Thomas Fox (British, 19th Century)

Untitled Fox Hunting Scene Oil on canvas Signed indistinctly lower right Image: 23 x 29.5 in.; Frame: 33 x 38.5 in. Stretcher wear to canvas, Carved gilt wood frame

after: Thomas Rowlandson, British (1757-1827) Set of Four (4) Handcolored 19th Century Etchings Fox Hunt - 4 Works. This lot includes "Going Out In The Morning Scene Windsor Forest", "Fox Chase Scene

Chinese Lantern Maker's Shop And Dinner Party At A Mandarin Palace, Two Colored Engravings, Sight 7.5 X 11.5 Inches, Giltwood Frame, 16 X 20 X 1.5 Inches, Paper Toned, Frames Dented. See Photos For Ad

Manner of Thomas Sully (British, 19th Century) Woman with a Gold Ring oil on canvas 24 1/8 x 20 inches.

After Thomas Henry (British, 19th/20th Century) oil on canvas painting. Depicts the Mauretania leaving the river Tyneon on her maiden voyage. Unsigned. Work measures 29 1/2" x 39 1/2". Housed in frame

After Thomas Green (British, 18th/19th Century) From 'Universal Herbal, vol. 1'. Two hand-colored engravings dated to 1820. Together with three color lithograph botanicals 8" x 9.75" Frame: 14.5" x 16

An oil painting on cardboard depicting a portrait of a Terrier dog with a leather collar, after the original oil painting by Thomas Earl, British, 1810 to 1876. Thomas Earl was a British 19th Century

Thomas and William Daniell (British, 18th-19th Century) Two Hand-Colored Aquatints. 'A Baolee Near the Old City of Delhi' 1802, and 'The Entrance to Kailasa' engraved by Thomas Daniell after James wal

Manner of Sir Thomas Lawrence (British, 1769-1830) Early 19th Century Portrait of a Gentleman oil on canvas 31 x 25 3/4 inches. Property from the Collection of Donald Schreiner, Rockford, Illinois

Octavius Thomas Clark, British, 1850-1921. A late 19th century oil on canvas landscape. Depicts a hatched roof cottage at the bank of a pond with church spire in the distance. Signed "O.T. Clark" lowe

THOMAS COLLINS (Late 19th Century) British. Still life of flowers on a mossy bank, a pair of oil on canvas paintings. Each signed and dated 1893, each 7" x 9", (2).

Manner of Thomas Beach (British, 1738-1806) Late 18th/Early 19th Century Peter Ryves Hawker, Colonel of H.M.'s First Troop of Horse Guards oil on canvas signed Beach pinxit/ 1788 (lower left) 28 1/2 x

FRANK W. CASSELL (British, 19th Century), Terriers Cornering a Fox, oil on canvas, canvas: 12 x 16 inches, framed: 19.75 x 23.75 inches, signed lower left. Provenance: Sale to benefit the Triton Museu

J. Cassidy, possibly John Cassidy, (British, 19th-20th century). Two fox hunting scenes. Oil on board, 19th-20th century. Signed J. Cassidy. Frame size 19 x 11 inches (each), sight size 8 x 16 inches

A pair of antique 19th century engravings by British artist Thomas Hosmer Shepherd. The engravings depict famous places in Edinburgh, Scotland. Under one engraving is the text Ainslie Palace, Edinburg

Artist Unknown (British, 19th Century) North African Costumes. Ten hand-colored aquatints, published by Thomas McLean, London, 1818. Provenance: From the Collection of Oprah Winfrey Each: 12.5" x 8.75

AFTER R. ALKEN (BRITISH, 19TH CENTURY) FULL CRY, GOING TO COVER, BREAKING COVER and TREE-ING THE FOX, 1839 Each a handcolored aquatint: 19 x 27 1/4 in. (sight) Framed; published by W. Deelcy, London,

Pen and ink wash. Note: this painting bears a strong resemblance to the work of: Thomas Rowlandson (British, 1756 - 1827). 7 1/4 x 10 1/4 in. No signature found. Provenance: Wellesley, Massachusetts c

British, 19th century, woven silk horseracing prints "The Start" and "The Finish", original mats stating beneath picture "Woven In Pure Silk By Thomas Stevens, Stevengraph Works, Coventry.", under gla

1845 SHELLS 1ed Conchology Land & Water Mollusks Clams Slugs Snails Illustrated Thomas Brown was a 19th-century British naturalist and zoologist. Much of his success in his field is due to his Illustr

(lot of 3) Henry Bradbury/Bradbury & Evans (British, 19th century) "Pteris Aquilina var Multifida" "Cystopteris Fragilis," and "Lastrea Cridtate var Uliginosa," botanical illustrations from Thomas Moo

After Charles Dean Wolstenholme, British, Early 19th Century, Each Trimmed And In Vintage Inked Mats And Bronze Mounted Mahogany Frames With Identification Plates, Sight 16 X 21.5 Inches, Overall 23 X

British School (Fourth Quarter 18th/First Quarter 19th Century) Three Fine Portraits each watercolor and gouache including (Attr.) Thomas Richmond (British, 1771-1837), "Welsh Gentleman in a Double-Br

British School (19th century), Portrait of a Captain in the Royal Navyoil on canvas, unsigned, the canvas with stencil of artists' supplier Thomas Brown of 163 High Holborn in London, presented in a p