WENDALL BROWN "Coastal-Scape" California Art

WILLIAM ADAM (California 1846-1931) "Coastal oil" Oil on board. 14 x 19 3/4 inches; Framed: 19 3/4 x 25 3/4 inches. Signed l/r.

PETER ELLENSHAW (Californian 1913-2007) Crashing Waves Oil on canvas 24 x 48 inches / 60.96 x 121.92 cm; Frame: 34 1/4 x 58 inches Signed and dated lower left: Peter Ellenshaw '71 Artist stamp and num

Morgan, Mary DeNeale (American/California 1868-1948), California Coastal Landscape, watercolor, 15 x 11.5 inches, signed lower right, unframed.

Doyle Lane MCM California art pottery handmade bead necklaces. Lot includes: strand of matte glazed beads in shades of tan and brown; Two pendant necklaces with three earthtone clay beads; necklace wi

John Wallace Brown California, Massachusetts / Scotland (1850-1941) The Old Bridge, European City Scene, 1911 oil on canvas signed and dated lower right. From the collection of Edward P. Bentley, Art

California Art Tile Co. landscape tile Richmond, California matte brown glazed ceramic impressed marks set in an oak frame tile: 5 3/4"sq; frame: 11 1/8"sq"

In vibrant orange and brown metallic glazes, pierced handles and a tribal motif. Mid century pottery at its most exuberant. Marked on bottom 10377 IV. 5 1/2" X 10" $20 - $40 Please con

A classic Batchelder California craftsman tile, with deeply carved design depicting two stylized birds beneath a flowering tree, covered in blue and brown englobe matte glaze, 7 3/4 in. square, stampe

Doyle Lane (20th Century, California) art pottery tile with textural glaze in shades of purple and brown, mounted in a wooden frame 6 3/4" x 6 3/4".

(Lot of 10) Collection of tiles, including a California Art Tile, Richmond, CA, scenic tile decorated with a bridge in a pastoral setting; together with a pair of Trent brown tiles, decorated with bir

The horizontal aloeswood boulder carved in the form of rocky mountain landscape scene with huts, pavillion, trees, and Figurines in various activities, the dark brown wood has characteristic inclusion

Chinese. the attractive creamy white tone marble with brown and grey veinings,depicting an autumn landscape of mountains in the morning,inscribed Qiushan Chaohui and signed Tang Yin with one red seal

With a tapered body rising to round shoulders,a slightly tapered neck and lipped rim,applied overall save the footring with glaze of dark brown color,reserved in the biscuit with two prunus branches d

The globular body is moulded with raised bands encircling the body, all covered in an attractive brown glaze, the base six character QIANLONG mark. Qing Dynasty period. Height: 15 1/2 in (39.4 cm) Dia

The mythical beast bixie is shown facing forward, its head crowned by a horn extending to the back, tail bifurcated. The stone is of yellowish color with areas of dark brown mottling. Accompanied with

Chinese. The deep rounded sides rising to an indented groove below the rim, covered overall with a black glaze with bold streaks of reddish-brown ‘hare’s fur’ pulling above the foo

The box which is raised on four shallow feet, of octagonal section, the stone is of even yellow tone with patches of dark brown tone to the corner. Qing Dynasty period. Height: 1 1/4 in (3.2 cm) Width

Rising from straight circular foot, the globular bodyrising to a long neck with flared mouth rim, the neck flanked by two lugs, overall suffused to the exterior with lustrous brown glaze. The base bea

With rounded sides and raised to everted rim, covered to the exterior with glaze of russet-brown color, inside white, base with apocryphal six character QIANLONG mark. Qing Dynasty period. Height: 2 1

Chinese. Of arched form, the jade incised with geometric and angular scrolling motifs, with total of four suspension holes at both ends, the stone is of celadon tone with minor dark brown inclusions t

Of circular form, delicately carved on both sides around the central aperture with four taotie masks, the stone is of light russet tone with dark brown inclusions. Accompanied with a rosewood box. Wes

Harrison Bird Brown (1831-1915) Coastal Scene oil on canvas, 13.25 x 24 in., signed l.r.

Of ovoid form, the snuff bottle is carved in relief with two twisting crawling chilong, the amber is of high translucency honey brown tone. Qing Dynasty period. Height: 2 in (5.1 cm)

南宋 建窯柿釉碗 The bowl is covered overall with a lustrous glaze of reddish-brown tone, stopping irregularly above the foot exposing the dark brown body. Sou