JAMIE WALKER

Jamie Walker (American/Washington State, born 1958). "Mercury" -1988, glazed pottery, assembled in three sections with central metal rod. Signed and dated on center section. Approx. h. 61", w. 30.5"

Jamie Walker (American/Washington State, born 1958). "Celestial Musings # 2" -1990, wall mounted glazed pottery. Signed and dated on bowl, titled on wooden mount. Approx. dia. 27.25", d. 12"

Studio ceramic potter Jamie Walker abstract teapot 1986, 13" H x 11.5" D x 5" D. Purchased by the original owner in 1986 at Dorothy Weiss Gallery, San Francisco, CA.

Jamie Walker (b.1958 Washington) Spiral Charger 1984 Ceramic 21.5''x5''. Impressive large wheel thrown and altered form deep charger with white crackle glaze elements. Signed and dated on bottom rim.

Hand-formed and glazed ceramic vessel. No apparent signature. Dimensions: H 16.5" x Dia 14.5" Condition: Small scattered glaze losses, possibly intentional. Light handling marks.

"Study for Lighthouse", 2003, mixed media on toned board, signed lower left, titled and dated on Frank E. Fowler of Lookout Mountain, TN label verso (Representing Andrew Wyeth). Housed in water gilt m

"Kyle and the Influence", 2000, mixed media on board, signed lower right, titled and dated on frame tag, Christie's labels verso, in silverleaf mitered molded frame, under linen mat with silver edge,

Chinese jade and hard stone fruiting and flowering tree issuing from a rectangular gilt-metal jardiniere with canted corners, raised on four bracket feet, decorated with scrolling foliage, the front a

“Plan of the Approach and Attack on Fort Sumter, by the Federal Iron Clad Fleet 7 April 1863.” Signed [in type]: Wm A Walker, C.S. Eng. Corps. Charleston.Walker (born March 11, 1839 in Charleston,

RARE WILLIAM AIKEN WALKER (AMERICAN, 1839-1921) PORTRAIT TRIPTYCH, oil on board, each a fine full-length depiction with excellent detail of a cotton picker in the field, two men flanking a woman

Kara Walker (American, b. 1969) The Emancipation Approximation (scene 18), 1999-2000 screenprint on Somerset 500G paper signed, dated, and numbered XII/XXV in pencil, verso 43 7/8 x 33 7/8 inches.

IZANNAH WALKER (RHODE ISLAND, 1817-1888), ATTRIBUTED, FOLK ART PAINT-DECORATED CLOTH CHILD DOLL, an expressive example with brown eyes and painted boots. Fitted in period attire, including printed cot

Kara Walker (American, b.1969) 'Resurrection Story without Patrons' Etching with Aquatint 2017, signed lower right, X/XXX, etching with aquatint, sugar lift, spit bite and drypoint depicting a large f

William Aiken Walker (American, 1835-1921) Cotton Pickers, A Man and Woman (a pair of works) oil on academy board signed WAWalker. (lower left) each 12 x 6 1/4 inches. We would like to thank John Fowl

(American, 1839-1921)Signed l.r. and titled verso "Field." 9"h x 11 1/2"w

WILLIAM AIKEN WALKER (AMERICAN, 1838-1921) SOUTHERN GENRE PAINTING, oil on academy board, depicting an elderly African-American man and woman in a field picking cotton, she is carrying a basket of cot

Kara Walker (born 1969) Excerpt, 2014 Lithograph on Somerset satin paper, signed in pencil, dated and numbered PP 2/5 (a printer's proof, aside from the edition of 50), published by the Institute of C

framed to 17" x 12" - paint on board, signed. 100% authentic. Period frame.

William Aiken Walker (1838-1921) The Cotton Pickers signed with conjoined initials 'WAWalker.' (lower left) oil on board 6 1/8 x 12 1/4 in. (15.6 x 31.1 cm.) Footnotes: Provenance Gerald C. Paget (190

Beautifully engraved gold case, covered with stingray on exterior case, attached to an 18KG chatelaine marked Jan van Aken, Amsterdam 1781. A very rare pocket watch, 53 mm. in diameter.

Kara Walker (American, b.1969) 'I'll Be a Monkey's Uncle' Lithograph 1996, signed lower right, AP 3/10, depicting the figures of a girl and a monkey in black silhouette against a white background, mou

CABIN, oil painting on board, signed lower left, 6 ¼ x 12 ¼”, frame 12 x 18 x 2 ¾”. Provenance: Christie’s New York, December 2nd, 1988, lot 93; Based off examination

(South Carolina/Maryland, 1838-1921 Oil on board of Southern homestead with African American figures depicting farm life of the era. Very nicely rendered and detailed piece housed in period style gilt

GOOD CROP, oil painting on board, signed lower left, 6 ¼ x 12 ¼”, frame 11 x 17 x 1 ½”. Provenance: Christie’s New York, December 2nd, 1988, lot 92; Based off examinat