Louis Sullivan (American, 1856-1924) Baluster from the

Louis Sullivan (American, 1856-1924) Chicago Stock Exchange Decorative Panel. Gilt and painted plaster in high relief with acanthus leaves and 'CSE' monogram, dated to 1893-94 12.5" x 36" Frame: 15.5"

After Louis Sullivan (American, 1856-1924) Reproduction Architectural Element. Patinated metal T form decorative element seen on the elevator grille from the Chicago Stock Exchange Building 15.75" x 1

Dankmar Adler (1844-1900) & Louis Sullivan (1856-1924) for the Chicago Stock Exchange baluster Chicago, Illinois, circa 1893 copper-plated cast iron executed by Winslow Brothers Foundry 11"w x 1"d x 3

Dankmar Adler (1844-1900) & Louis Sullivan (1856-1924) for the Chicago Stock Exchange baluster Chicago, Illinois, circa 1893 copper-plated cast iron executed by Winslow Brothers Foundry 11"w x 1"d x 2

[ARCHITECTURE]. SULLIVAN, Louis H. (1856–1924). A System of Architectural Ornament. New York and [Park Forest, IL: The Prairie School Press for] the American Institute of Architects, [1964]. Fol

Dankmar Adler (1844-1900) and Louis Sullivan (1856-1924) for the Chicago Stock Exchange elevator casing Chicago, Illinois, 1893 electro-plated copper finish over cast iron executed by Winslow Brothers

Dankmar Adler (1844-1900) & Louis Sullivan (1856-1924) for the Guaranty Building component of a hanging light fixture Buffalo, New York, 1896 brass unmarked 2 1/2"dia x 5"h Catalog Note: Adler & Sulli

Louis Sullivan (1856-1924), panel, for the Schlesinger & Mayer building, Chicago, IL, terra cotta, 26"w x 4"d x 6"h

Louis Sullivan (1856-1924) for the Chicago Stock Exchange, door knob and back plate, #401 1/2, Chicago, IL, circa 1883, iron, unsigned, 3.25"w x 2.5"d x 9.75"h

After Dankmar Adler (1844-1900) and Louis Sullivan (1856-1924) The Auditorium Theatre 'Medallion Stencils'. Two prints depicting the interior decoration of the Auditorium Theatre, Chicago, 1889. Penci

After Dankmar Adler (1844-1900) and Louis Sullivan (1856-1924) The Auditorium Theatre 'Medallion Stencils'. Two prints depicting the interior decoration of the Auditorium Theatre, Chicago, 1889. Penci

After Dankmar Adler (1844-1900) and Louis Sullivan (1856-1924) The Auditorium Theatre 'Medallion Stencils'. Two prints depicting the interior decoration of the Auditorium Theatre, Chicago, 1889. Penci

Louis H. Sullivan (1856-1924) for Yale & Town Mfg. Co. ornamental door plate Stamford, Connecticut cast iron with Bower-Barff finish foundry mark 18 1/2"w x 3 7/8"l

[ARCHITECTURE] -- [SULLIVAN, Louis Henry (1856-1924)]. A group of 4 works, comprising: SULLIVAN, Louis Henry (1856-1924). The Function of Ornament. New York: W.W. Norton & Company, 1986. Errata slip l

Astley David Middleton (A. D. M.) Cooper (American, 1856-1924), "Light of Liberty," 1901, oil on canvas, signed and dated lower left, canvas: 40.5"h x 27"w, overall (with frame): 42.5"h x 28.5"w

Astley David Middleton ("ADM") Cooper (American, 1856-1924), "Grecian Flower Girl," oil on canvas, signed lower left, titled verso, canvas: 60"h x 30"w, overall (with frame): 65.5"h x 35.25"w

Astley David Middleton (A.D.M.) Cooper (American, 1856-1924), Spring Flower Maiden, oil on canvas, signed lower right, canvas: 50"h x 14"w, overall (with frame): 56"h x 20"w

Astley David Middleton ("ADM") Cooper (American, 1856-1924), View of Monterey Bay, 1910, oil on canvas, signed and dated lower left, canvas: 18"h x 28.5"w, overall (with frame): 24.25"h x 34.5"w

This romantic oil on canvas painting of a Falconer kissing a mounted Lady was executed by Astley David Montague Cooper (American, 1856-1924, also known as Astley David Middleton Cooper or A.D.M. Coope

Astley David Middleton (ADM) Cooper (American, 1856- 1924), Untitled (The Requiem), oil on board, signed lower left, board: 14.75"h x 39.75"w, overall (with frame): 21.25"h x 46.5"w

Astley David Middleton (ADM) Cooper (American, 1856-1924), Orientalist Dancers, oil on canvas, signed lower left, inscribed, "Designed by Castiagne" lower left, canvas: 38"h x 28"w, overall (with fram

Astley David Middleton (A. D. M.) Cooper (American, 1856-1924), "Scott's Creek, Santa Cruz, Calif (California)," c. 1893, oil on canvas, signed and dated indistinctly lower right, title inscribed vers

Astley David Middleton (ADM) Cooper (American, 1856-1924), Dark Waterfall, 1883, oil on canvas, signed and dated lower left, inscribed "after Julian Rix" lower left, canvas: 36"h x 22"w, overall (with

ASTLEY DAVID COOPER (American 1856-1924) "Figure at the Crashing Shore" Oil on canvas. 25 x 30 inches; Frame: 28 x 33 inches. Signed and dated l/r: A.D.M. Cooper 1921.