PENCIL SIGNED LITHOGRAPH BY GRANDMA LAYTON

Six American Primitive School Lithographs, Four Pencil Signed And Numbered By Will Moses, Framed, One Dick Labonte White House Scene, Framed, And One Grandma Moses, Unframed, Largest Wood Frame 31.5 X

In the manner of Grandma Moses Wooster Scott " Swing Your Partner...: Pencil signed. 32 1/2"H x 38 1/2"W

Thomas Hart Benton (1889-1975) Frankie and Johnnie (1936) The lithograph from an edition of only 100 prints published by Associated American Artists is signed by the artist in pencil below the image l

Thomas Hart Benton (1889-1975) The Race (Homeward Bound) 1942 The rare and desirable Thomas Hart Benton lithograph printed by Associated American Artists on wove paper in an edition of 250 prints is s

Roy Lichtenstein (1923-1997) Foot and Hand 1964 The offset lithograph in colors on white wove paper is signed by the artist in pencil upper left, inscribed number 282 from the edition of 300 prints, a

Roy Lichtenstein (1923-1997) Pyramids 1969 The lithograph in colors on Arches paper is signed and dated by the artist in pencil lower right and numbered 41 from an edition of 101 prints lower left. Pr

Thomas Hart Benton (1889-1975) Prodigal Son 1939 The lithograph signed by the artist in pencil below the image lower right and titled lower left with dedication, an edition of 250 prints published by

Thomas Hart Benton (1889-1975) Morning Train (a.k.a. The Station) 1929 Benton's first lithograph, circulated by Delphic Studios in an edition of only 110 prints or fewer, is signed by the artist in pe

Thomas Hart Benton (1889 - 1975) The Music Lesson 1943 The lithograph published in an edition of 250 prints by Associated American Artists is signed by the artist in pencil below the image lower right

Thomas Hart Benton (1889-1975) Forward Pass 1972 The lithograph published by Associated American Artists in an edition of 250 prints is signed by Benton in pencil below the image lower right and liste

Thomas Hart Benton (1889-1975) Making Camp 1972 The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and li

Thomas Hart Benton (1889-1975) Jessie and Jake 1942 The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right an

Grant Wood (1891-1942) January 1938 The lithograph published by Associated American Artists in an edition of 250 prints on GCM watermark wove paper is signed by the artist in pencil below the image lo

Zao Wou-Ki (New York, China, France, 1921 - 2013) Abstract Composition in Red. Pencil signed, dated ('60) and numbered (42/125) in lower margin. Lithograph in color on BFK Rives wove paper. Image Size

Grant Wood (1891-1942) Midnight Alarm 1939 The above average example is published by Associated American Artists in an edition of 250 prints on Rives watermarked paper is signed by the artist in penci

Titled "Western Horizontal," 24/35, 1986. Yellowing at edges. Insects on top left corner. Reframing recommended. Plexiglass has surface marks, frame has minor surface marks. Paper approx. 38 in x 56 i

Thomas Hart Benton (1889-1975) Morning Train (a.k.a. Soldier's Farewell) 1943 The lithograph published by Associated American Artists in an edition of 250 prints is signed by Benton in pencil below th

Birger Sandzen (1871-1954) Moonrise in the Foothills 1923 The lithograph from an edition initially projected to be in quantity of 100 is signed by the artist in pencil below the image lower left, titl

Grant Wood (1891-1942) In the Spring 1939 From an edition of 250 prints, signed lower right, the full sheet with all four deckle edges. Image measures 9 x 12 with a sheet size of 12.75 x 17 inches. We

Thomas Hart Benton (1889-1975) Cradling Wheat 1939 The lithograph signed by the artist in pencil below the image lower right, from an edition of 250 prints published by Associated American Artists, Ne

Grant Wood (1891-1942) In the Spring 1939 The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right. An image of

John Steuart Curry (1897-1946) The Prize Stallion 1938 The lithograph published by Associated American Artists on Rives watermarked paper in an edition of 250 prints is signed by the artist in pencil

Thomas Hart Benton (1889-1975) Self Portrait 1973 The lithograph signed by the artist in pencil below the image lower right is numbered 57 from an edition of only 100 prints, Fath number 90. Benton's

GRANT WOOD PENCIL SIGNED LITHOGRAPH "MARCH" ASSOCIATED AMERICAN ARTISTS EDITION (9 1/2" X 12 1/8" SITE SIZE)