Peter Max (b. 1937) German American (two)

ABSTRACT PROFILE SERIES IV, 1988, color pastel, marker and mixed media on paper, signed and dated lower left, signed and dated and inscribed and with doodles on back of frame, 6 x 5”, frame 21 x 19

SUMMER SEASON II, color screenprint, signed and numbered 125/175, image 19 x 25”, full margins, frame 30 x 35” with glass; Together with a 1989 color poster, signed and dated in ink lower

TWO HEARTS, Version III #247, 2017, acrylic sculpture hand-painted in Peter Max Studio, hand-signed in pigment lower right by the artist, a unique work, overall with base 11 x 12 ½ x 4 ½

TWO WOMEN WITH HATS, 1988, color lithograph, signed in pencil, numbered 170/300, sheet 30 x 40”, artist’s blind stamp lower left, framed, tiny wear upper right corner, otherwise in apparently good

TWO Peter Max (American / German b. 1937), color prints from the Pique Dame Suite Series, comprising 'Soft Chair' circa 1979, serigraph on paper, signed and numbered 111/28 to lower left; and 'Pique-D

PETER MAX (American / German b. 1937) "Two Hearts as One" Offset lithograph with ink sketch of a woman. 24 1/8 x 36 1/4 inches. Dedicated, signed and dated, COA verso. * Was not examined out of the fr

Peter Max (German-American, b. 1937). Group of two signed poster lithograph prints. One offset lithograph advertising a casino in Monte Carlo, dated 1992. One lithograph titled "Captain Midnight,

MAX, Peter, (German/American, b. 1937): Patriotic Series, Two Liberties from the Freedom Suite, Etching with Hand Coloring and Unique Hand Drawn Colored Pencil Remarques of Angel in upper right corner

Hand painted sculpture titled; Two Hearts. This piece is one of Peter Max's most famous signature characters; two hearts painted in a surge of vibrant colors. Hand signed in pigment lower right. Certi

UMBRELLA MAN, 2017, hand-painted acrylic sculpture, hand-signed in pigment by the artist lower right, a unique work, with registration stamp and copyright on right side, approximately 150 additional p

FLAG WITH HEART Series (see Hanson pages 118-119), 1990, extensive acrylic painting over color screenprint, signed upper left, full sheet floated 40 x 54”, frame 49 x 63” with Plexiglas. C

BOUQUET ON BLACK, 2010, acrylic painting on canvas, signed upper right, 24 x 20”, artist’s copyright stamp and date on verso, artist’s inventory number #321037, framed, in good studio condition.

STATUE OF LIBERTY, 2014, acrylic painting on canvas, signed upper right, with artist’s stamp and date on verso, inventory number M338613 on verso, 16 x 8”, framed, in good studio condition.

FLOWER STILL LIFE, 1982, acrylic painting on canvas, signed and dated upper right, inscribed and dated and copyright in marker on verso, 24 x 18”, frame 30 ½ x 24 ½”. Provenance: acquired direct

SEATED FIGURE, 1986, acrylic painting on paper, signed and dated upper right, 40 x 54”, framed, a few finger prints and smudges near the perimeter, a small nick upper center sheet edge, otherwise in

STANDING FIGURE, 1974, acrylic painting on canvas, signed and dated upper left, 29 ½ x 22 ½”, frame 32 ¾ x 24 ¾”. Provenance: acquired directly from the artist by Renee Wayne Golden, attorney

STATUE OF LIBERTY, 2017, version 1, #283, acrylic painting on canvas, signed upper right, artist’s stamp and studio number 393593 on verso, 12 x 9”, frame 24 ½ x 21 ½ x 3&rd

BILL CLINTON #132, 1993, acrylic painting over screenprint on canvas, 16 x 14”, signed and dated upper right, signed and dated and dedicated on the verso, copyright and studio #14086 on verso, in go

SNOW WHITE SUITE, 1994, set of four color screenprints, each signed in colored pencil, numbered 391/500, images 16 x 14”, full margin, printed by Soma Fine Art Press, all with artist’s and printer

WALK ON THE MOON, 2009, extensive acrylic painting over color print, signed lower left, 36 x 24”, with the artist’s stamps and inventory #309082 on the verso.

BLUSHING BEAUTY, 2009, extensive acrylic painting over color print, signed lower right, with Max Studio stamp and registration number on verso, sight 35 x 22 ¾”, frame 48 x 36”.

PROFILE #2 from Roseville Suite, 1992, acrylic painting on paper, signed upper right, 40 x 30â€, framed, studio number 11982.

LIBERTY HEAD, VIRGINIA FILM FESTIVAL #82, acrylic painting over color print, signed lower left, 33 x 27â€, framed.

SUPERBOWL XXVIII 1994, acrylic painting and collage on paper stock, original artwork for the official Superbowl XXVIII poster, signed and dated 94’, sight 34 ¼ x 26 ½”, framed. Superbowl XXVIII