray (British, 1757-1815). The Nursery; With Britannia Reposing in Peace. Hand-colored etching. Published Dec. 4th, 1802 by Gilray in l.r. Sheet: 14" x 10". Framed: 22 4/4" x 19 1

Thomas and William Daniell (British, 18th-19th Century) Two Hand-Colored Aquatints. 'A Baolee Near the Old City of Delhi' 1802, and 'The Entrance to Kailasa' engraved by Thomas Daniell after James wal

MUNNINGS, Alfred James (British, 1878-1959). Large House by Riverside. [20th century]. Oil on canvas. Signed lower left. Image: 20 x 24”. Frame: 26 x 36”. Excellent condition. Not examined

George Lance (British, 1802-1864) "Now Reigns Here a Very Very Peacock" oil on canvas unsigned, with "Owen Edgar Gallery" label en verso. Framed. 68" x 52", framed 75" x 59" Provenance: Owen Edgar Gal

MANNER OF JOSHUA REYNOLDS, PORTRAIT OF JOSIAH WEDGWOOD (BRITISH 1730-1795) , oil on canvas 77 x 64 cm (30 1/4 x 25 1/4 in.) framed dimensions: 91 x 77.5 cm (35 7/8 x 30 1/2 in.)

Ink on paper, with the artist's signature and four seal marks. 41.5cm x 127cm 王文治（1730-1802) 書法條幅 水墨紙本 立&#366

William Adolphus Knell (British, 1802-1875) Rowing out to the fleet in a choppy sea signed and dated 'WA. KNELL/1853' (lower left) oil on canvas 63.8 x 92cm (25 1/8 x 36 1/4in).

(British, 1802-1877) The Chestnut Thoroughbred Mundig, winner of the Derby Stakes at Epsom, 1835, with William Scott up, signed lower right "C. Hancock, 1835", label verso "Mundig", oil on canvas, 20

Northwest Coast, Jack James (British Columbia, Kingcome Inlet, 1902-1980) , carved Wild Man or Bookwus red cedar mask with original dance rigging and interior label, signed "Jack James/Kingcome/Inlet/

After Sir Edwin Henry Landseer, R.A. (British, 1802-1873) "The Death of the Stag in Glen Tilt", 19th century oil on canvas board Framed. 24-3/4" x 29-1/4", framed 31" x 35-1/2" Provenance: Estate of D

After Sir William Hamilton (British, 1730-1803) Three Etchings. Etchings with aquatint, possibly from an edition of 'Sir William Hamilton's Collection of Engravings of Antique Vases' Larger sights: 17

Attributed to Thomas Walker Bretland (British, 1802-1874) Chestnut and White Horses with Dog in a Landscape signed indistinctly 'T. Bretland 1863' (lower right) oil on canvas 64.25 x 85.25cm (25 5/16

《 The Harbor 》 Oil on canvas1800-1870 UK by James Holland British

William James Müller (British, 1812-1845) Carpet bazaar, Cairo signed and dated 'W. Muller 1843' (lower left) oil on board 60.5 x 43cm (23 3/4 x 17in). Footnotes: A very similar composi

James Webb (British, 1825-1895) Huy on the Meuse, Belgium signed, inscribed and dated 'Huy James Webb 76./Belgium' (lower right), signed with monogram and inscribed 'this picture will be better/withou

William James M&#252;ller (British, 1812-1845) Mandraki harbour, Rhodes signed 'WJMuller' (lower left) oil on canvas 51 x 76cm (20 1/16 x 29 15/16in). unframed Footnotes: Provenance</

1871-1872; oil on canvas; signed lower left, signed again, titled, and dated verso 35 1/4 x 59 1/2 in. (89.5 x 151.1 cm.), Frame: 41 1/4 x 65 1/2 in. (104.8 x 166.4 cm.) Provenance: Property from a La

William James Grant (British, 1829-1866) The bridge of sighs oil on panel, circular 13 x 13cm (5 1/8 x 5 1/8in). Footnotes: The subject of this work is taken from Thomas Hood's poem The Bridg

James Webb (British, 1825-1895) "A View of Givet, France", 1877 oil on canvas signed and dated "77" lower left, verso with "Kurt E. Schon, Ltd., New Orleans, LA" label with artist name and title. Fram

James Nares British, b. 1953 Untitled, 2012 British, b. 1953 Untitled, 2012 Signed and dated Nares 2012 (lr) Oil and wax on Yupo paper 26 x 10 inches (66.04 x 25.4 cm) Provenance: Private collection,