Robert Salmon (British, 1775-1845) The Scottish Lighthouse Board's tender

19th Century Watercolor on Paper Lake Scape Painting. Signed Lower left "R.W. Salmon". (Robert W. Salmon, British, 1775-1851). An English Marine Painter who came to America in 1829. He was painting in

ARTIST: Peter Robert Macleod Mackie (British, Scottish, 1867 - 1959) NAME: Landscape MEDIUM: oil on canvas. Canvas applied to board. CONDITION: Very good. No visible inpaint under UV light. Some damag

ROBERT SALMON (American, 1775-c.1848) Fishermen at Work 1838, oil on panel inscribed, signed, and dated verso 7 7/8 x 10 in., frame: 15 x 17 1/2 in. Provenance: Stephen Wheatland, Brookline, Massachus

ARTIST: ATTRIBUTED TO Robert Ranald McIan (British, Scottish, 1803 - 1856) NAME: Scottish Boy with Flute and Dog YEAR: 1850 MEDIUM: oil on canvas CONDITION: 1 1/2" scratch in lower right corner. Some

John Bucknell Russell (British, 1819-1893) Salmon leap on the Spey signed and dated 'John Russell/1884' (lower left) oil on canvas 115 x 183.5cm (45 1/4 x 72 1/4in). Footnotes: John Russell,

§ ROBERT HENDERSON BLYTH R.S.A., R.S.W. (SCOTTISH 1919-1970) THE ROAD TO FOCHABERS Signed, oil on board(56cm x 98cm (22in x 33.5in))

ROBERT GEMMELL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 1860-1936) THE AULD CREEL Signed, signed and inscribed on a label verso, oil on board(36cm x 25.5cm (14in x 10in))Exhibited: The Royal

Signed and dated and inscribed with title verso, oil on board(37cm x 31.5cm (14.5in x 12.5in), unframed)Exhibited: Gimpel Fils, LondonNote: Few British artists of the 20th century are quite as intrigu

oil on board, each signed "T. Finchett," presented in uniform gilt frames. DOA 12.5 x 15.25 in. From the Collection of Mr. & Mrs. Robert Dionne of Winnabow, NC. Additional high-resolution photos are a

TITLE:Robert Salmon 1828 Curious Rocks North Umberland Signed TYPE:Art SUB TYPE:Painting REGION:United States SUB REGION:Massachusetts MEDIUM:Oil SGD/UNS:Signed reverse DATE OF WORK:C 1820s-30s CATALO

David Roberts (Scottish, 1796-1864) Christian and Mohammedan Chapels on the Summit of Mount Sinai [Gabal Musa], 1839 watercolor, gouache, and graphite on paper titled and dated Feby. 20th 1839 by a di

The Grand Canal, Venice, oil on canvas. signed lower left and dated 1851, housed in a later gold matched corner frame, OS: 24 3/4" x 28 3/4", SS: 19 1/2" x 23 1/2". Fine overall craquelure.

Exposed Egyptian Temple Façade with Figures and Goats. Unsigned. Watercolor on Paper. 40 by 34 in. (Cond: approx. 7 in. tear from center top down, partly repaired, small creases to margins, corners,

David Roberts (Scottish, 1796-1864) The Great Sphinx, Pyramids at Gizeh, Views of Egypt and Nubia, original hand colored lithograph, published by F. G. Moon, London, 1846, Image-13 1/4" x 21", Sheet-1

David Roberts (Scottish, 1796-1864) Entrance to the Tomb of the King of Thebes,Biran El-Molook, original hand colored lithograph, published by F. G. Moon, London, 1848, Image-13 1/4" x 21", Sheet-17"

David Roberts (Scottish, 1796-1864) Thebes, Views of Egypt and Nubia, original hand colored lithograph, published by F. G. Moon, London, 1846, Image-13 1/4" x 21", Sheet-17" x 24 7/8", in excellent co

David Roberts (Scottish, 1796-1864) Temple of Kom Ombo, Views of Egypt and Nubia, original hand colored lithograph, published by F. G. Moon, London, 1846, Image-13 1/4" x 21", Sheet-17" x 24 7/8", in

John Willis Good (British, 1845-1879): A rare patinated bronze equestrian model of a huntsman with his hounds and a fox the dismounted figure crouching beside his horse, blowing his horn and gesturing

Alfred Adrian Jones MVO (British, 1845-1938): A patinated bronze equestrian group of a huntsman and two hounds possibly cast by Elkington & Co. the seated rider blowing his horn, one hound leaping ove

JMW Turner (attrib.), oil on canvas, Attributed to Joseph Mallord William Turner (British,1775-1851), Looking towards a Castle View, signed JMW Turner lower left, artist placard on antique gilt frame,

John Dean Paul (British, 1775-1852) 'The Mall' and 'Buckingham House in 1750'. Two oils on canvas, unsigned. Provenance: W. Russell Button, Inc., Douglas, Michigan Each: 21" x 30" Frames: 25.25" x 34.

After JMW Turner, painting After JMW Turner (British,1775-1851), "The Temple of Jupiter Panellenius Restored", oil on canvas, no signature visible, incorrect artist label on frame, 29"h x 39.5"w (sigh

Attributed to Francis Sartorius (British, 1775-1831) Full Cry oil on canvas 21 x 39 inches.

Lucien Whiting Powell (American, 1846-1930), "Classical Landscape with Ruins, Figures and Pond", oil on canvas, after James Mallord William Turner (British, 1775-1851), signed and inscribed "After J.M