William Tylee Ranney (1813-1857) Portrait of James

William Tylee Ranney (1813-1857) Portrait of Edwin White (1817-1877), circa 1850s Oil on canvas, framed. (16 1/4 in. x 13 in. (sight)) Provenance Property from a Private Collector.

William Tylee Ranney (1813-1857) Four Works: Studies of Animals and Hunt Scenes Comprising Calling the Hounds, Study of a Hunter with Two Dogs, Study of Two Dogs, and a double-sided work: Study of a H

After William Tylee Ranney (1813-1857) Two Works: Daniel Boone's First View of Kentucky and The Trapper's Last Shot, 1850 Comprising Daniel Boone's First View of Kentucky, etched by Alfred Jones, prin

[REVOLUTIONARY WAR]. BURT, Charles K. (1823-1892), engraver, after William Tylee Ranney (1813-1857). Marion Crossing the Pedee.Engraving, 1852, 12 x 15 in., toning to margins, some light surface abras

After William Tylee Ranney (American/New York, 1813-1857). "Marion Crossing the Pedee [Pee Dee]" -1851, handcolored engraving. Published by the American Art Union, New York. Note: This print of the So

William Shiels (British, 1785-1857) Portrait of a Man. Oil on canvas. Signed LR and dated 1813 Canvas: 30.25" x 25" Frame: 39" x 34.25"

The Trappers Last Shot. Approx. 20 x 24 in. (sight). 22 1/2 x 28 5/8 in. Discoloration from previous mat. Repaired tear right edge. Provenance: David Howard Fine Art, Mill Valley, CA

Medium: oil on canvas. Title: Before the Hunt. Signature: Lower right. Dimensions: 18 x 28 inches (unframed); 25.5 x 34.5 inches (framed). Lot note and provenance: Private collection, Illinois.

Description: A ca. 1850 hand colored engraving after William Tylee Ranney's painting "The Trapper's Last Shot" published by J.M. Emerson & Co., engraved by T.D. Booth.Title: The Trappers' Last ShotTyp

1884; oil on canvas; signed and dated lower left; Provenance: The Estate of Barry Tarlow, Los Angeles; Condition: has been restored; 52 1/2 x 40 inches; 67 1/4 x 55 inches frame

James Frothingham (Massachusetts and New York, 1786-1864). Portrait of William Shimmin (1777-1856). Oil on canvas, (26.75 x 22.125 inches), unsigned; housed in a gilt gesso frame mounted with a rococo

OOC Portrait Young Boy W/Rifle - James Scott RSA 1857 In Original Maple Frame. 25 1/4" X 29 3/4"

American, early 20th Century. Graphite on paper, framed. Each a view of a woman at a restaurant table. Signed. Light toning. 8.25"h. 10.5"w. (sight). Frame, 10"h. 12.5"w.

Steel Engravings Published 1857, London for "England's Battles by Sea and Land..." by Lieut-Colonel Williams. Paper Size: 10.5 x 7 inch (27 x 18cm) One with margin water stain. Good Condition

William van Zandt (1857-1942, American), "Portrait of a Cairn Terrier," 1897, oil on canvas, signed and dated lower right, presented in a silver frame, H.- 11 5/8 in., W.- 9 5/8 in., Framed H.- 17 1/4

William Mark Fisher American, 1841-1923 Portrait of James Abbott McNeill Whistler Oil on board 12 1/2 x 7 1/2 inches Provenance: M. A. McDonald, New York C Property from the Collection of Helen Sonnen

Steel Engravings Published 1857, London for "England's Battles by Sea and Land..." by Lieut-Colonel Williams. Paper Size: 10.5 x 7 inch (27 x 18cm) Good Condition

George Peter Alexander Healy (American, 1813-1894), portrait of William Winston Seaton, oil on canvas, signed G.P.A. Healy and dated 1852, 30" x 25", framed 36" x 30". Provenance: Winchester, Massachu

William Brodie (Scottish, 1815-1881), Marble Portrait Bust of James Symecarved white marble, depicting a portrait bust of the renowned Scottish surgeon and professor James Syme (1799-1870), signed and

Elliot, Dr. James William. Cabinet Card Portrait of Dr. Elliot. Springfield, Taft Studio, ca. 1910. Handsome profile portrait of the famed “champion” card manipulator. Embossed mount, 5 ¼ x 7 ¼�

Pair Antique William James Hubard Silhouette Portrait Miniatures. Marked on back Master Hubard. In frames marked Pat Romaleian. Each measures 6.25 x 5.25 inches.

Description: Oil on canvas painting entitled "Young Woman" by John Insco Williams (1813-1873) is houses in an oval shaped frame, with an oval shaped canvas stretcher conforming to the frame. The frame

London, Longman, Hurst, Rees, Orme and Brown, 1813. In 4th. Portrait of William Hogarth engraved by Cook, with 160 engravings protected by vellum, slight blooms and marginal redness, coeval full leath

Antique 1855 Portrait of James Watt, engraved by William Holl Jr., after the painting by Sir William Beechy, stipple engraving on heavy stock paper. James Watt (30 January 1736 /19 January 1736 OS - 2