Thomas Hartley Cromek The Old Sacristy w/c

THOMAS HARTLEY CROMEK (BRITISH 1809-1873) Santa Maria in Cosmedian, Rome Watercolour over pencil 35 x 49cm (13 3/4 x 19 1/4in) Provenance: Acquired from the artist by W. Burkinshaw, Art teacher at Wak

Thomas Webb "Old Ivory" Cameo Glass Vasepost-1889, English, decorated with carved bamboo on one side and prunus branches on the other, with pierced serpent handles, and a carved "Thomas Webb & Sons" c

exceptional pre raphaelite painting attributed to Thomas Faed (1826-1900) superbly rendered!!retaining presumably it's original frame! Possibly depicting "Evangeline" Previous conservation present.Age

Thomas Hart Benton "Old Man Reading" Lithograph. Measures - 14" x 18". Signed lower right.

The Bible that is, the Holy Scriptures contained in the Old and New Testament. translated according to the Hewbrew and Greek, and conferrred with the best translations in divers languages..., Amsterda

Thomas Hart Benton Old Man Reading Lithograph, 1941, Signed In Pencil, From The Edition Of 250. Framed print is approx 19" x 1/2" x 17". The print is approx 12" x 10". Framed art is in a good, vintage

Historical 5.25X8.75 page from Acts of the Eighth Congress signed by Thomas Jefferson in old Iron Gall ink. A bold example of his signature.(1743-1826) Thomas Jefferson was an American statesman, dipl

LeRoy Neiman (American, 1921-2012)Thomas A. Becket Gym, Old Kent Road, London,

"new Lofe for Old Glory" is an original painting, oil on stretched canvas, by Thomas Stiltz. Hand signed by the artist, this piece comes with a certificate of authenticity. Measures approximately: 42"

Artist: Thomas Lawrence, attributed toTitle: Untitled Medium: Oil on canvas Size: 22" x 20" oval approximate Date: Early 1800's

From the Alan Thomas collection a group of medium format black & white negatives with a real mix of unlike subjects: White Mountain Central, Boston MBTA & MTA, Canada locations vary but mostly Maritim

Small Thomas A. Daly watercolor of a "Blue Heron", attractively framed, glazed and matted, bearing provenance label to back. Provenance: Grand Central Art Galleries, NY. [Image: 7 1/4" H x 5 1/2" W; F

Seth Thomas Pillar & Scroll. Mahogany case; old finish, possibly original. Period finials. Original painted wood dial. Rare reverse painted tablet of George Washington & Redcoats. 30 hour time & strik

PHOTOGRAPHY - SCOTLAND ANNAN (THOMAS) Glasgow City Improvement Trust. Old Closes and streets of Glasgow. A Series of Photogravures 1868-1899, LIMITED TO 100 COPIES 'SPECIALLY PRINTED FOR THE CORPORATI

ANDY THOMAS (American b. 1957) A PAINTING, "Old Marble Factory," oil on canvas, signed L/R. 20" x 16"

1854; oil on canvas; unsigned; titled and dated in ink verso, and typewritten F.R. paper label verso; Provenance: Manhattan Galleries, Pasadena, California label verso; 25 x 30 inches; 31 x 36 inches

John Thomas Biggers (American/Texas, 1924-2001) "Old Spanish Trail Market, Houston, Texas", 1970 lithograph signed, titled, dated and inscribed lower right to the family of his friend and fellow artis

(lot of 2) Framed portrait, pencil, ink, sepia on paper, "Old Miner" signed lower right Benton (Thomas Hart Benton, American, 1889-1975), together with and appearing as an illustration at page 100 in

Tibet Khaden with Checkerboard Design 152 x 76 cm (5' x 2' 6") Tibet, late 19th century Condition: good, low pile in places, scattered small old repairs Published: "Patterns of Life", Thomas Cole, 201

Title: Working Mules. Thomas Hart Benton (1889-1975) Medium: Graphite drawing, c.1940. Signed in pencil, lower right center. A wonderful pencil sketch of mules attached to a wagon. Image size 4 1/

54mm. Excellent condition

Position H8. Sir Thomas Kingston. Extremely Rare Mounted Offering by Courtenay utilizing the Race Horse with Removable Rider. Horse Balanced on One Leg and Rider Secured to Saddle with a Pin. John Gil

Title: Bridal Veil Falls. Thomas Chambers (1808-1869) Medium: Oil on canvas, undated. 21 1/2 x 30" (54.6 x 76.2 cm). Many works by Thomas Chambers are inspired by the sketches of W. H. Bartlett. T

One of the hardest to find of Courtenay's medieval personality figures. Mounted with drawn axe and visor that raises up and down. Black base with gold lettering. Position H2. Signed by Richard Courten