William Berra 5x20 O/L "South of Sienna"

William Berra (American, b. 1952) Passing Storm, 1989 oil on canvas signed Wm Berra (lower left) 40 x 58 inches

Artist: William Berra b. 1952 | Title: Fence Posts | Signed l/r: William Berra | Media: Oil on linen | Dimensions: 30 by 50 inches

William Berra (American, b. 1952) Pena Blanca, 1989 oil on canvas signed Wm Berra (lower right) 60 x 40 inches

William Kentridge (South African, b. 1955) Atlas Procession I, 2000 etching, aquatint, drypoint, letterpress with hand-painting signed and numbered 31/40 in pencil 62 x 42 inches. Provenance:David Kru

William Kentridge (South African, B. 1955) Iris. Color aquatint, pencil signed lower right and numbered 19/30 42.5" x 23.5" Frame: 53" x 33.5"

William Kentridge (South African, b. 1955) Leviathan (Arc Shadow Procession), 2000 lithograph and assemblage of pages from Thomas Hobb's Leviathan signed and numbered 13/20 in pencil 18 1/2 x 26 inche

William Kentridge (South African, b. 1955) Untitled (Boat/Plate) charcoal and pastel on paper signed Kentridge (lower right) 6 3/4 x 9 3/4 inches. Provenance: Greg Kucera Gallery, Seattle, Washington

William Kentridge (South African, born 1955) Medusa (Parkett 63; Krut p. 116) Anamorphic lithograph printed in red and black, 2001, on 'Le Nouveau Larousse Illustré Encyclopaedia', chine-coll&#23

William M. (Bill) Berra (American/New Mexico, b. 1952) "St. Francis of Assisi" oil on canvas signed lower right, verso with "Nedra Matteucci Fine Art, Santa Fe, New Mexico" gallery label. 16" x 20", f

Bicycle Kick dated 2009, pigment print on Japanese watercolor pap , SOUTH AFRICAN , 34.3 x 44 in (87 x 111 cm) : pencil signed lower right, edition 4/150 , Refer to LOT#30. This lithograph is part of

Artist: Kentridge, William Joseph (South African, born 1955) Title: Dutch Iris II Date: 1993-1998 Medium: color etching and aquatint in 17 colors Dimensions: Height 42.2 in.; Width 23.2 in. / Height 1

Halsey, William Melton (South Carolina, 1915-1999). "After Glow". 1986. Mixed-media. Signed l.l. Signed, titled, dated, and inscribed to Merton D. Simpson on back. Frame: 25" x 20".

William Kentridge (South African 1955- )- ''Typewriter IX''- intaglio, signed and numbered 2/40 in pencil, from the 'Typewriter' suite, very good condition. 5 7/8 x 7 7/8''

William Kentridge (South African 1955- )- ''Typewriter II''- intaglio, signed and numbered 2/40 in pencil, from the 'Typewriter' suite, very good condition. 5 7/8 x 7 7/8''

(188) vintage mutoscope cards, mostly all Baseball, many Hall of Famers, some risque women, mixed in……includes Jackie Robinson, Ted Williams, Dimaggio, Berra, Feller, etc. Most all in nicr

(NEW YORK CITY.) after William Burgis. The South Prospect of the City of New York in America. Engraved folding panorama of lower Manhattan from the August 1761 issue of The London Magazine. 7½x21

Attributed to William Penhallow Henderson(1877 - 1943)South Pueblo, Taos - Santiago Daywatercolor on papertitled and dated lower right: South PuEbLo- Taos, JuLy 25 - Santiago Dayinscribed verso: blue

William Aiken Walker South Carolina, Maryland, 1838-1921 Depicts a run down shack with chimney being propped up by a pole and a group of African American figures hanging out laundry. Walker is well kn

Slavery.- Draft Articles of agreement between William Knox of South Wales, and John Simpson and John Tunno, merchants of London of the sale of slaves, 5pp., folds, browned, folio, 29th November 1785 &

William McCollough, oil on canvas, William McCollough (American/South Carolina, b. 1948), Moonlit Landscape, signed "McCollough" at lower right, 18.5"h x 29.75"w (sight), 24.5"h x 35.5"w (frame) Prove

William Aiken Walker,South Carolina, Maryland,1838-1921 Depicts a run down shack with chimney being propped up by a pole and a group of African American figures hanging out laundry. Walker is well kno

1958 Topps Baseball Cards, Complete Set incl Ted Williams, Maris, Mantle, Berra, Koufax, Etc -

CABIN, oil painting on board, signed lower left, 6 ¼ x 12 ¼”, frame 12 x 18 x 2 ¾”. Provenance: Christie’s New York, December 2nd, 1988, lot 93; Based off examination

GOOD CROP, oil painting on board, signed lower left, 6 ¼ x 12 ¼”, frame 11 x 17 x 1 ½”. Provenance: Christie’s New York, December 2nd, 1988, lot 92; Based off examinat