Lucie Marianito Navajo serape / child blanket weaving from the Churro collection: 36 1/2" x 60"

Navajo Child's Wearing Blanket; 4 ft. x 2 ft. 9 in.Provenance: Grogan & Company December 10 1994 lot 408. From a Collection of eleven Native American rugs discovered wrapped in newspaper dated 1931 in

Circa 1870 Woven of churro wool in red, cream and dark brown horizontal stripes 51.5" L x 61" W Provenance: Private Collection Tucson, AZ, acquired in 1976 Notes: First Phase blankets of this er

Navajo Wearing Blanket-Style Weaving, c. 1910, 4 ft. 6 in. x 5 ft. 9 in. Note: The blanket's bands probably evolved from the many Third Phase chiefs variants that were woven after the turn of the cent

A Navajo late classic child's blanket Designed with seven vertical zigzag bands in alternating indigo and cream on an aniline-dyed red ground. size approximately 4ft 1in x 3ft

Madonna & Child Religious Oil on Canvas. Museum Provenance. Lancaster museum of art & history Madonna & child Exhibit Oil on Canvas religious painting. Collection Kevin & Diane Stewart. 36" x 24.5"

Jose Vives-Atsara (1919-2004), Old Village, Catalinas, 1988. oil on canvas. sight: 36 x 48", frame: 50 x 60". Provenance: An Alamo Heights, Texas collection A native Spaniard, Vives-Atsara developed

Children with cats. Oil on board. Signed lower right. From a Scarsdale, NY collection. - Dimensions: 48" h x 36" w.

Dine [Navajo] Historic Regional Rug, ca. 1900 - 1910handspun native sheep wool, aniline dyes(design pattened after Navajo wearing blanket)77 x 59 1/4 in. (195.6 x 150.5 cm.) Private Collection, Arizon

Louis Bosworth Hurt (British, 1856-1929) Glen Dochart, Perthshire signed and dated 'Louis B. Hurt/1897' (lower right) oil on canvas 92 x 153cm (36 1/4 x 60 1/4in). Footnotes: Provenance</

Frederick Samuel Dellenbaugh (1854-1935) Navajo Indian signed, inscribed and dated 'F.S. DELLENBAUGH / ARIZONA / 1884-5' (lower left) and signed and dated again, titled and inscribed 'Keam's Ca&#241;o

late 19th century, green painted top and sides, woven fiber bookshelves, 36-1/2 x 32-1/4 x 12 in. Provenance: Private Collection, Charlotte, North Carolina

Lot 36 Paul Brach American (1924-2007) Music of the Spheres (Shocking Pink Polka) (2002) oil on canvas signed verso 60 x 72 inches unframed Provenance: From a Private Collection Flomenhaft Gallery,

Dine [Navajo] Germantown Textile, ca. 1900commercial wool, aniline dyesThis lot is accompanied by a contemporary Pendleton blanket (Los Ojos) replicating the original design.Weaving 74 1/2 x 55 in. (1

Navajo Moki Pattern Weaving / Rug late 19th century hand-spun wool woven in colors of indigo, dark brown, red, cream, and having thin lanes of green 76 x 51-1/2 inches From the Collection of Bruce and

Clarence Holbrook Carter (1904-2000) Empress of the North signed and dated 'Clarence H. Carter 68' (lower right) and inscribed with title (on the reverse of the frame) and signed and dated again (on t

Richard Blossom Farley (1875-1951) Barnegat Beach dated with the artist device and signed '1913 / Farley' (lower right) oil on canvas 36 x 60 in. (91.4 x 152.4 cm.) Painted in 1913. Footnotes: Provena

Measures 36 Inches by 60 Inches – Perfect Condition

Black Forms, White Space signed (lower left) 2018 aluminum 36" x 60" x 4 1/4" (91 cm x 152 cm x 11 cm) Accompanied by a certificate issued by Ms. Luisa Luz-Lansigan confirming the authenticity of this

Melvin Warren (1920-1995), Cowboy Legacy, oil on canvas, 36 x 60, signed lower right: © Mel Warren (artist cipher CA) 1983, Provenance: Reminisce Gallery, Fort Worth, TX; From a Private Collection

Ed Mell (American, b. 1942) Untitled Landscape Oil on canvas 36 x 60 (in) 37.5 x 61.5 x 3 (in) Framed Signed Ed Mell, lower left In original Ed Mell signature frame. Provenance: Private Collection in

MASON! THE RAZ PAC WE, 2012, acrylic painting on wood panel, signed and dated center left, 36 &#189; x 48&#8221;. Provenance: The artist is a longtime friend of the consignor, this was a gift from the

AXEL EINAR HJORTH (Sweden, 1888-1959).Pair of benches.Wood.Measurements: 36 x 36 x 60 cm.Quality finish and simplicity were creative principles for Axel Einar, and the sober yet attractive design of t

A Navajo child's wearing blanket Worked in a variety of colors with rows of crosses, rows of serrated diamonds, and stepped zigzag bands enclosed in a meandering and Greek Key border. size approximate

Venetian School, late 16th Century A portrait of a nobleman and his three children oil on canvas 61 1/2 x 46 3/4in (156.3 x 118.7cm) Footnotes: Literature Fiocco, G. Venetian Painting of the Seicento