Larry Clark (b. 1943); Dead, (Billy Mann), ca. 197

From the Tulsa Portfolio Silver Gelatin Print From the numbered edition of 400 Signed, dated and

Books include: Tulsa by Larry Clark (b. 1943). First edition, true first printing; Days at Sea by Ralph Gibson (b. 1939); Passport by Mary Ellen Mark (1940 - 2015); Deja vu and The Somnambulist by Ral

LARRY CLARK (B. 1943) One of Gods Mistakes Sheet-fed gravure 8" x 5 1/4"

LARRY CLARK (B. 1943) Nudes Line-up Sheet-fed gravure 7 1/4" x 5"

Michael Tracy (American, b. 1943) "Untitled", ca. 1989 mixed media on paper unsigned. Float-mounted, glazed and framed. 20" x 32", framed 21-3/4" x 34" Provenance: Purchased directly from the artist,

Larry Laslo (American, born 1943). An original oil painting on canvas. An abstract wok in beiges, whites, and linen shades beneath strong color pops. Artist monogram double LL signature. Presented in

Carlos G. Garay (Honduran, b.1943), oil on canvas, Honduras CA, dated '76. 12 x 16 inches framed size 20-1/2 x 24 inches

SPARTAN CAD RED DAYS, 1988, oil and wax painting on canvas, signed and dated and titled on verso, 55 x 46”.

BALMORHEA, 1990, oil painting and chalk on blackboard with shelf, a signature not found, 58 ¼ x 65 x 6. Provenance: Hiram Butler Gallery, Houston.

FREESTYLE, 1992, acrylic painting on canvas with collage, 63 ½ x 57 ½”. Provenance: The Works Gallery, Long Beach.

THREE VERTICALS AGAINST A FIELD, 1989, oil painting and charcoal on paper, signed and dated lower right, 44 x 47”, framed. Provenance: Mark Moore Gallery, Santa Monica.

DEUX PERSONAGE METAPHYSIQUE, 1983, color pastel on chocolate brown paper, signed and dated lower right, 40 x 26â€, framed, apparently in good studio condition.

BIG BLUE, pigment, cement and glass on wood, 60 x 96 x 2 ”, purported studio glass crack upper left, otherwise in good studio condition. Provenance: acquired directly from the artist by present owne

UNTITLED, 1988, pigment, cement and glass on wood in two parts, approximately 30 x 77” overall, in good studio condition. Provenance: Doris Sosin Art Resources acquired directly from the artist.

UNTITLED, 1985, pigment, glass and cement on wood, signed and dated on verso, 48 x 84 x 2 ½”, heavy weight.

UNTITLED, 1980, cement and polymer and glass on wood in welded metal frame 25 x 13 x 2”, 22 lbs. Provenance: James Corcoran Gallery.

UNTITLED, 1984, pigment, glass and cement on wood table top or wall sculpture, signed and dated on verso, 12 x 24 ½ x 7 ½”, weight 18 lbs. From the Stuart Lampert & Stephen Tomar Colle

Bodil Manz (Danish, B. 1943) Oval Bowl. Signed. Ht. 3" W 11 1/4". Garth Clark Gallery. Estate of Annette McGuire Cravens, Buffalo, NY.

Bodil Manz (Danish, B. 1943) Twenty Angle Form. Signed. Ht. 5 1/4" W 5 1/2". Garth Clark Gallery. Estate of Annette McGuire Cravens, Buffalo, NY.

Adrian Saxe (b. 1943) 'Untitled' Mortar Bowl with Stand (Platinum Blue Mist), 1987 porcelain, stoneware, and lusters signed 'SAXE 1986' H 12 x W 9 1/2 x D 8 inches Provenance: Garth Clark Gallery, New

Framed watercolor painting on paper, "Indian Corn," signed lower right Gary Niblett CA (Gary Lawrence Niblett, New Mexico, California, b.1943), dated [19]85, titled verso, label verso for Gerald P. Pe

Artist: Gary Niblett | b. 1943 CAA Title: Friendly Signal Signed l/l: Gary Niblett CA © Media: Oil on linen Dimensions: 24 by 30 inches Condition: Very Good Condition details: This painting is in ver

William Wegman (American, b. 1943). Suite of five photolithographs on wove paper titled "Royal Flush: Clubs," ca. 1998, depicting Wegman's iconic Weimaraner dogs dressed as the royalty from a suit of

Sparkling American Brilliant cut glass bowl. Cut by T. B. Clark in their beautiful and rare Waldorf pattern. The large hobstars have protruding lapidary buttons. This pattern is shown in their Ca. 190