After Paolo Veronese (Italian, 1528-1588)

after PAOLO VERONESE (Italian 1528-1588) attributed to GIOVANNI "GIAN" DOMENICO FERRETTI (Italian 1692-1766) A PAINTING, "Abduction of Europa," 1720-1740, oil on canvas, signed indistinctly, "Pietro R

manner of PAOLO VERONESE (Italian 1528-1588) AN OLD MASTER STYLE PAINTING, "Feast at the House of Levi," PROBABLY PARIS, 18TH/19TH CENTURY, oil on canvas, a study of the central portion of the origina

(possibly 16th/17th century) The Judgement of Solomon, unsigned, inscribed verso in ink crediting the work to Paolo Veronese (Italian, 1528-1588), red chalk on laid paper, 6-5/8 x 9-7/8 in.; modern fr

Follower of Paolo Veronese (Italian, 1528-1588), Study of Hercules and Antaeus, ink and wash on paper, unsigned, attribution inscribed verso, overall (in mat): 17"h x 12"w

Paolo Veronese (studio) (Italian 1528-1588) Martyrdom of St Sebastian c. 1565 Drawing on laid paper; pen, ink and brown wash With an "IHS" watermark. The cross is above the "H"; 16th century watermark

Three art books and albums on Italian Renaissance and Baroque painting. Caravaggio by John T. Spike, published by Abbeville Press, New York, 2001. The Art of Paolo Veronese 1528 to 1588 by W.R. Rearic

Valentin Lefebre after Paolo Veronese (1528-1588), 17th century, Engraving, Assumption of the Virgin. Published by Jacobus van Campen. Approx. 18" x 12 1/4"

After Paolo Vernese (Italian 1528-1588), Monumental Oil on Canvas Painting. The Marriage at Cana. The presentation of the virgin. 107" x 51"

CIRCLE OF PAOLO VERONESEItaly, 1528-1588The supper at Emmaus. Signed and inscribed in ink and in period script verso “Paulus Veronese Venetia” and "N 134". Squared in pencil for

Veronese, Paolo (Verona 1528–1588 Venedig) in der Art Anbetung der Könige. Öl auf Leinwand. 97,5x137 cm. - Doubliert.

Bronze with etched glass doors. Stamped Piglia Paolo, Via Bava 39, Torino. 63 1/4"h. x 55 1/2"w. x 18"d.

Follower of Paolo Veronese St. Barbara oil on canvas 19 1/5 x 16 1/4 inches. This lot is located in Palm Beach. Property of a South Florida Collector

After Paolo Veronese, The Supper at Emmausξ original painted (c. 1555), Frame: 33 1/2 x 49 inches Canvas: 29 x 44 inches Condition: Good.

Bigazzi, Paolo (Italian, 1945- ) “Depo La Proggia Nel Livornese”. Oil on artist board. Signed on lower left “’88 Bigazzi,” inscribed and titled on back Paolo Bigazzi “Depo La Proggia Nel L

Italy, 16th Century. Etching on laid paper, signed on the plate. Adoration of the Shepherds with text below and "Giacomo Barri D.D.". Trimmed, toning, minor edge loss, taped along top margin. 17.25"h.

Icaro, Paolo (Italian, b.1936), Against Man, c.1979, white plaster sculpture, unmarked, 13 x 10.5 inches, with original hole on back for hanging. Provenance: Jack Tilton Gallery, NYC, purchased by the

After Francesco Giovanni Gessi (Italian, 1588-1649) Portrait of a Lady oil on canvas 27 x 20 1/4 inches. Property from the Estate of Anne M. Baker, Peru, Illinois

After Paolo Veronese. 18th C. Sight-44"h x 38"w Overall- 4'4" h x 45-1/2"w

CARLETTO CALIARI; Sohn, Schuler und Mitarbeiter des Paolo Veronese. "DIE FINDUNG MOSIS" Renaissance Painting "The Finding of Moses" Oil on Canvas -- Dimensions: Image Size: H: 24 inches: W: 37.25 inch

Manner GIOVANNI FRANCESCO GESSI (Italian 1588-1649) "Portrait of Woman" Oil on canvas laid on canvas. 29 3/4 x 25 inches; Frame: 37 x 30 3/8 inches. Unsigned. CONDITION: In overall fair condition. The

Brown Pen And Ink With Brown Wash In Ink Outline On Paper, Being Architectural Design Studies With Notations. Attributed To A Follower Of Marco Marchetti (Circa 1528 - 1588). The Image Itself Measures

“PAOLO VERONESE” ITALIAN SCHOLAR SCULPTUREStamped on base “Carrier.”White metal, height 24”.

Paolo Venini (Italian, 1895-1959) ▴ Paolo Venini (Italian, 1895-1959), a 'Murrine a Damo' glass vase, c.1953, of ovoid form, decorated with turquoise and ruby murrine, with acid stamp 'Venini/Mu

Paolo Venini (Italian, 1895-1959)Zanfirico Mosaico Vase, circa 1954Internally decor