William Samuel Howitt (British, c.1765-1822) -

(British, 1756/57-1822) watercolor, graphite, and ink on paper, comprising one of "Scuirus Siriatus [six]" and "Myoxus loir", the latter from "W. Brooke's Museum" (possibly William Bullock's Museum),

William Samuel Howitt (English, 1765-1822), "Fighting Dogs," engraving on paper, numbered "12" in plate upper left and signed "Howitt" in the plate lower right. Image: 5.5" H x 6.5" W, frame: 12" squa

Hare Print By Samuel Howitt 1801: Titled 'A Hare in its Form' is a print by Howitt (1756 - 1822) a 19th century British artist and published by J. Wheble, Warwick Square.

Ellenshaw, Peter (William Samuel Cook) (British, 1913-2007), Hogs Head, County Kerry, Ireland, 1975, oil on canvas, signed and dated lower left, artist's copyright stamp and personal inventory number

William Samuel Parkyn, British, 1875 - 1949. An early 20th century watercolor on paper landscape. Depicts two figures leading a horse across a coastal sand dune with mountains in the distance. Signed

Signed lower right. William Widgery (British, 1822-1893). From a Larchmont, NY storage. - Dimensions: 8" high x 20" wide

Colored lithographs. Includes: 1) After Samuel Howitt (1756-1822). Hare Hunting. 1798. 2) After Samuel Howitt (1756-1822). Partridge Hawking. 1800. 3) After Samuel Howitt (1756-1822). Fox Hunting. 179

† Samuel Bough, R.S.A.(British, 1822-1878)"River Scene with Castle and Cliffs"oil on canvassigned lower right.In an antique frame.34-1/2" x 44-1/2", framed 45" x 55"

ARTIST: William Beardmore (British, fl.1822 - 1826) NAME: Still Life with Fruits MEDIUM: oil on board. Board applied to newer board. CONDITION: Some craquelure. Few scattered inpaintings. SIGHT SIZE:

Samuel Parker (British, 19th C.), "William IV", 1831, bronze cast bust, depicting William IV, King of Great Britain (Reigned 1830-1837), inscribed verso "Publishd as the Act Directs Jany 1st 1831 by S

William Fettes Douglas (1822-1891) British. "Scheveningen", A Beach Scene, with Figures unloading the Catch, Watercolour and Pencil, a Sketch, Inscribed and Dated '12th May 1857', and Inscribed on a p

ROBERT GEORGE KELLY (BRITISH 1822-1910), OIL ON CANVAS, "PORTRAIT OF SUZANNA REILY", SIGNED 1852. 36 X 28"; FRAMED 48 X 40"

(English, 1765-1822), titled "La Chasse aux Faisans," "La Chasse aux Faisans," "La Chasse au Lievre," and "La Chasse au Chien Warant." Sight size: 13"h x 17-1/2"w. Property from the Collection of Phil

Large Folio Lithographs Published 1955, London for "Orme's Collection of British Field Sports" Reproduced from the 1808 Edition. Illustrated by Samuel Howitt. Paper Size: 22 x 17 inch (56 x 43cm) Good

Large Folio Lithographs Published 1955, London for "Orme's Collection of British Field Sports" Reproduced from the 1808 Edition. Illustrated by Samuel Howitt. Paper Size: 22 x 17 inch (56 x 43cm) Good

Large Folio Lithographs Published 1955, London for "Orme's Collection of British Field Sports" Reproduced from the 1808 Edition. Illustrated by Samuel Howitt. Paper Size: 22 x 17 inch (56 x 43cm) Good

Large Folio Lithographs Published 1955, London for "Orme's Collection of British Field Sports" Reproduced from the 1808 Edition. Illustrated by Samuel Howitt. Paper Size: 22 x 17 inch (56 x 43cm) Good

William Hogarth (British, 1697-1764) Works of William Hogarth. Bound volume of 116 plates, many double or triple, and text, printed for Baldwin, Cradock and Joy; Paternoster Row, London, 1822. With tw

Title: The Bruiser, C. Churchill. Artist: William Hogarth (British, 1697–1764). Plate mark: 38x28,5 cms. Paper size: 62x48 cms. Paper with watermark '1820'. Condition: good.; William Hogarth was

Joseph Mallord William Turner. (English, 1755-1857). Regulus Leaving Carthage. Antique engraving on wove paper after the original oil on canvas by master engraver Samuel Bradshaw (British, fl. 1832-18

After William Hogarth (British, 1697-1764) "Taste in High Life" engraving on paper engraved by Samuel Phillips (British, act. 1797-1808) and commissioned from John Boydell for a posthumous edition of

James Sowerby (British 1756-1822)- ''Flora Londinensis''- 15 hand-colored engravings, 1770, published by William Curtis, some engravings by William Kilburn and Francis Sansom.

After Fitch, John Nugent, (British, 1840-1927), "Galeandra Baueri" and "Phaleanopsis Grandiflora," two hand-colored lithographs of orchids from "The Orchid," published by Benjamin Samuel Williams Imag

(lot of 4) Framed hand-colored engravings on paper, including: (1) "Florence and Fiesole, Italy," after W.H. Bartlett (William Henry Bartlett, British, 1809-1854), engraved by Samuel Bradshaw (British