Publicity stills thumbnail 3 sheets of 38 = 114 photos

The Babe Ruth Story (Allied, 1948) vintage publicity still photos (3). Glossy, single-weight black and white gelatin silver prints. Measures 8 in. x 10.125 in. Provenance: formerly collection of major

2 of the sheets are signed by Olivia. Size of larger sheet: 38"x26" Smaller sheet size: 31"x26" Please see photos for details.

A still from 1954 Suddenly, and two publicity portraits.

Grouping of publicity still photographs for various silent films including All Man (2), The Almighty Dollar (3), The Man of the Hour (2), The Heart of a Hero (1), and the Deep Purple (1). Photos measu

Original One-Sheet Movie/Video Poster - Aliens 3 (1992) - Sigourney Weaver. Never Displayed - In Excellent Condition. Approximate Dimensions: 25.5" x 38"Please view all photos to judge condition. Alth

each inscribed and signed; together with a publicity photo of Don Rickles; photo: 9 3/4 x 8 inches sheet

Publicity glamour photo for Columbia Platinum Blonde (2), both 1950 reprints;seven small shots with Robert Taylor, Spencer Tracy, Clark Gable etc. (one sheet) Three in the lot. All 8 x 10.

Lot of 8 Sleeping Beauty Turquoise Cabochons 38.10 Carats. See photos for details as part of description. Excellent condition. Retails for 3 USD per carat. Total retail value is 114.30 USD.

AUDUBON, John James (1785 - 1851). Frigate Pelican, Plate 271. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 26 1/4" x 38 3/4" sheet. Comparables: Arader Galleries, 20

AUDUBON, John James (1785 - 1851). Pied Oyster Catcher, Plate 223. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 1/2” x 38 3/8” sheet. Comparable: Arade

Tony Rosenthal (American, 1914-2009). Untitled. Abstract painted steel form with white, yellow and black elements, signed and dated "1987". 45" H x 38" x 7" (114.3 x 96.5 x 17.8 cm.). From The Estate

[NATURAL HISTORY] (AUDUBON, John James, after) 48 chromolithographs from The Oppenheimer Field Museum Edition of Audubon's Fifty Best, on rag watercolor paper, sheet 38 5/8 x 25 3/4 in. or 25 3/4 x 38

Steinway and SonsBaby grand piano. Model S. Serial Number is visible in one of the close up photos. Dimensions are 38" H. x 55 3/4"W. 57 1/2" L. Piano is in well maintained condition.It will be remove

AUDUBON, John James (1785 - 1851). Common American Swan, Plate 411. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 5/8" x 38 1/2" sheet, 37" x 49 3/4" framed. Compar

AUDUBON, John James (1785 - 1851). Greenshank, Plate 269. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38" x 25 1/4" sheet, 49 3/8" x 36 3/4" framed. Comparable: Guer

Plutusia (from Imaginary Places II) Mixed media print in colors w. 25-3/4 in. (sheet) Signed, dated 1996, and numbered 8/38 lower right, on TGL handmade paper, with the blindstamp of the publisher Tyl

Jennifer Green: Symmetrical Divisions Manifesting Asymmetrical Space Number Four Ink on paper, signed 'Jennifer Green' lower right. 22 3/8 x 30 in. (sheet), 30 1/2 x 38 1/2 in. (frame). Note: This dra

Nan Goldin (b. 1953): Simon on the Subway, NYC Dye-destruction print, 1998, signed, titled, dated and numbered 38/150 on the reverse. 16 x 20 in. (sheet), 19 3/4 x 26 in. (frame).

Roy Lichtenstein Still Life with Red Jar 1994screenprint in colors on Lanaquarelle Watercolor image: 15 h × 13.25 w in (38 × 34 cm) sheet: 21.25 h × 19.25 w in (54 × 49 cm)

Roy Lichtenstein Still Life With Red Jar 1994screenprint in colors on Lanaquarelle watercolor image: 15 h × 13.125 w in (38 × 33 cm) sheet: 21.125 h × 19.25 w in (54 × 49 c

contact sheets used for publicity purposes in the marketing campaign of the film. once the filmmakers and actors approve which photos will be used for public use, those circled photos get sent off for

contact sheets used for publicity purposes in the marketing campaign of the film. once the filmakers and actors approve which photos will be used for public use, those circled photos get sent off for

contact sheets used for publicity purposes in the marketing campaign of the film. once the filmmakers and actors approve which photos will be used for public use, those circled photos get sent off for

contact sheets used for publicity purposes in the marketing campaign of the film. once the filmmakers and actors approve which photos will be used for public use, those circled photos get sent off for