John Mansfield Crealock (Irish, 1871-1959)

*John Mansfield Crealock (British, 1871-1959) Gustave Ferrari, 1935 oil on canvas signed J. Crealock, titled and dated (lower right) 51 1/4 x 38 1/4 inches. Property from the Collection of James Flynn

John Faulkner, R.H.A. (Irish, 1835-1894) "Figures by Avoca Bridge, County Wicklow", 1871 watercolor on paper signed and dated lower left. Frame with artist plaque. sight 26" x 44-1/4", framed 30" x 49

Irish Late Victorian Sterling Silver Footed Bowl , Dublin, 1890, maker J.S, probably John Smyth, act. 1871-1911, lion's mask feet, body chased with village scene with figures, engraved 1992 presentati

Lawrence Mazzanovich (1871 - 1959) "Afternoon" Oil on canvas painting. Signed lower left. Sight Size: 21 x 25 in. Landscape painter, Lawrence Mazzanovich was born in 1872 at sea off the coast of Calif

Portrait of The Right Honourable Mark Lemon Romer, Baron Romer, PC (1866-1944) signed and dated "J Crealock / 1933" (lower left) oil on canvas 125 x 100cmBorn in Crawley, Sussex, Romer was the son of

Native American, southwestern United States, Zuni, attributed to Tsayutitsa (Zuni, 1871-1959), ca. 1930s. A stunning coil-formed pottery vessel with a concave circular base, a wide, apple-shaped body,

(lot of 4) Attributed to Clarence Clark Rosenkranz (American, 1871-1959), Greek Boxer Scene, circa 1912, oils on wood panel, unsigned, panels: 45"h x 24"w, overalls (with frames). 50.5" h x 29.5" w

(Irish, 1871-1957), signed l.r. "Jack B. Yeats." Sight size: 13-3/4"h x 9-3/4"w

JACK BUTLER YEATS (IRISH 1871-1957) Gypsy Boy with Little Fowl watercolor on paper 9.53 x 7 cm (3 3/4 x 2 3/4 in.) titled lower center PROVENANCE Gift of the artist to Ernie O'Malley, 1935 Collect

JACK BUTLER YEATS (IRISH 1871-1957) Rocky Beach,circa 1905 watercolor and pencil on paper 9 x 13 cm (3 1/2 x 5 1/8 in.) inscription on verso PROVENANCE Gift of the artist to Ernie O'Malley, 1935 Col

Lawrence Mazzanovich (American, 1871-1959) Autumnal Landscape oil on canvas signed Mazzanovich (lower right) 30 x 30 inches. Estimate $4,000-6,000

This lot consists of a framed oil painting on canvas, done in the bold style of Hermenegildo Anglada Camarasa (Spanish, 1871-1959). Image depicts an elegant woman surrounded by flora and flair. Hand-p

Ernestine Mills (1871-1959), Attribution, Iris pendant necklace, likely Suffragette, England, silver, polychrome enamel with foil, blister pearl, pendant: 1 1/16"w x 3"h overall; chain: 17 3/4"l

SLOAN, John (1871-1951). Mosaic. Etching and Aquatint on wove paper, 1917. Signed and titled within the plate and in pencil lower margin. Noted 100 proofs lower left. 12 3/8" x 14” sheet, 7 3/4"

Sir John Lavery (Irish 1856-1941) Double sided, oil on canvas, portraits. A 3/4 portrait of a beauty with drapery about her shoulders, circa 1910. 24in.x 36in. The second, a full length portrait of a

§ JOHN LUKE (IRISH 1906-1975) SHAW'S BRIDGE, c. 1934 Linocut on japanese paper, signed with initials in plate, signed and titled in pencil to margin (image size 26.5cm x 36.5cm (10.5in x 14.25in))

The Rock - Face of Kinsale, Ireland, oil on board, 8 x 5 3/4, signed lower left: JK

Title: Mosaic. John Sloan (1871-1951) Medium: Etching, 1917. Edition 100 - printing 35. Signed in pencil. Inscribed "100 proofs" and "JS imp." This impression was printed by John Sloan. Plate size

Attr. to John Behan, bronze sculpture, Attributed to John Behan (Irish, b. 1932), Charging bull, bronze with brown patina, no marks found, 18.5"h x 15"w x 4.5"d

John McAuliffe (Irish/American 1830-1900) Equine Portrait, 1875, oil on canvas, signed and dated lower left, framed. Dimensions: 15 x 19.5 in. canvas size, 23 x 27 in. as framed. Condition: Wax relini

John McAuliffe (Irish/New York, 1830-1900), "Nellie Walton", oil on canvas, signed lower left, titled mid-right, 18 in. x 24 in., period frame IMPORTANT: All purchases must be removed from our premise

Title: Bonfire. John Sloan (1871-1951) Medium: Etching, 1920. Edition 100. Signed and titled in pencil, inscribed "100 proofs" and "Peters Bros. imp." Second state of two. "The boys had tin cans wi

John Sloan (1871-1951) TURNING OUT THE LIGHT (MORSE 134) Etching, 1905, on laid Arches paper, signed in pencil, from New York City Life, with full margins, framed. Plate 4 7/8 x 6 13/16 inches; 124 x

John Sloan (1871-1951) Robert Henri (Morse 70), 1902 Etching, on Rives paper, signed in pencil, titled and inscribed '100 proofs', from the edition of 75 (from an intended edition of 100), with margin