Louis Rosenberg dry point

Louis Rosenberg "Aya Sophia No.2" drypoint, 1927, edition of 150, 12-in. x 8.5-in, MCM 58. Unframed, loose and not glued or mounted. If lot is absent of a condition report one may be requested via ema

Louis Conrad Rosenberg (American, 1890-1983) Temple of Minerva Medica, 1927, drypoint on paper, signed in pencil, lower right, matted and framed. Dimensions: 9 x 13 in. plate size 18 x 24 in. as frame

Louis C. Rosenberg (American 1890-1983) Hospital, Santa Cruz Barcelona, 1926, drypoint on paper, signed in pencil lower right margin, matted and framed. Dimensions: 6 1/2" x 8 1/4" plate siz

Louis Conrad Rosenberg (American 1890-1983)- ''Street of Southwest Wing Tower''; ''Ontario Street #2''; ''Cut South of Central Avenue''; and ''New Track Level South of Huron Road''- 4 drypoint, 1929,

Louis Conrad Rosenberg (American 1890-1983)- ''Demolition of Power Plant''; ''Kinsman Street Temporary Bridge''; ''Station and Prospect Avenue''; and ''Terminal Tower Site''- 4 drypoint, 1929, all sig

Louis Conrad ROSENBERG (American, 1890-1983): "La Badia, Florence". Drypoint on laid paper with a large unidentified crest watermark, 1926. Catalogue: Reid 39. Signed in pencil. Plate size: 6 1/2 x 8

Louis C. Rosenberg (American 1890-1983)- ''Terminal Tower Suite''- set of 22 drypoint etchings from the Cleveland Series, 1928-32, all signed in pencil, 6 have mat burn, otherwise all in very good con

Louis Conrad Rosenberg (1890-1983) Grande Port St. Malo The drypoint etching from an edition of only 21 prints is signed by the artist in pencil below the image lower right. Image measures 6.75 x 6.75

Louis C. Rosenberg (American 1890-1983) Via Appia, The Appian Way, Rome, drypoint etching, signed in pencil lower right margin and titled Via Appia in lower right within plate, matted and framed. Di

1928. Pencil signed lower right, artist's blind stamp lower left and numbered L/16 lower left. Copyright 1928 by L. Icart Paris. Louis Icart (French, 1888-1950). From a Teaneck, NJ home. - Dimensions:

Pencil signed and numbered 18/30 lower left; Gustave Pellet red ink publisher's stamp lower left. Signed in the plate upper right. Louis Auguste Legrand (French, 1863 - 1951). - Dimensions: Plate - 7"

Ca. 1930 framed dry point etching with artist pencil signature, and windmill indetia23 X 29.5 inches including Frame

Original Louis ICart Dry Point Etching of hydrangeas. 16.25"x19.25"

An original drypoint etching by Louis Icart entitled Perfect Harmony (Accord Parfait). 25"h x 29"w

Louis Icart drypoint etching Coursing II. Signed l/r. Left side has blind stamp and marked epreuve d'artiste (artist's proof). Back of piece has label indicating work came directly from artist's studi

Louis Icart Drypoint Etching - Swing. Copyright 1928. Hand signed with windmill blind stamp. Measures 18.75 in. high x 13 in. wide. Framed: 29 in. high x 22.75 in. wide. Weight: 9 lbs.

Louis Icart drypoint etching Coursing I. Signed l/r. Lower left has blind stamp and noted Epreuve d'artiste (artist proof). Back has label indicatng piece came directly from artist's studio on Rue Jad

LOUIS ICART DRYPOINT ETCHING – COURSING III c.1930, published by the New York Graphics Society, pencil signed 'Louis Icart' (lower right), Copyright 1930 by L. Icart Paris at upper left, artist's wi

Louis Icart Drypoint Etching - Zest. Copyright 1928. Hand signed with windmill blind stamp. Measures 19.25 in. high x 14.25 in. wide. Framed: 30.75 in. high x 23.25 in. wide. Weight: 9 lbs.

LOUIS ICART, DRYPOINT ETCHING & AQUATINT, BOUDDHA. Plate size: 21 1/2" x 17"; image size: 20 1/2" x 16 1/8". "Le Bouddha en Colère" (The Angry Buddha). 1924, #112, pencil signed, hand colored, publ

LOUIS ICART, DRYPOINT ETCHING AQUATINT, "INTIMITE". H 14.9", W 17.9'; "Intimité", 1928, pencil signed, windmill seal, published by L. Icart, Paris, framed 23" x 27". Icart, Fr. 1888-1950. Condition

Original Louis Icart (French, 1888-1950) drypoint etching "Lady with Satyr" in wooden oval frame. Pencil signed l/r. Blind Stamp l/l. Sight size of image 15"h x 18"w Overall frame size 18 1/2"h x 22 1

Louis Icart drypoint etching titled Sleeping Beauty (La Belle Au Bois Dormant) c.1927. Scene of a sleeping woman in the foreground, a glowing silhouette of a man on horseback in the background. Pencil

LOUIS ICART Drypoint Etching Print. "Coursing II" 1929. Elegant lady with greyhounds Whippets. Pencil signed. Windmill stamp -- Dimensions: Image Size: H: 15.5 inches: W: 25.5 inches ---