Mary Sophia Ludlow ( -1951) British. A Harbour

Linda Weir (British, born 1951) St. Ives Harbour with Flowers signed with initials 'LW' (lower right) oil on canvas 50 x 81cm (19 11/16 x 31 7/8in). (unframed) This lot is subject to the followin

DISCO BOLO BOLO II, 1990, aluminum sculpture in three parts (monumental stand and two resting figures atop), a signature not found, 54 x 50 x 21”.

egg tempera on canvas in original silver leaf art frame, signed and dated(61cm (24in), 46cm (18in))Provenance: Sotheby's, London, 9th February 1994, lot 413.

Two (2) Ursula Mary Fookes (British, 1906-1991) linocuts. 1st item: "Pastoral Scene," depicting a walled city rising above a landscape, signed "UMFookes" lower left and numbered 4/50. Sight: 9 3/8" H

Edith Mary Lawrence (British, 1890-1973) Print. Title - Cinema. Linocut printed in colors on Japan paper. Signed lower left Edith Lawrence 2/50. Signed at top of sheet under the mat, Edith Lawrence Th

Mary Fedden R.A. (British, 1915-2012) Still Life with Melon and Pears signed and dated 'Fedden 10' (lower left) oil on canvas 61 x 51cm (24 x 20 1/16in). Footnotes: Provenance Th

William James M&#252;ller (British, 1812-1845) Mandraki harbour, Rhodes signed 'WJMuller' (lower left) oil on canvas 51 x 76cm (20 1/16 x 29 15/16in). unframed Footnotes: Provenance</

Mary Fedden R.A. (British, 1915-2012) Still Life with Lemon and Auriculas signed and dated 'Fedden 1995' (lower left) watercolour, gouache and pencil on paper 26.5 x 21.5cm (10 7/16 x 8 7/16in). F

Tim Thompson, British, Born 1951, American Clippers At Safe Haven, Oil On Canvas, Signed Lower Right, Titled Verso, 12 X 16 Inches, Giltwood Frame 20.5 X 24.5 X 2 Inches, Light Scratches To Frame. See

Mary Fedden R.A. (British, 1915-2012) House by the Sea signed and dated 'Fedden 1989' (lower left) watercolour, gouache and pencil on paper 18.5 x 21.5cm (7 5/16 x 8 7/16in). Footnotes: P

D'Oyly-John (British, 1906-1993) The harbour at Cannes, a pair each signed 'DOYLY-JOHN' (lower left) oil on canvas both 42.8 x 58.1cm (16 7/8 x 22 7/8in). (2) This lot is subject to the following lot

Mary Fedden R.A. (British, 1915-2012) Butterflies signed and dated 'Fedden 1987' (lower left) gouache and collage on paper 14.5 x 15.5cm (5 11/16 x 6 1/8in). Footnotes: Provenance

Dame Paula Rego R.A. (British, 1935-2022) Mary, Mary Quite Contrary I, from 'Nursery Rhymes' (Rosenthal 43) Etching and aquatint printed in tone, 1989, signed and numbered 11/50 in pencil, printed by

Charles Neal (British, b. 1951) "River Evenlode", oil painting on panel, signed. Framed. Size: 15.5'' x 24'', 39 x 61 cm (board); 23'' x 31'', 58 x 79 cm (frame).

Ron Arad (Israeli-British, b. 1951) Bookworm Bookcase, c. 1993 One Off, London patinated sheet-steel etched 'Ron Arad' to underside L 251 x H 7 1/4 x D 8 inches

Edward Povey, oil on canvas, 2000, Edward Povey (British, b.1951), "Box of Birds", signed lower left, information label verso, 26"squ (canvas), 34"squ (frame)

William Wiehe Collins (British, 1862-1951) St. Pauls, London signed and inscribed 'W.W.Collins/St PAULS' (lower left) watercolour over traces of pencil 58.4 x 45.1cm (23 x 17 3/4in). Foo

Dame Ethel Walker A.R.A. (British 1861-1951) The Faun and Women in the Forest partial paper label with inscription (to reverse), oil on paper laid on canvas (136cm x 89cm (53 1/2in x 35in)) Provenance

ARTHUR DRUMMOND (BRITISH 1871-1951) OIL, H 36", W 28", "THE BATHERS":Signed lower right. Framed. For a high resolution photo CLICK HERE

Mary Eley Gauntlett British, 1874-1903 Hyderabad Camel Corps Watercolor Signed In March 1855 Russian forces defeated the Afghan army at Panjdeh, a village on the disputed Russian-Afghan frontier, alar

Charles Neal (British, b. 1951) "Field of Chicory" (Pen Hill, UK), oil painting on panel, signed. Framed. Size: 24'' x 15.5'', 61 x 39 cm (board); 31.5'' x 23'', 80 x 58 cm (frame).

ARTIST: Charles Neal (British, born 1951) NAME: View to Blythburg Church, Suffolk MEDIUM: oil on canvas CONDITION: Very good. No visible inpaint under UV light. SIGHT SIZE: 30 x 36 inches / 76 x 91 cm

circa 1690, manner of Thomas Pistor, molded cornice, bolection frieze drawer, paneled doors open to a well fitted and inlaid interior with a bank of drawers surrounding a central cabinet with recessed

Engraving and soft ground etching with color stencils, 8/50, signed, dated and numbered in pencil to margin(the sheet 31.5cm x 44cm (12.5in x 17.25in))Note: Stanley William Hayter is considered one of