Two draped jersey evening gowns, mid 1970s, the f

Synthetic knit, chiffon long sleeves studded w/ copper beads, exposed shoulders, extremely low U back, H to 40", L 68", marked size 8, (missing beads, especially to back) very good.

2-pc cream ribbed silk w/ mm lace yoke, SH ruffles & engageante cuffs, manipulated silk satin ribbon to neckline, cuff, W & around hem, bodice lined w/ cotton, skirt lined w/ glazed cotton & buckram,

Sheer coral chiffon evening ensemble c/o bias cut triple layer sheath w/ spaghetti straps, CF B w/ handkerchief drape, dramatic over-tunic w/ extended floor length hanging sleeves & bias cut fullness

1 red "Stavropolous" light-weight wool, long CB panel to be worn in various styles, B 34", H 38", (few pin dot holes) very good; 1 chine lilacs printed on white taffeta, full length back draped panel,

White silk jersey w/ print in shades of brown & gold, jeweled low U neckline & midriff band, B 32"-34", High W 25", H 34"-38", L 58", excellent.

pale yellow chiffon, draped neckline, sequined bodice, fitted waist, back zipper, fully lined. 36"/29"/Free/29"

Halston Crepe Chiffon Evening Dress, 1970s Green crepe chiffon sleeveless evening dress made from two layers with flounced neckline, and draped back. Label: Halston Approximate Measurements: Shoulders

Raspberry red rayon-viscose jersey, low V neck w/ ruched & draped CF, labeled "Alexander McQueen Italy", IT size 44, excellent.

1 black silk satin w/ gathered & draped strapless bodice w/ printed panne velvet rose & leaf cutout applique trailing onto skirt front, lined w/ black linen buckram, label “Sada Sacks Inc. New Y

1 vermillion hammered crepe evening dress w/ front cowl neck, inset bias front W panel w/ diagonal tucks at sides & back V-neck into long drop ties, draped half sleeves extending from back panel, B 34

1 scarlet silk crepe w/ draped bateau neckline into plunging V back, open short dolman sleeve clasped w/ paste buckles at top of SH, self-W band w/ paste buckle, full length skirt w/ self-ruffles, 193

1 w/ yellow flower spray print on black silk jersey, single shoulder & sleeveless w/ optional long sleeve shrug, B 34" (taken in 5"), H to 40", L 56", (shortened) excellent; 1 w/ black long sleeve top

1 lavender silk crepe chiffon evening gown w/ front cowl neck into plunging V back, draped self bows over SH secured w/ round paste buckle, pieced floor length trained skirt, B 36”, W 32”,

1 purple silk velvet w/ crystal & iridescent pearlized seed beads in rose motif to high round neckline & draped puff sleeve, original matching self-covered belt, B 36”, W 30”, L 60”,

Emerald green velvet evening sheath w/ draped bodice from single SH gathered to embroidered diamond at right H w/ green & silver flat sequins & paired rows of silvered bugle beads, label "Louis Fér

1 trained black silk velvet gown w/ draped collar, puff sleeves & oversized self-bow to front left H, c. 1932, B 38”, W 28”, L 61”, (sash detached from W, some light wear/crush spots

Ivory silk taffeta gown, wide bateau neckline, puff sleeves, CF patterned silk covered button closures, applied W band & H band of patterned silk ribbon, attached full skirt knife & cartridge pleated

Two couture evening gowns, 1950s, comprising Pierre Balmain grey satin cocktail dress with undulating ivory bands, c.1955, with Lesage embroidery of chenille flowerheads with silver borders; together

Both w/ label “Geoffrey Beene New York”: 1 silk & tinsel panne velvet w/ strong SH, long sleeve, full length partially faux wrap skirt w/ slit at left side & open drape to right H, Fall 1989,

DESCRIPTION: Rene Lalique Art Deco 'Deux Figurines' clock, executed in clear and frosted crystal, of arched tablet form having two beauties draped in diaphanous gowns hanging a floral wreath around th

3-pc glazed magenta wool sateen evening gown w/ square neckline & long sleeved bodice, silk mesh covered CF button closures & 4-part puffed & draped overskirt w/ triangular CF panel & flared shaped pa

A Madame Grès couture aubergine velvet and pleated ivory silk evening gown, circa 1975, woven Grès label and also handwritten défilé label '131 sur Chrystel', a plume-shaped jersey panel diagonall

A Pedro Rodriguez couture magenta cannelé satin evening gown, late 1950s, Madrid, Barcelona and San Sebastian label, with ruched and draped ballooning back panel above columnar, trained skirt, bust a

Black silk leno weave over double layer of silk taffeta, draped & twisted bodice w/ CF supporting spaghetti strap, skirt pleated into W, self covered belt, horsehair underskirts, label "Traina Norell,