William James Webbe (Britihs, 1817-1904) - An Awassi

Views on the coast of Asia. J. Webber del. (Engraved after J. Webber and W. Bligh. London, G. Nicol and T. Cadell, 1785). Author: Webber, John, 1751-1793; Bligh, William, 1754-1817; Cook, James, 1728-

Hand Colored Engravings/Etchings and Lithographs Published 1787-1904, London for "The Botanical Magazine; or Flower-Garden Displayed" and later "Curtis's Botanical Magazine..." by William Curtis. With

Hand Colored Engravings/Etchings and Lithographs Published 1787-1904, London for "The Botanical Magazine; or Flower-Garden Displayed" and later "Curtis's Botanical Magazine..." by William Curtis. With

James Joseph Ahearn (1904-1963) Stamford, CT, c. 1950 7 in. wingspan A rare species for the maker. As found. Provenance: William K. du Pont Collection

including: [Eighteenth Century Artists and Engravers, William Ward, A.R.A., James Ward, R.A., Their Lives and Works] by Julia Frankau, London: Macmillan and Co., 1904, signed Morrell binding, bound in

One weight is for Theodore Roosevelt & Charles W. Fairbanks from 1904. The other weight is for William H. Taft & James S. Sherman from 1908. Both weights are made by Graeser Pittsburgh Pa. Both weight

One weight is for Alton B. Parker & Henry G. Davis from 1904 and was made by Graeser Pittsburgh Pa. The other weight is for William H. Taft & James S. Sherman from 1908 and was made by Graeser Pittsbu

James Scott after Stephen Pearce (1819-1904), 19th century, Engraving, The Heythrop Hunt, depicting Alexander William Hall and his wife on horseback amongst hounds. Titled under. Approx. 18" x 26"

Group of (10) Early Stage Actors and Actresses Cut Signatures: All with original Playbill sheets. Included: William Crane 1904, Francis Wilson, Arthur Byron 1909, James Hackett, Alfred Kappler, Clifto

After William Fisher (British, 1817-1895) , "Field Marshal John Colborne, 1st Baron Seaton", c. 1864, mezzotint, engraved by James Scott (British, 1809-1889), published by Henry Graves, London, "Print

Vol X Part I 1817 Vol X Part II 1817 Vol XI Part II 1819 Vol XIV Part I 1826 From the estate and lifelong collection of William Garrett Hodges (1946-2014). Hodges was a Virginia-based dealer of fine

An Edwardian Silver Inkstand William Hutton & Sons, London, 1904 the inkstand and inkwells hallmarked for Sterling 13 ozt 11 dwt Width 9 x depth 6 1/4 inches. Provenance: Collection of Mrs. James S. K

William James Glackens (1870-1938, PA/NY/CT/FR) oil on canvas titled "Mixed Bouquet, White Vase" monogrammed lower left. Provenance: Chapellier Galleries, Inc., NY, NY to Thomas A. Campbell, Jr. & Mil

WILLIAM JAMES MULLER, (BRITISH, 1812-45), OIL ON CANVAS, H 32", W 53", "AFTERNOON IN LYCIA" Signed and dated 1843 lower left. identification tag with title is on the gilt frame (frame size: 37" x 59")

William James Müller (British, 1812-1845) Carpet bazaar, Cairo signed and dated 'W. Muller 1843' (lower left) oil on board 60.5 x 43cm (23 3/4 x 17in). Footnotes: A very similar composi

William James M&#252;ller (British, 1812-1845) Mandraki harbour, Rhodes signed 'WJMuller' (lower left) oil on canvas 51 x 76cm (20 1/16 x 29 15/16in). unframed Footnotes: Provenance</

William James (American, 20th century) Springtime, Lincoln Park (Chicago, Illinois), 1951 oil on canvas signed and dated lower left and signed verso 12" x 15"

William James Grant (British, 1829-1866) The bridge of sighs oil on panel, circular 13 x 13cm (5 1/8 x 5 1/8in). Footnotes: The subject of this work is taken from Thomas Hood's poem The Bridg

"Gray Day, Monhegan", oil on masonite, signed lower left, titled on Salmagundi Club label verso, Newcomb-Macklin tagged fatigued frame, OS: 17" x 21", SS: 11 1/2" x 15 1/2". Good condition.

Attributed to William James Hubard (British/American, 1807–1862) 19th Century Silhouette 1820-1840. Gold highlights, birdseye maple frame. Framed 7 x 6 Hubard Gallery label on reverse. (CHECK??

In the Manner of William James Blacklock (British, 1815-1858) A Pair of Landscapes. Each an oil on board, bearing signature lower center Each: 14" x 12" Frames: 18" x 16"

George Frederic Watts, OM, RA (British, 1817-1904) Design for a mural oil on panel 25 x 61cm (9 13/16 x 24in). Footnotes: Provenance Lilian Mackintosh (later Chapman), Watts's adopte

British, 1817-1904Study for the Head of Noah for "Noah Building the Ark" from Dalziel's Bible Gallery Black and white chalk on brown paper14 1/2 x 11 5/8 inches (36.8 x 29.5 cm)Frame 24 3/4 x 21 5/8 i

William James Glackens, American, French, 1870 to 1938, oil painting on canvas depicting a genre scene in a townscape. Signed lower left. Framed. William Glackens is known for Genre, figure, landscape