William Bell Scott, Scottish (1811-1890), St Marks, Venice, 1886, etching on paper laid on

Rembrandt Harmenszoon van Rijn, framed antique etching laid on paper "St. Jerome Reading". Provenance: Contessa Gallery, Cleveland OH. From a Greenwich, CT private collection. Dimensions:  Art:&n

"The Duke Andre Dandolo Departing for the Crusade from St. Mark's Cathedral, Venice," 1863 Watercolor and gouache, faintly squared in pencil for transfer, on paper under glass Appears unsigned; titl

Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,

(Massachusetts/England, 1834-1903)  The Barber's (K. 271), 1886-1888, signed in pencil on tab with butterfly cypher, etching and drypoint on laid paper, 6-1/2 x 9-3/8 in. (plate) 6-1/8 x 9-1/2 in

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four

Fine early impression with artist butterfly mark upper left, titled "The Balcony Venice", image size 11.75" x 7.75", matted and framed under glass, remnants of original label on reverse. Condition app

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

(British, 1913-1989) 1958, signed l.r.c. Overall: 29"h x 36-1/2"w Sight: 21-1/4"h x 29-1/2"w Provenance: Marsha Jackson Gallery; Property from the Estates of David and Laura Finn, Westchester County,

ALBRECHT DURER (GERMAN, 1471-1528), ETCHING ON LAID PAPER, H 12 3/4" W 8 3/4" "HERCULES AT THE CROSSROADS" Engraving, on laid paper, without watermark, with the scratches across the jawbone and the ri

Martin Lewis 1881-1962 Corner Shadows drypoint and etching on laid paper 1930; signed in pencil lower right Image: 8 x 8 7/8 in. (20.3 x 22.5 cm.), Sheet: 11 x 12 3/8 in., Frame: 18 x 18 in. (45.7 x 4

Pablo Picasso (after), etching, 1938, After Pablo Picasso (Spanish, 1881-1973), "Deux Figures" (Deux Femmes Assises), (B. 309), etching on laid paper, stamped signature lower right, pencil numbered 41

Pablo Picasso "The Sculptor's Rest IV (Le repos du Le repos du sculpteur)" etching on laid paper, from the Vollard Suite. Signed lower right, "Picasso". With Vollard watermark. Plate: 7.5"H x 10.25"W;

PABLO PICASSOSpain/France, 1881-1973Le Repos du Sculpteur III. Signed in pencil lower right. From La Suite Vollard, 1933. From the edition of 260. Printed by Lacouriere, Paris. Published by Vollard, P

ASHER BROWN DURAND(American, 1796-1886)Mountain Landscapeoil on paper laid on boardsigned A.B. Durand lower right12 x 20 in., frame: 15 3/4 x 23 3/4 Provenance: A New England Estat

1922; from Small Worlds portfolio; drypoint etching on heavy laid paper; from an edition of 200; pencil signed lower right; 9 1/4 x 7 5/8 inches plate; 17 x 15 inches frame

PAUL CADMUS (1904-1999) Two Boys on a Beach, No. 2. Etching on greenish gray laid paper. 162x230 mm; 6x9 inches, full margins. Edition of 151. Signed in pencil, lower right. Published by the Albany Pr

Rembrandt Harmensz van Rijn (1606-1669) The Little Jewish Bride (Saskia as Saint Catherine) (Bartsch, Hollstein 342, Hind 154, New Hollstein 169), 1638 Etching with drypoint on laid paper, New Hollste

(German, 1857-1915) Pre-Raphaelite Portrait of a Girl in Garden with a Dog, 1890, signed verso ?C.W. Allers 1890/Meiningen", pastel and watercolor on paper laid on canvas, 57-1/8 x 37 in.; fine incise

St. George and the Dragon, 1947 Etching on paper From the edition of 250 Signed in pencil in the lower margin: Salvador Dali; The Print Club of Cleveland, Cleveland, OH, pub., with their ink stamp

Clementine Hunter (American/Louisiana, 1886-1988), "The Last Supper", oil on paper laid on rice paper, monogrammed lower left, exhibition label with title on backing paper, 17 3/4 in. x 23 1/4 in., fr

Edgar Degas ( 1834 - 1917). Chevaux dans la Prairie (Horses in the Meadow) (Delteil 66; Adhemar 57 ), 1891-2. Soft ground etching, aquatint and drypoint on laid paper from the the deluxe bound book ed

William Scott (Ireland/England, 1913-1989) screenprint on paper titled "Bottle and Bowl, Blues on Green," numbered 69/100, depicting a grey bottle form and a blue bowl against a green background, and

Joseph Antoine Bouvard (1840-1920) oil on canvas, A finely executed Venetian canal scene, with a gondola and setting sun illuminating houses, St. Mark's Campanile in background, signed lower right, Bo

KURT SCHWITTERS (GERMANY/UK 1887-1948) "MERZ", COLLAGE ON PAPER LAID ON OLD SKETCH BOOK COVER MARKED Z. BAZIN, "FRANKFURTS", SIGNED AND TITLED. SIGHT 11 3/4 X 9"; FRAMED AND GLAZED-14 1/4 X 11 1/2"