Morning at the Pueblo, 1975 Ed. 61/75

Gene Kloss (American, 1903-1996) Morning at the Pueblo (K. 568), 1975 Etching on paper ed. 66 of 75 13.25 x 17.25 (in) Signed in pencil Gene Kloss, lower right Titled in pencil, lower left. Plate size

Gene Kloss (American, 1903-1996) Morning at the Pueblo, 1975 etching signed, titled and marked Artist's Proof in pencil lower margin edition of 75 8 15/16" x 11 7/8"

Johnny Friedlander (Germany, 1912-1992), "Le Voyage", etching, 1975, ed: 95, signed with pencil lower right, inscribed with pencil "94/95" lower left, printed in colors on sturdy cream wove paper with

Roger Bezombes (France, 1913-1994), "Still-life with Plums", lithograph, 1975, ed: 150, signed with pencil lower right, inscribed with pencil lower left "31/150", printed in colors by Atelier Mourlot

(American, 1898-1976). 1975. Ed. 30, initialed and dated ul, 129 x 48 in.

etching in colors on paper; 1975; ed. HC 2/10 (in addition to an edition of 75 plus ten hors commerce in Arabic numerals there were ten artist proofs in Roman numerals); signed and numbered in black c

10 sheets color screenprints on museum cardboard. 89.7 x 89.7 cm each. Each stamped lower left in blue: fill in your own signature and stamped lower right in blue: published by Sunday B. Morning. Ed.

Salvador Dali 1904-1989 Liquid and Gaseous Television from "Imaginations and Objects of the Future" lithograph and etching in colors with collage on wove paper 1975; ed. I 207/250 (the total edition w

CHRISTOPHE GEVERS (1928-2007) Paire d’appliques - Grand modèle Laiton doré plié. Paar wandlampen Gevouwen verguld messing. Circa 1975. Ed. Light. H.18,5 cm L.40 cm P.9,5 cm

Jochi Hoshi (Japanese, 1913-1979) Morning, 1975 woodblock print, framed signed Jochi Hoshi in pencil, titled and dated 21 3/4 x 16 3/8 inches (image). This lot is located in Chicago.

"Sunday Morning," 1975 Gouache on paper under glass Signed and dated lower right: N. Eggenhofer, and with the copyright symbol, titled on a gallery receipt Sight: 13.5" H x 21.5" W Provenance: Te

Frank E. Hendricks (San Antonio, Texas), "The Cheyenne", after Frederic Remington, engraved sterling silver belt buckle, series #4, dated 1975, ed. 2/100, marked "Made especially for C.L.

Amado Maurillo Pena (b.1943), "Ella con Cuatro del Pueblo", ed. 6/13, 2008, gouache on board with artist signature sight: 20 x 24 in., frame: 27 x 31 in. Provenance: A San Antonio, Texas col

Salvador Dalí (Spain) 1904-1989. Elijah and the Chariot. Engraving, drypoint with pochoir, 1975. Ed: 250. Albert Fields, p.101; Michler & Lopsinger 758. Ed: 250 (in this edition Field states an e

Larry Poons (American b. 1937), unframed silkscreen, c. 1975, Ed: 210, signed with pencil left, right inscribed with pencil "111/210" lower left, with the blindstamp left right of the Larry B. Wright

Victor Salmones (1937-1989, MEX), "Nosotros", cast bronze, 1975, ed. 7/10, includes certificate of authenticity 12"h x 9"w x 9"d Provenance: Property from a Spring Branch, Texas collection We happi

Norval H. Morrisseau (Ojibway, 1932-2007). "Prodigal Son" silkscreen in colors, 1975, ed. 3/99. Signed, numbered, and titled in pencil on lower left. A striking piece by Ojibway artist Norval Morissea

James Rosenquist (American, 1933-2017), color lithograph, "Miles", pencil signed "Rosenquist 1975", ed 61/200, 30" x 22-1/2" sheet, framed 32-1/2" x 24-3/4", very good condition

(American, 1903-2003). Etching on paper, 1975, ed. 31/150, signed "Hirschfeld" lr, sight size: 14 1/2 x 10 1/2 in., framed size: 19 x 16 x 3/4 inches.

(French, 1896-1987). Lithograph in colors, 1975, ed. 83/200, pencil signed "Andre Masson" lr, image size: 20 x 13 1/2 in., framed. Private collection, Alexandria, VA.

Georgia O'Keefe (American, 1887-1986) Taos Pueblo, 1975 photomechanical print Appears to be signed by the artist, lower left 24 5/8 x 37 1/2 inches (not framed). This lot is located in Denver. Propert

color lithograph; 1975; ed. 49/50; signed illegibly, numbered and titled in pencil Sight: 19 x 21 in. (48.3 x 53.3 cm.), Frame: 29 x 31 in. (73.7 x 78.7 cm.)

Howard Cook American (1901-1980) Taos Pueblo Morning Smokes (Breakfast) woodcut, 1927 signed and dated in pencil lower right, signed in plate upper right Biography from the Archives of askART: Conside

Mark Tobey (American, 1890-1976) Morning Grass, 1975 etching signed and numbered 44/150 in pencil 14 x 11 inches. Property from the Collection of the Appleton Museum of Art, Ocala, Florida