SALVATOR ROSA The Fall of the Giants * The Rescue of the Infant Oedipus.

Attr. Salvator Rosa (1615 - 1673) Rough scenes scene. With figures in the foreground, approaching storm. Oil/Canvas. Sight Size: 39 x 29 in. Museo Civico Filangieri inscription verso. Multiple labels

Follower of Salvator Rosa Gamblers outside an inn with backgammon players and a small dog begging for food oil on canvas, in a Florentine carved, pierced and giltwood frame 64 x 99cm The painting is e

Circle of Salvator Rosa (Italian, 1615-1673) Marina with Rock Arch Oil On Canvas Painting. The original of this painting by Rosa is located in the collection of Doria Pamphili Gallery in Rome, Italy.

SALVATOR ROSA (CIRCLE) 1615 Neapel-Arenella - 1673 Rom RESTING FIGURES AND ANGLER AT THE RIVER BANK Oil on canvas (relined). 68,5 x 91 cm (F. 87 x 109 cm). Verso: Diverse old Collection or Inventory n

English, 18th century, in the Italian taste, in a great standard size. Overall 48 1/2" x 58 1/2", rabbet 40" x 50", molding 5".

Overall 45" x 37 1/4" Sight 36" x 28" Rebate 36 1/2" x 28 11/16" Size small Provenance: European Art branch of the Art Gallery of Ontario; received as an anonymous gift in 1997.

Italian, 18th century, having carved ornament. Overall 18" x 23 3/4", Rabbet 12 1/4" x 18", Molding 3".

18th Century European School, Rosa, Follower of Salvator (Italian 1615 - 1673), Tobias and The Angel, brown ink and grey wash drawing, 11.25 x 15.5 inches, inscribed Salvator Rosa Pinxit lower right,

Attributed to Salvator ROSA (1615-1673) Oil on Canvas. 19 1/4 x 26 in framed. 14 x 20 3/4 in unframed.Local Pick up call one day before to make an appointment. TO SHIP THIS ITEM IN USA OR INTERNATIONA

School of Salvator Rosa (1615 - 1673), oil on canvas, landscape with figure, unsigned, after Salvator Rosa, Christie's label on verso, 21 1/2" x 14 1/2".

Description française: École de Salvator ROSA (1615-1673) "Travels of the Covenant" Huile sur toile Signature et date en bas au centre Titrée sur étiquette au dos Provenance: Succe

J. Remanjon (Continental, 19th century) after Salvator Rosa (Italian, 1615-1673). "Rocky Landscape with Hunter and Warriors" after the original in the collection of the Louvre, oil on canvas. Signed a

Etching with drypoint. "St. Albert, The Companion of St. William". Signed in plate lower left. From a Morris County, NJ collection. - Dimensions: Sight: 14" high x 9.25" wide

Fine antique 18th century or earlier old master painting. Possibly workshop or RosaI’m fine antique gilt frame. Ware from age to painting and frame.

Attributed to Salvator ROSA (1615-1673) Oil on Canvas. 19 1/4 x 26 in framed. 14 x 20 3/4 in unframed.Local Pick up call one day before to make an appointment. TO SHIP THIS ITEM IN USA OR INTERNATIONA

After Salvator Rosa The Wood of the PhilosophersOil on canvas15 x

Salvator Rosa, follower of (Naples, 1614 - Rome, 1673) ext. 27,3x27,3 in., int. 20,8x21 in. This pair of paintings on slate depicts two crucial miracles: the healing of the blind man by Jesus and the

Salvator Rosa , Scena di maleficio. 1674 Olio su tela. cm 46x68. Siglato "FGS" e datato "1674" sull'orcio al centro. La scena - con la creatura mostruosa evocata dal rito malefico, lo stregone atterri

(attivo a Napoli e Roma attorno alla meta' del XVII secolo) Coppia di battaglie Olio su tela, cm 24X38,5 (2) Le caratteristiche di stile ancora influenzate da Salvator Rosa, di cui Masturzio fu alliev

Italian or Continental, 19th century. "Harbor Scene or Marina del Porto" oil on canvas after original by Salvator Rosa (Italian, 1615-1673) now in the collection of the Uffizi Gallery. Apparently unsi

(Cabella Ligure, 1743 - Genova 1790) Medea che uccide il drago Penna, gessetto nero, inchiostro bruno e acquerello su carta grigia, cm 27,7X22,7 Inscritto: Salvator Rosa Prov. Coll. Santo Varni n. 50

Scena di battaglia con cavalieri Olio su tela, cm 36X45 Le caratteristiche di stile ancora influenzate da Salvator Rosa, di cui Masturzio fu allievo, amico e abile imitatore e la notevole qualità, co

A pair of lava cameo earrings. Each designed as a triangular panel one carved to depict Salvator Rosa, the other depicting Domenichino, both Italian Baroque painters, these panels are suspended from a

Christian Wilhelm Ernst Dietrich (German, 1712-1774) and Salvator Rosa (Italian, 1615-1673) Study for Blinde am Abgrund and Study of a Man (two works) ink and wash first-listed example signed Dietrich