Thomas St Cuthberts Screen Etching 1800s

Charles Herbert Woodbury (1864 - 1940) 'St. Thomas' artist's proof etching, pencil signed lower left, titled verso, framed and matted. Measures: 9 1/2" x 11 1/2" sight, 16" x 18" overall.

Framed Hand Colored Harbor Etching of St Thomas. Framed in a partially gilded frame with heavy matting. NOT EXAMINED out of frame, behind glass. Obverse has clipping of news of the hurricane that hit

PAIR OF JIM TILLETT SILK SCREENS, Tutu, St. Thomas, 16''H x 12.5''W each.

Charles Henri Toussaint. (French, 1849-1911). The Screen of St. Etienne-du-Mont, at Paris. Original etching on laid paper. 1881. Signed in the Plate lower right. Excellent. Image Size 7 3/4 x 9 3/4 in

After Thomas Miles Richardson (1784-1848), Hand coloured etching, St Nicholas Cathedral, Newcastle, A market street scene with figures and a view of the church. Published by J. J. Longhurst, 1911. App

Three (3) William Patterson (American b. 1941) etchings. All signed by artist in pencil lower right. All 'AP' in pencil lower center. All with title in pencil lower left ('St. Thomas', 'St. Peter' and

Anne Goldthwaite (American 1875-1944)- 1). ''detail of Facade, St. Mary the Virgin'' (Breeskin 167)-. 9 x 7 7/8'' 2). ''St. Thomas- 5th Avenue, NYC'' (Breeskin 207). 11 5/8 x 8 `/1'' 3). ''Church of S

"Quebec, from the opposite shore of the St. Laurence", etching of Canadian landscape by W.H. Bartlett, a British artist best known for his drawings and engravings during the early to mid 1800s. Artwor

England, 18th century. A hand-colored aquatint etching of St. Paul's, published and made by Thomas Malton the younger (1748 - 1804). Overall good condition; approx. 1 inch vertical tear from bot

Two(2) drypoint etchings. Morning on the St. Johns, Florida. Painted and etched by Thomas Moran, N.A., 6in. X 8.75in.(image size); The Edge of the Swamp. Painted by W.L. Picknell, etched by Peter Mora

The Pinet depicts the entrance of The Church of Saint-Maclou in Rouen, the other etching is by R. Kent Thomas and depicts the interior of St Albans Cathedral, both pencil signed. Dimensions: Both fram

St John the Baptist at a Spring Etching Image: 4.5 x 3.25 in. Good Condition

After Andrew Fisher Bunner (1841-1897). Artist Name: Moran, Thomas (1837 - 1926). Medium: etching. Inscribed top left: Copyright 1887. by C. Klackmer E 14th St. N. Y. signed lower left: A. F. Bunner.

Marquis de Lafayette after the original by Thomas Clarke (active circa 1790s, died early 1800s), edition unknown, in gilt frame (some damage), not examined out of frame / in as-found condition. Visibl

Etching and engraving by John Sturt (1658-1730) after Robert Inglish (active 1714). Printed and sold by Thomas Bowles, London, also included in a later impression of Brittania Illustrata. Published 17

Engraving "Christ with St. Ambrose, Saint Mary, Saint Charles Borromeo, and Saint Thomas the Apostle and Angels", etching on paper by Pietro Aquilo after Carlo Maratta, probably 18th or 19th C, 24-3/4

Old Sydney L. Lucas color aquatint etching titled "South Street From Maiden Lane 1828". Mounted in a black frame with matting behind glass screen. Measures approx. 23 1/2" height x 29" width (59.7cm x

19 Volumes of Thomas Hardy Works From the 1800s. Published by Harpers, Many With beautiful etchings of English countryside.

(lot of 5) Louis Robin (French, 1845-?), Streetcars in Paris, and View of a Cathedral in Paris, etchings, each pencil signed lower right, Don Swann (American, 1889-1954), "St. Anne's Church, Annapolis

More (Sir Thomas [St Thomas More], Lord Chancellor, humanist, and martyr, 1478-1535).- Roper (William, lawyer and biographer, 1495x8-1578) The life and death of Sir Tho More knight sometime Lo: Chance

Etching, aquatint, and sandpaper ground, known as The Great Black Cloud, depicting an army marching up an incline beneath a menacing dark sky, the soldiers proceed on foot and on horseback past muddy

Claude Monet (1840 - 1926). Paysage a Antibes (Landscape in Antibes). Hand Pulled Copper plate etching and drypoint, printed in Sepia ink, on cream laid paper after the original by Auguste Marie Lauze

Claude Monet (1840 - 1926). Mueles a Giverny (Haystacks in Giverny). Hand Pulled Copper plate etching and drypoint, printed in Sepia ink, on cream laid paper after the original by Auguste Marie Lauzet

French Polychrome and Carved Wood Figure of "St. Thomas Aquinas" 19th century, the revered Doctor of the Church with one hand raised in benediction, in richly detailed robes with floral vine motifs en