Touch of Evil (Universal International, 1958). O

Description THE FEMALE ANIMAL (Universal International, 1958) Size: Original U.S. One Sheet (27“x41”) Condition: Linen-backed, faint fold-line and crossfold touch-up, Canadian censor stamp upper l

Live Fast, Die Young. Universal International, 1958. One sheet (41 x 27”). Offset lithograph movie poster for the melodramatic “sin-steeped story of today’s ‘Beat’ genera

Brussels Universal And International Exhibition 1958 April 17 - October 19 ca. 1958   artist's name printed in image; printed "La Dendre„ Ninove  35.5 x 23.5 in.

4 Russia brochures including 2 1957 USSR section Brussels Universal and International Exhibition; 1958 Atomium. Creases; foxing; tears.

'The Fighting O'Flynn', 'The Fighting O'Flynn', a Universal International original movie poster, chromolithograph, printed by W E Smith Ltd., Sydney, 75.5 x 33cm, framed

EPHEMERA - THREE FIRST DAY ISSUE STAMPS AND ENVELOPES with rare 1977 HINDENBURG DISASTER COMMEMORATIVE GOLD EMBOSSED ENVELOPE. 1958 BRUSSELS UNIVERSAL AND INTERNATIONAL EXHIBITION WITH 3 CENT STAMP. A

Universal International. Original One Sheet (27" x 41") movie poster, folded. Wear to edges and fold lines and fading.

1958 Belgium World's Fair 50 Francs 50f Grades Select+ Unc. Visited by more than 42 million people, the Brussels World’s Fair or Brussels Universal and International Exhibition (held from 17 Ap

L. Zarei (Iran/IL, 1958-XXXX) 26x38 , O/Fabric , unsigned , Good and Evil , Depicting Village Landscape with Angel and Demon unframed

1638. MARKLIN INTERNATIONAL SLEEPING CAR | O gauge, hand painted. | 7" l. | Provenance: Paul Cole Collection. | Some very minor touch-ups, heavily lacquered, overall in (Very Good to Excellent Conditi

Showdown at Abilene (Universal-International, 1956). One Sheet (27"x41") Jock Mahoney Martha Hyer Lyle Bettger

Barcelona chairs, pair. Knoll International, 1958. Leather, stainless steel 31.75 x 31.75d x 31.75h

ABBOTT AND COSTELLO MEET FRANKENSTEIN Insert (14" x 36") Very Fine- Folded Universal International, 1948 This folded insert represents what some consider to be one of

(1881 Málaga - 1973 Mougins) "Jacqueline lisant" (Jacqueline beim Lesen). Originaltitel Lithographie/Arches-Velin (mit Wasserzeichen), 1958. R. o. im Druck doppelt dat. "11.1.(19)58" und 27

Ludwig Mies van der Rohe and Philip Johnson Four Seasons bar stools, pair Knoll InternationalUSA, 1958 / c. 1980chrome-plated steel, leather 31 h × 17 w × 17 d in (79 × 43 &ti

Madeline Hewes American, 1912-1969 Tropical Zoo Signed M. Hewes (lr) Oil on Masonite 18 x 26 3/4 inches Exhibited: Pittsburgh, PA, Carnegie Institute, 1958 Pittsburgh International Exhibition of Conte

Dave McGary (1958-2013), "Touch the Clouds", 1998, ed. 42/100, bronze, 18.5 x 12.5 x 10", monument study Provenance: The Estate of Joan and Herbert Hahn (San Antonio, Texas)

Two Prints Keith Haring (American, 1958-1990) International Youth Year 1985, pencil signed and numbered 120/1000, the full sheet, The World Federation of United Nations Associations, New York, publish

Dave McGary (American, 1958-2013), Touch the Clouds1998, cast bronze with polychrome, limited numbered edition 95/100, with incised artist signature in the casting base, presented on an octagonal waln

Eero Saarinen Tulip dining set Knoll InternationalUSA, 1956/1958 / c. 1968enameled aluminum and steel, lacquered fiberglass, laminate over wood, vinyl table: 28.75 h × 42 dia in (73 &time

Tapio Wirkkala, 'K10-11' floor lamp, 1958, H. 145 cm, Ø 17 cm. Made by Idman Oy, Helsinki. Tubular brass, sheet brass, partially varnished black, sheet aluminum, painted white and black. Marked

Case: Stainless steel case with stainless steel bracelet; Dial: Grey millimeter paper dial with applied gold-colored indices, date at 3 o'clock, signed "International Watch Co., Ingenieur SL Automatic

KEITH HARING (AMERICAN 1958-1990) LITHOGRAPH, INTERNATIONAL VOLUNTEER DAY, SIGNED (IN PENCIL), #256/1000, 1988. SIGHT 11 X 8 1/4"; FRAMED AND GLAZED 15 X 12"

1854-O. Arrows, Huge O. PCGS graded AU-55. CAC. A frosty white example with a touch of tone. The huge O was likely created when the coiner/engraver in New Orleans noticed the reverse die from Philadel