William Millett, "Sketching at Bearskin Neck"

William McNulty (1884-1963) Bearskin Neck etching, 4.5 x 13.75 in., signed l.r.

Jacob Greenleaf (1887-1968) Bearskin Neck, Rockport, MA oil on canvas board, 14 x 18 in., signed l.l.

Elizabeth Withington (1883-1962) Bearskin Neck in the 20's gouache & watercolor, 10.5 x 12.5 in., signed l.l.

Antonio Cirino (1888-1983) Bearskin Neck Lobster Shack pencil drawing, 8.25 x 10.25 in., signed l.c.

Wayne Beam Morrell (1923 - 2013) "Bearskin Neck, Rockport, Mass" , Oil on Panel , Signed , measures 16" x 20 "

Bearskin Neck, Rockport, MA, 1923; edition of 75, signed in pencil lower right "Alfred Hutty" with snail cypher, etching on paper, full margins; matted and under glass in wood frame; sight 4 5/8"W x 4

ARTIST: John Kilduff (California, 20/21 century) NAME: Bearskin Neck & Doyles Cove Rd in Rockport MEDIUM: oil on canvas. Canvas applied to board. CONDITION: Few minor paint losses. Some inpainting alo

"Inlet view of Bearskin Neck" oil on Masonite 13 1/4 x 15 1/4 inches (overall) signed and dated '42.

Pair of Wilcox Crittenden portholes, with box of bolts, 18" glass, #5256, from a home in Bearskin Neck, Rockport, Massachusetts. Provenance: Danvers, Massachusetts estate.

Attrib. to William A. Millett (1922-2007) Lighthouse on Rocks oil on canvas, 18 x 24 in., unsigned, estate sticker

By Sculptor William Congdon Coffee (Massachusetts, b. 1816). The plaster bust cast in good detail with ÒCoffeeÓ signature at the back of the neck. William Coffee was commissioned to produce of bust

A banjo, A banjo, circa 1930, impressed to the heel of the neck 'William I. Watson, London', complete with shapes case and vintage sheet music, 89cm high Condition Report: The instrument is in good ae

Rock Crystal Cut Glass Decanter, with sterling stopper, arch panels of birds & floral in manner of Webb or Stevens & Williams, ring neck, pedestal base, Gorham Art Nouveau sterling stopper, 12" tall,

OIL ON CANVASBOARD IN ORIGINAL FRAME JACOB I. GREENLEAF (MASSACHUSETTS, 1887-1968) - ORIGINAL LABEL ON REVERSE, TITLE "FOGGY MORNING" / STUDIO "BEAR SKIN NECK, ROCKPORT, MASS." - SEASCAPE / LOBSTER FI

OIL ON CANVASBOARD IN ORIGINAL FRAME JACOB I. GREENLEAF (MASSACHUSETTS, 1887-1968) - ORIGINAL LABEL ON REVERSE, TITLE "LOBSTER MAN'S HAVEN" / STUDIO "BEAR SKIN NECK, ROCKPORT, MASS." - SEASCAPE / LOBS

Florian ware, Art Nouveau long neck vase by William Moorcroft, a fine example, bright well executed decoration, signed in full with the Macintyre stamp plus Moorcroft’s initials incised as the desig

5 inches tall with 4-2/3 inch diameter. Hand coiled

John William Hilton, Soft Sundown. Sketching trips with Maynard Dixon, Nicolai Fechin, Jimmy Swinnerton, Orpha Klinker, and Clyde Forsythe influenced his style. He combined a beeswax mixture with his

Gorgeous Native American Navajo Sterling Silver Lapis Pendant on Neck Wire by William Vandever, hallmarked, measures 2.5''L x 1.5'', 45.3g in total wt.

Holding bundle of cigars in left hand and club in right. Bear skin around his neck and pouch in front. Resting on original iron wheel base. Older repaint showing some original colors underneath. Some

A group of nine service plates with center floral decorations signed by William Hale. From a Great Neck, Long Island NY estate. - Dimensions: 10.5" d.

Porcelain vase with carved and painted geometric patterns at the neck, the work of William Hentschel in 1915. Marks include the Rookwood logo, date, shape 515, Mr. Hentschel’s incised monogram a

(lot of 2) William Hull (British, 1820-1880), "Sketching" and "The Lynch Gate," 1853, watercolors, each signed "W. Hull" and dated lower right, overall (largest/with frame): 28.5"h x 23.25"w

This is a stunning cut glass pitcher by Stevens & Williams. It has a long neck and beautiful amethyst color cut to clear with swirls and a floral motif. The sterling mount is marked J.E. Caldwell, Phi