REMBRANDT VAN RIJN (1606 - 1669): ABRAHAM CARESSING ISAAC

REMBRANDT VAN RIJN (1606-1669) Abraham, speaking with Isaac Etching with drypoint on handmade paper. (1645). - Sizes: Hors cadre H =151mm L =127mm - Weight (K): 0,36kg - Condition: at first glance - g

After Rembrandt Harmenszoon Van Rijn (1606-1669). Abraham's Sacrifice. Antique hand pulled copper plate etching on laid paper after the original by master etcher Amand Durand (1831 - 1905). c. 1880 (T

Rembrandt van Rijn (Dutch 1606-1669) Abraham Francen, etching, later impression, image size 6 1/4 x 8 1/4Ó, framed under glass

(lot of 4) After Rembrandt van Rijn (Dutch, 1606-1669), "Abraham et son fils", "Autoportrait", "Les Mendiants", and "Le Sacrifice de Jacob," 20th century reproduction etchings, each signed "P.B. Spala

Rembrandt Harmensz van Rijn (1606-1669) etching,"Abraham's Sacrifice," 1655; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon, page 185. Probably an 18th or 19th century impression. No

After Rembrandt Harmenszoon van Rijn (Dutch 1606-1669) "Abraham Casting our Hagar and Ishmael, " after the 1637 original, etching on paper, signed and dated in the plate. Matted and framed. D

Rembrandt Van Rjin,After (Dutch 1606-1669) Abraham and Isaac. Original etching, copy in reverse by Basan, (French, 1723-1797) from his Recueils. A strong impression in fine conditions. Size: 158 X 129

Henry Winkles (1801 - 1860 ) after Rembrandt: Rembrandt Harmenszoon van Rijn (1606 Leiden - 1669 Amsterdam): The Sacrifice of Isaac Biblical representation, , Steel engraving Technique: Steel engravin

Rembrandt Van Rijn (1606 - 1669) Clement de Jonghe, printseller, 5th or 6th state etching signed in etching Rembrandt sheet size: 8 3/8" x 6 1/2" Provenance: The Gordon Galleries label on back, Estate

Rembrandt Van Rijn (1606 - 1669 Netherlands) 'Jan Lutma, Goldsmith' 17th Century Etching. Plate signed 'Rembrandt F, 1656' in upper right window. Trimmed to image with paper measuring 7.75x5.75'', fra

etching and drypoint; signed in plate; Condition: slight mat burn; not examined out of frame; 6 x 4 1/4 inches image

A 19th c. printing "Self-Portrait in a Flat Cap and Embroidered Dress" with '"Rembrandt" on upper left. Bartsch 26. plate measures 9.3 x 6.1 cm (3.75 x 2.5 in.). Etching, from the plate. Published in

Etching on laid paper with wiremarks. “The Card Player” 1641, (Bartch 136). 95 x 83 mm. Unknown state.

Etching on laid paper, 19th c. printing from original plate. "Jean Lutma, Goldsmith" (Bartsch 276) Measures: 19.5 x 14.6 cm plate. Provenance: Alfred and Maria Tarski, Berkeley, California; then by fa

Beautiful Rembrandt Harmenszoon Van Rijn etching, "Autoritratto col berrero spesso". Frame: 18 x 13 inches, art: 3 x 2.5 inches. Provenance: private owner. Biography: 1606 - 1669. Rembrandt was born i

Rembrandt Harmenszoon Van Rijn (1606 - 1669). "Man at a Desk Wearing a Cross and Chain", etching. Sight Size: 6 x 4 inches.

etching on laid paper; unsigned Plate: 2 5/8 x 2 1/4 in. (6.7 x 5.7 cm.), Sheet: 9 3/4 x 5 3/4 in. (24.8 x 14.6 cm.)

Nice Rembrandt Harmenszoon Van Rijn 1606 - 1669 etching, "Rembrandt in a cap and feather", "Rembrandt avec trois crocs". Frame: 18 x 13 inches, art: 3 x 2.5 inches. Provenance: private owner. Biograph

Rembrandt van Rijn ( 1606 - 1669 ) Original Etching, Measures (8 x 5.5 inches) w/frame (14 x 12 inches)

A later printing by Theo Beerendonk (1905 - 1979) after Rembrandt's etching, on laid paper. Signed and dated in the plate lower right Rembrandt f. 1641.15.1 x 21 cm. Bartsch 313.

Gravure on laid paper. B182 Measures: Plate 9.1 x 7.3 cm

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar