Maud Gatewood (NC, 1934-2004), "Middle Atlas"

Maud Gatewood (NC, 1934-2004), Patterned Responseacrylic on canvas, monogrammed and dated 1987, signed and titled to verso, gallery wrapped canvas. 36 x 48 in. The daughter of the Caswell County sheri

ARTIST: Maud Florance Gatewood (Yanceyville, North Carolina, 1934-2004) TITLE: Creek Rising MEDIUM: Etching OVERALL SIZE: Framed, 18 1/2" x 16 1/2", image size, 9" x 8" DESCRIPTION: Up for auction is

Maud Gatewood (American 1934-2004), 'Spots: Lattice Porch', 1980, silkscreen on paper, depicting a bright abstract scene of lattice, a tree and partial clothesline, titled to lower left, editioned 16/

Maud Florance Gatewood American, 1934-2004 The Tempest, 1965 Signed and dated Gatewood 65 (ur); inscribed as titled (ul) Oil on cardboard 18 3/4 x 16 inches (47.6 x 40.6 cm) C

Height 85 cm Diameter 30 cm Suspension lamp Model 551, 12 lights in aluminum and brass. Lumi Milano production. 1950s.

Reginald Holmes (1934 - 2004), "A-23", abstract, oil on canvas, signed, titled and dated on back Reg Holmes, 1970, 44" x 60".

DESCRIPTION: A Maud Gatewood mixed media shows pencil drawings with watercolor, the painting depicts figures along a interior scene, signed along the bottom right "MF Gatewood". CIRCA: 1965 ORIGIN: US

Handira, Zayane peoples, Middle Atlas, embroidered blanket, Morocco, North Africa, 62" x 27" PROVENANCE:From the estate of Professor Philip Gould, New York

Naghaharing Reyna (Queen on High) signed and dated 2004 (middle right) mixed media 48" x 24" (122 cm x 61 cm) PROVENANCEPrivate Collection, Manila The Queen’s Gambit by LISA GUERRERO NAKPILJos�

OSCAR TORLASCO (Attr.) (Roma, 1934-2004) per LUMI. Lampadario cinque luci in ottone, alluminio verniciato e vetro. Anni '50. Pubblicato in G. Krohn e F.Hierl, Formschone Lampen und beleuchtungsanlagen

First quarter 20th century, 380 x 170 cm, North Africa, Morocco, Middle Atlas Rather than a monochrome surface, the open field of this large Berber carpet presents the sum of various shades of crimson

Oscar TORLASCO (1934-2004) - Edition LUMI Lampadaire en métal laqué et laiton - Vers 1960 170 x 27 cm * Vendu sur désignation (disponible à l’étude après la vente s

OSCAR TORLASCO 1934-2004 Rare applique for Lumi 1950s Brass, painted metal, optical lens. Bearing label 'Lumi'.  29.92 x 12.99 x 11.81 in. - TAGS: DESIGN

OSCAR TORLASCO 1934-2004 Lampada da terra '631' per Lumi anni '50 Ottone, metallo verniciato, vetro. Lievi difetti e segni del tempo. 182,00 x 40,00 x 27,00 cm (1) - OSCAR TORLASCO 1934-2004 '631' flo

OSCAR TORLASCO 1934-2004 '580' applique for Lumi 1950s Brass, painted metal, satin glass.  23.62 x 9.84 x 4.33 in. Bibliografia/Literature Lumi, Catalogo di produzione, anni ‘60. - TAGS: DESIGN

Sascha Tebo / Thebeaud (Haitian, 1934-2004), encaustic with beeswax, oil and pigment on canvas, housed in a hand-carved wood frame, signed and dated 1962 lower left. Image: 39" H x 17" W; frame: 47.75

OSCAR TORLASCO 1934-2004 Three appliques for Lumi 1950 circa Brass.  11.81 x 13.78 x 9.45 in. - TAGS: DESIGN

TORLASCO OSCAR (1934 - 2004) Pair of 502/4 wall lamps for Lumi, Milan. Painted metal and brass.. Cm 24,00 x 40,00 x 8,00. 1950s.Production plastic label.

OSCAR TORLASCO (Roma, 1934 - 2004) per LUMI. Grande lampadario diciassette luci in ottone. Anni '50. Mis. Alt. cm. 100 Diam. cm. 90 ca. Val. 1500/2500

OSCAR TORLASCO (1934-2004) & LUMI (ÉDITEUR) Suspension à 9 lumières, circa 1950, structure en métal laqué noir et laiton, globes en opaline blanche. A chandelier, c.1950, lacq

OSCAR TORLASCO (1934-2004) & LUMI (ÉDITEUR) Grande applique murale à 12 lumières, circa 1970, structure à gradins en acier, lentilles ovales en verre translucide. A large wall lamp

Including: Cherokee Double-weave Rivercane Open Storage Basket, probably by Eva Queen Wolfe (NC, 1922-2004), 15" x 13" diam; PLUS Cherokee Single Weave Covered Storage Basket, 12" x 8" x 8", PLUS Will

Helmut Newton (German/Australian, 1920-2004). "Maud Frizon, Fashion, French Vogue [Paris]". Original color photolithograph. 1977. Printed 2000. Signed in white marker, lower right. Edition unknown, pr

Janice Maddox. Complex Chords, Simple Melodies. 2004. Asheville, NC. Exhibited at The Folk Art Center in Asheville, NC, 2014, "Eyecatchers: The Hunter Collection" from the private collection of Barbar