Rembrandt, Etchings, White, Boon, Van Gendt & Co.

REMBRANDT VAN RIJN The Goldsmith. Etching and drypoint, 1655. 80x58 mm; 3¼x2¼ inches, narrow margins. Biörklund's second state (of 2); Usticke's third state (of 3); White and Boon's sec

Rembrandt Van Rijn "Self Portrait Drawing at Window" Etching & Drypoint. Signed Rembrandt F. 1648. Measures - 7 1/2" high x 6" wide, + 3 1/2" frame. Birkland, Usticke's, White and Boons estates.

REMBRANDT VAN RIJNThe Netherlands, 1606-1669“Beggars Receiving Alms at a Door”, 1648. Bartsch 176; Biorklund 48-C; Holstein (White and Boon) 176.Etching on thin laid paper, 6.75” x 5

Rembrandt van Rijn (Dutch, 1606-1669), etching, "The Angel Departing From the Family of Tobias", 1641, Bartsch 43; Birklund 41-G; Hollstein (White and Boon) 43, probably 4th state, image size 4" x 6",

BUST OF AN OLD WOMAN IN A FURRED CLOAK AND HEAVY HEADDRESS (Bartsch-Hollstein 355; Hind 82; White-Boon 355 VI/VII), 1631, etching probably completed by Vliet on chain laid paper, signed and dated uppe

VAN RIJN, Rembrandt, (Dutch, 1606-1669): "The Death of the Virgin", 1639, Etching and Drypoint on laid paper with a watermark, reference Bartsch 99, White and Boon 99, 3rd state of three, image size 1

Samuel Manasseh Ben Israel (1636) Etching Later impression H.: 4 3/4" W.: 4 1/8" Bartsch 269, White & Boon B269 Provenance: Collection d'Arenberg (Brussels and Nordkirchen, Westphalia); Charles Blanc

Rembrandt Harmensz van Rijn (1606-1669) etching, sheet of studies; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon. Probably a 19th century impression. Not examined out of the frame.

Rembrandt Harmensz van Rijn (1606-1669) etching,"The Rest on the Flight to Egypt," B. 57 III; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon, page 190. Probably a 19th century impres

Rembrandt Harmensz van Rijn (1606-1669) etching,"Abraham's Sacrifice," 1655; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon, page 185. Probably an 18th or 19th century impression. No

Rembrandt Harmensz van Rijn (1606-1669) etching, Dutch landscape. Illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon. Probably a 19th century impression. Not examined out of the frame. A

Rembrandt Harmensz van Rijn (1606-1669) etching,"The Three Trees," B. 212; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon, page 185. Probably a 19th century impression. Not examined

Rembrandt Harmensz van Rijn (1606-1669) etching,"Jan Cornelis Sylvius, Preacher," B. 46-E, 1646; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon. Probably an 18th or 19th century impr

Original Heliogravure on paper "A Cottage with White Pales" from the Rembrandt's Etching Suite. Circa 1888. Signed in the plate. Overall framed 15" x 17 1/2".

"Gebaarde oude man met hoge bontmuts en gesloten ogen", (Old Bearded Man in a High Fur Cap, with Eyes closed), 1633-1637, Leiden or Amsterdam, White/Boon 1969, no. 290, State only; Lessing Julius Rose

This circa 1641 Rembrandt etching on Ingres d'Arches is titled "The Card Player" and measures 3 1/2" x 3 1/8" (plate size) on 12 7/8" x 9 3/4" off-white laid paper with watermark and large margins. Si

After REMBRANDT VAN RIJN (Dutch 1606-1669) "Joseph and Potiphar's" Black and white etching (19th century impression) 3 3/4 x 4 7/8 inches; Frame: 18 3/4 x 19 1/4 inches. Signed and dated in plate l/l.

Rembrandt Van Rijn Etciching Christ Driving the Money Changers From the Temple. Verso has label from Kennedy and Co Rare Prints, states original etching by Rembrandt Bartsch #69. . Frame 11.5 x 13 inc

Etching on off white laid paper titled Self Portrait at a Window by Rembrandt Van Rijn. Measures 7" x 6" (24 1/2" x 23 1/2" framed) Please review all photos closely. Contact us for more detailed infor

Etching on Ingres d'Arches off-white laid paper. From Marjorie Van Dyke's Millenium Edition, 20th century impressions limited to 2,500 examples. Signed and dated in the plate by Rembrandt van Rijn (pe

[Prints] After Rembrandt van Rijn (Dutch, 1606-1669). "Cottage with a White Paling." 1648. Etching with drypoint on laid paper. Later reproduction, c 1900s of third State. Signed in the plate, l.l. Sh

"Landscape With a Cow Drinking" by Rembrandt Van Rijn; ca. 1650. B., Holl. 237; H. 240; BB 50-I; 4 1/16" x 5" plate size; 12 7/8" x 9 3/4" sheet size; Etching on Ingres d'Arches off-white laid paper (

“Bust of a Man Wearing a High Cap; Three-Quarters Right”. B. 321; BB.30-F; Holl. 321. Signed in the plate u/l and dated 1630. Etching on Ingres d’Arches off-white laid paper with watermark. From

“Christ and the Woman of Samaria: Among Ruins”. B., Holl. 71; H. 122; BB 34’L. Signed and dated 1634 in the plate u/r. Etching on Ingres d’Arches off-white laid paper with watermark. From the