Joseph Rodefer DeCamp

Head of a Young Woman oil on board signed upper left 7.5 x 8.5 inches (sight) 15 x 16 inches (frame) Provenance: Private Cincinnati Collection. Exhibition History: Danford Museum of Art Massachusetts

Joseph Rodefer DeCamp (American 1854 - 1923) Portrait of Edith Baker DeCamp, the artist's wife Oil on canvas Unsigned 24" x 21" Provenance: Mrs. Leonora M. Ellison Brookline, the artist daughter by de

Joseph Rodefer DeCamp (1858 - 1923) American Watercolor on Paper Measure 7"in H x 9"in W and 11 1/4"in H x 13 1/4"in W with frame Known for: Figure, portrait, landscape and marine painting Name varian

Joseph Rodefer DeCamp (American, 1858-1923). An original pencil sketch drawing on paper. An antique figural portrait of a female figure in profile. Artist signed to top and to verso TO MY FRIENDS TOM

Large Boston School Portrait of a woman with a guitar, after Joseph Rodefer DeCamp (1859 - 1923). Signed lower left: 'AFTER DECAMP 1914', labeled verso: Wolcott, possibly Frank Wolcott (1858-1923). Me

Large Boston School Portrait of a woman with a guitar, after Joseph Rodefer DeCamp (1859 - 1923). Signed lower left: 'AFTER DECAMP 1914', labeled verso: Wolcott, possibly Frank Wolcott (1858-1923). Me

A vintage oil painting on canvas depicting a portrait of a woman, after the original oil painting on canvas, The Blue Cup de Camp, 1909, by Joseph Rodefer DeCamp, American, 1858 to 1923. Signed by the

Collection of (20) American Art Books and Exhibition Catalogs, including: "Joseph DeCamp" by Laurene Buckley, 1995, signed by the author, hard cover; "Maxfield Parrish" by Laurence S. Cutler, Judy Gof

Attr. Margaret Fitzhugh Browne Massachusetts,1884-1972 Depicts a red headed woman dressed in a black leotard facing away from the viewer. Browne studied under Joseph DeCamp, Edmund Tarbell, Frank Bens

Size 92x144 good pile

Victorian Ornate Slate top Rosewood inlaid pool Table Great Condition9FT

Beautiful and in excellent condition, signed and numbered partial paper Label

Size 41 x 36

With watch chainPlease see photos for size, weight and condition.Missing crystal, hour hand is bent tip broken. You can see it running but hands don’t move.

Helmet Head, 1974. Color lithograph on TH Saunders paper, England, signed and numbered PL2 50/50 in pencil, Published and printed by Gerald Kramer, Geneva, Switzerland. The image size is 12.50x14.75 i

Beautiful number159773 signed Patek,Philippe & C Geneve the watch is keeping time

Oliva Parker, Roses, 1980. vintage toned gelatin silver contact print, 8 x 10 inches on an 11 x 14 inch sheet. Signed, titled, and dated on the print recto and with #10 inscribed. Condition is excelle

Edward Steichen, The Flatiron, New York, 1905. photogravure, printed in 1981 by master printmaker, Jon Goodman. Print measures 12 3/4 x 10 1/8 inches on a 20 x 16 1/4 inch sheet, housed in a folio mes

Henri Cartier-Bresson, Pierre Bonnard, 1944. gelatin silver print, 9 1/2 x 14 inches on a 11 1/2 x 15 9/16 sheet. Signed on the print recto, photographer's credit stamp on the print verso. Condition:

Paul Caponigro, Scottish Thistle, Rochester, New York, 1958. gelatin silver print, 13 1/4 x 10 1/2 inches, mounted 22 x 18 inches. Signed on the mount recto. Matted, 24 x 20 inches. Condition is excel

The chain is on a clasp I don’t believe it’s gold what I can read it says CH & co the watch is 33.1 gramsit runs when you touch the gear after 20 minutes it stops again till you touch it

Size 129x98

Size 91x78

Marche aux Fleurs, 1930. Color etching and aquatint on B.F.K Rives paper, signed in pencil by the artist. The image size is 14x10,75 inches. Framed in a wooden black and silver frame.