THOMAS BROTHERS 'Cowboy Beebop' (2018) HPM Handmade Paper

Thomas Hart Benton An Untitled Study of Cowboy on Horseback 1931 Graphite, ink and watercolor on paper, initialed lower right, probably from the artist's trip to Wyoming n the early 1930s. Sheet measu

Sir Thomas Lawrence (British, 1769-1830) Two Works: Portraits of Sir Robert Baker and His Brother, Captain John Baker circa 1820 pastel on paper 11 1/4 x 9 1/4 inches. Both inscribed on reverse, ident

JOYCE (JAMES) Ulysses, NUMBER 623 OF 750 COPIES ON HAND-MADE PAPER, from an overall edition of 1000, half-title, untrimmed in publisher's blue wrappers, old light (?tea) stain on lower cover (extendi

Thornton Dial painting on professional handmade paper. Purchased directly from Bill Arnet and the Souls Grown Deep foundation. - 11.5" x 9" --- Purchased in 2013 by renowned folk art dealer Ron Causey

Sam Gilliam Untitled #8 acrylic and handmade paper collage with embossing on canvas 48 h × 96 w in (122 × 244 cm) Provenance: Private Collection This

The Monkey-Rope,1993, from "Moby Dick Deckle Edges" Color lithograph, etching, aquatint, relief and screenprint on white TGL handmade paper under Plexiglas Edition A.P. 10 (the edition was 32) Sign

Present to Mr. Robert Wilson from Frederic Mizen. 13 1/2 x 9 1/2 in.ink/painting on handmade paper

Frank Stella (American. b. 1936) Swoonaire (from Imaginary Places), 1994 etching, aquatint, relief, screenprint and lithograph in colors on TGL handmade paper signed, dated, and inscribed P.P.I. in pe

Lucas Paper/Pulp is a Stenciled handmade paper print in colours, by Chuck Close, produced and published by Pace Editions, Inc., New York, U.S. It is Signed, dated and numbered in white pencil, on the

Helen Frankenthaler (American, 1928-2011) Beginnings, 2002 color screenprint on handmade paper signed and numbered 98/126 in pencil 36 x 36 inches. Property from the Estate of Leslie "Mitzi" S. Magin

Rufino Tamayo (1899-1991) Dos Personajes Atacados por Perros (Pereda 311), 1983 Mixografia® in colors on handmade paper, signed in white pencil and numbered 18/75 (there were also 12 artist's pro

Sam Francis (American, 1923-1994). Monotype on handmade paper titled "Chariot," 1985. This print depicts an abstract composition of amorphous forms in various colors such as red, blue, yello

mixograph in colors on handmade paper 1977; signed and numbered 48/100 in white crayon in lower margin; with Mixografia blindstamp Sheet: 19 1/2 x 47 1/2 in., Frame: 26 1/4 x 54 1/4 in. (66.7 x 137.8

Frank Stella (American. b. 1936) Extracts (from Moby Dick Deckle Edges), 1993 lithograph, etching, aquatint, relief and screenprint in colors on TGL handmade paper signed, dated, and numbered 34/40 in

Louise Nevelson, cast paper relief, 1975, Louise Nevelson (American, 1899-1988), "Nightscape", black dyed handmade paper, signed and dated in pencil "Louise Nevelson - 75" numbered "61/75" published b

Frank Stella (b. 1936) Spectralia 1994 Mixed media, lithograph, screenprint, etching, aquatint, relief, engraving in colors on TGL handmade paper, with the blindstamp of the publisher Tyler Graphics,

Sam Gilliam Fragrance (from Tulip series) 1989collage with wood block print in colors, paint and encaustic on handmade paper with marble constructions in wood frame 48 h × 47 w × 6 d in (

Red Roofs signed and dated 1984 (lower right) acrylic and black ink on handmade paper 12 1/4" x 25" (31 cm x 64 cm) León Gallery wishes to thank Mr. and Mrs. Jack and Kristiyani Garrity for confirm

Helen Frankenthaler (American, 1928-2011) I Need Yellow, 1973 Color lithograph on handmade paper 24 1/2" x 19 1/2" (sheet) Pencil-signed and dated to the bottom right margin, pencil-numbe

An Abstract Expressionist lithograph in colors on TGL handmade paper titled "Black with No Way Out, from El Negro" by postwar artist Robert Motherwell. Hand signed in pencil on the bottom right with a

Anne Ryan (American, 1889-1954) Yellow, Mustard, Two Blacks torn fabric and handmade paper collage on paper signed lower left 3 3/4" x 5 1/4" Provenance: Andre Emmerich Gallery, New York, New York Fis

unique monotype with dry pigments, ink and oil on handmade paper, framed floating under acrylic; inscribed in pencil to verso of sheet '23 7/8" x 28 1/8" SFM 77 - 006' 23 1/2 x 28 in. (59.7 x 71.1 cm.

Plutusia (from Imaginary Places II) Mixed media print in colors w. 25-3/4 in. (sheet) Signed, dated 1996, and numbered 8/38 lower right, on TGL handmade paper, with the blindstamp of the publisher Tyl

Sam Gilliam (American, b. 1933) Bardwell, 1976 Mixed media on handmade paper with stitching and collage 22 x 21 (in) 29 x 28 x 1.75 (in) Framed Signed and dated in pencil Sam Gilliam '76, lower right